Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Artists' models --- Art, French --- CDL --- 75.071 MANET --- Models, Artists' --- Models (Persons) --- Callias, Nina de --- France --- Bro-C'hall --- Fa-kuo --- Fa-lan-hsi --- Faguo --- Falanxi --- Falanxi Gongheguo --- Faransā --- Farānsah --- França --- Francia (Republic) --- Francija --- Francja --- Francland --- Francuska --- Franis --- Franḳraykh --- Frankreich --- Frankrig --- Frankrijk --- Frankrike --- Frankryk --- Fransa --- Fransa Respublikası --- Franse --- Franse Republiek --- Frant︠s︡ --- Frant︠s︡ Uls --- Frant︠s︡ii︠a︡ --- Frantsuzskai︠a︡ Rėspublika --- Frantsyi︠a︡ --- Franza --- French Republic --- Frencisc Cynewīse --- Frenska republika --- Furansu --- Furansu Kyōwakoku --- Gallia --- Gallia (Republic) --- Gallikē Dēmokratia --- Hyãsia --- Parancis --- Peurancih --- Phransiya --- Pransiya --- Pransya --- Prantsusmaa --- Pʻŭrangsŭ --- Ranska --- República Francesa --- Republica Franzesa --- Republika Francuska --- Republiḳah ha-Tsarfatit --- Republikang Pranses --- République française --- Tsarfat --- Tsorfat --- Γαλλική Δημοκρατία --- Γαλλία --- Франц --- Франц Улс --- Французская Рэспубліка --- Францыя --- Франция --- Френска република --- פראנקרייך --- צרפת --- רפובליקה הצרפתית --- فرانسه --- فرنسا --- フランス --- フランス共和国 --- 法国 --- 法蘭西 --- 法蘭西共和國 --- 프랑스 --- France (Provisional government, 1944-1946) --- Intellectual life --- Literary history and arts --- Biography --- XIXth century. --- Manet, Edouard --- Callias, de, Nina --- Manet, Édouard --- Manė, Eduard --- Manet, Éduard --- מאנה, אדוארד,

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"En s'appuyant sur les catégories ou les désignations singulières mises en avant par Artaud dans "Van Gogh, le suicidé de la société", le parcours de l'exposition se déroule à travers 46 peintures, 7 dessins et 2 lettres de Van Gogh ainsi qu'une sélection d'oeuvres graphiques du poète-dessinateur." [Source : site de l'éditeur].

zelfmoord --- Gogh, Vincent van --- Artaud, Antonin --- Impressionnisme --- Van Gogh, Vincent --- kunst --- psychologie --- psychopatholgische kunst --- psychiatrie --- waanzin --- 7.071 ARTAUD --- 82 --- 741.071 ARTAUD --- 75.071 VAN GOGH --- literatuur --- tekenkunst --- negentiende eeuw --- twintigste eeuw --- schilderkunst --- Gogh, Vincent van, --- Artaud, Antonin, --- Artaud, Antoine Marie Joseph, --- Arto, Antonen, --- Fan-kao, --- Fan-ku, --- Fan'gao, --- Fangu, --- Fangu, Wensheng, --- Gogh, Vincent-Willem van, --- Van-Gog, Vint︠s︡ent, --- Van Gogh, Vincent, --- גוך, וינסנט ואן, --- ビンセントゴッホ, --- ゴッホ, --- 梵高, --- Exhibitions --- zelfdoding, zelfmoord --- Artaud, Antoine Marie Joseph --- Arto, Antonen --- Gogh, Vincent van - Artaud, Antonin - Exhibitions. --- zelfdoding, zelfmoord. --- Van Gogh, Vincent. --- Artaud, Antonin. --- Rubens, Peter Paul.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This revelatory study investigates how changing modes of representing the black female figure were foundational to the development of modern art. Posing Modernity examines the legacy of Edouard Manet's Olympia (1863), arguing that this radical painting marked a fitfully evolving shift toward modernist portrayals of the black figure as an active participant in everyday life rather than as an exotic "other." Denise Murrell explores the little-known interfaces between the avant-gardists of nineteenth-century Paris and the post-abolition community of free black Parisians. She traces the impact of Manet's reconsideration of the black model into the twentieth century and across the Atlantic, where Henri Matisse visited Harlem jazz clubs and later produced transformative portraits of black dancers as icons of modern beauty. These and other works by the artist are set in dialogue with the urbane "New Negro" portraiture style with which Harlem Renaissance artists including Charles Alston and Laura Wheeler Waring defied racial stereotypes. The book concludes with a look at how Manet's and Matisse's depictions influenced Romare Bearden and continue to reverberate in the work of such global contemporary artists as Faith Ringgold, Aimé Mpane, Maud Sulter, and Mickalene Thomas, who draw on art history to explore its multiple voices

