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Literature --- American literature --- Littérature américaine --- History and criticism --- Periodicals --- Histoire et critique --- Périodiques --- Literature, Modern --- Literature. --- Literature, Modern. --- 1900-2099 --- Arts and Humanities --- Social Sciences --- Journalism, Mass Communication, Media & Publishing --- Literary Theory & Criticism. --- Literature & Writing (General) --- Littérature américaine --- Périodiques --- EBSCOASP-E EJLITTE EPUB-ALPHA-L EPUB-PER-FT --- Modern literature --- Arts, Modern --- Literature & Writing (General). --- Poésie anglophone. --- Poésie anglophone. --- Littérature
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This book examines Greek postmodernist fiction through the lens of history, national ideology and constructions of identity. It argues that postmodernist Greek writers question the idea of national identity based on both the impact of globalization and a reexamination of the discourses of national ideology; they suggest a turn away from the traditional concerns with cultural homogeneity towards an acceptance of multiplicity and diversity, which is reflected through experimentation with postmodernist literary techniques.
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Outlaw Fathers provides an innovative reading of fatherhood and father-son relationships in a number of Victorian and modern literary texts. In addition to using an inventive psychoanalytic paradigm for redefining, or queering, the concept of patriarchy in literary studies and theory, it joins a larger contemporary conversation about changing masculinities and families.
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Rhetoric and the Familiar examines the rhetorical practice of Francis Bacon and John Donne in both their writing and public speaking. It explores how their rhetorical planning negotiates the need both to use and combat familiar ideas, images, and emotions, when engaging different audiences. The book's main selling points are that it explores well-known texts from the neglected angle of faculty psychology. Its ability to illuminate familiar ground in an important but neglected way will be its main selling point in the academic market.
English language --- Rhetoric. --- Bacon, Francis, --- Donne, John, --- Donn, John, --- Done, John, --- Donn, Dzhon, --- Dann, Dzhon, --- Донн, Джон, --- Bacon de Verulam, François --- Bacon, François --- Literary style. --- Knowledge --- Psychology. --- Germanic languages
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The Next Thing: Art in the Twenty-first Century is an illustrated collection of commissioned essays that attempt to anticipate, through current artistic productions, the aesthetic sensibility that will define our times.
Art, Modern --- Modern art --- Nieuwe Ploeg (Group of artists) --- Philosophy.
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Femininity and Authorship in the Novels of Elizabeth von Arnim is a comprehensive study of Elizabeth von Arnim, a much-loved middlebrow satirist who is currently being rediscovered by scholars. This study offers not only new insights on one of the bestselling English comical writers of the interwar years, but also engages with middlebrow and modernist literature, von Arnim's relationships with writers like Katherine Mansfield and Virginia Woolf, New Woman fiction, experimental life writing, and gender theory.
Femininity in literature. --- Femininity (Psychology) in literature --- Von Arnim, Elizabeth, --- Elizabeth, --- Russell, Mary Annette Beauchamp Russell, --- Arnim, Mary Annette, --- Russell, Mary von Arnim, --- Author of Elizabeth and her German garden, --- Elizabeth and her German garden, Author of, --- Arnim, Elizabeth von, --- Cholmondeley, Alice, --- Russell, Elizabeth Mary, --- Beauchamp, Mary Annette, --- Criticism and interpretation.
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Given that race is a socio-historical and political construction, this work argues that race is also a narrative construction. Examining the construction of race in works by Italian authors since national unification (Deledda, Serao, Ginzburg and Ghermandi), the book finds certain elements to be common in both racial and narrative formations. These include intertextuality; characterization, plot, and tropes; the tension between the projections of identity as individual, group, and universal; and the processes of identification and