Artists' models --- African American models --- Modernism (Art) --- Blacks in art --- kunst --- Frankrijk --- twintigste eeuw --- negentiende eeuw --- portret --- portretschilderkunst --- schilderkunst --- 75.035/036 --- postkolonialisme --- feminisme --- kolonialisme --- Afrika --- gender studies --- kunst en politiek --- Afro-Amerikaanse kunst --- 7.071 MARSHALL --- 75.071 MARSHALL --- Negroes in art --- Afro-American models --- Models, African American --- Models (Persons) --- Models, Artists' --- Blacks --- Art --- Black [general, race and ethnicity] --- models [people] --- vrouw in de kunst --- African American women in art --- Women, Black, in art

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Guimard, Hector --- Architecture --- 20e eeuw --- 705.7 --- surrealisme --- kunstgeschiedenis, c.1850-c.1914 --- Art nouveau --- Art, French --- Decoration and ornament --- Art, Decorative --- Decorative art --- Decorative design --- Design, Decorative --- Nature in ornament --- Ornament --- Painting, Decorative --- Art --- Decorative arts --- Arts and crafts movement --- Art belle époque --- Art nouva --- Arte joven --- Belle époque art --- Jugendstil --- Modern style (Art nouveau) --- Modernisme (Art nouveau) --- Modernismo (Art nouveau) --- Nieuwe kunst --- Stile Liberty --- Style nouille (Art nouveau) --- Aesthetic movement (Art) --- Guimard, Hector, --- metro --- metro Parijs --- Metropolitain --- 717.8 --- art nouveau --- architectuur --- Frankrijk --- binnenhuisarchitectuur (binnenhuisinrichting)(interieurarchitectuur) --- 774.3 --- architectuur, 20e eeuw, architecten afzonderlijk --- binnenhuis- en meubelkunst, historisch, ontwerpers afzonderlijk --- Exhibitions --- CDL --- 72.071 GUIMARD --- Decoration and ornament, Primitive

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Catalogue officiel de l'exposition "Qui a peur des femmes photographes? 1839 à 1945" du 14 octobre 2015 au 25 janvier 2016, au musée de l'Orangerie pour les années 1839-1914 et au musée d'Orsay pour les années 1914-1945. S'appuyant sur des recherches nouvelles comme sur les nombreuses histoires de la photographie qui, depuis une quarantaine d'années, ont réévalué l'extraordinaire contribution des femmes au développement du medium, cette exposition et la publication qui l'accompagne sont les premières du genre en France. Le phénomène est en effet appréhendé à travers ses manifestations aussi bien en Europe, essentiellement en France, Grande-Bretagne et Allemagne qu'aux États-Unis, de l'invention officielle de la photographie en 1839 jusqu'en 1945. Ouvrage coédité avec les musées d'Orsay et de l'Orangerie.

photography [process] --- Photography --- anno 1800-1999 --- fotografie --- avant-garde --- seksualiteit --- reizen --- vrouwelijke kunstenaars --- 1839 - 1945 --- 19de eeuw --- 20ste eeuw --- Frankrijk --- Groot-Brittannië --- Verenigde Staten --- negentiende eeuw --- twintigste eeuw --- vrouwelijkheid --- feminisme --- 77.035/036 --- Exhibitions --- Femme artiste --- Photographe --- Femmes photographes --- Identité sexuelle --- Dans l'art --- Dans l'art. --- reizen; toerisme --- Identité sexuelle --- avant-garde. --- seksualiteit. --- reizen; toerisme. --- vrouwelijke kunstenaars. --- 1839 - 1945. --- 19de eeuw. --- 20ste eeuw. --- Frankrijk. --- Groot-Brittannië. --- Verenigde Staten. --- vrouwelijke kunstenaar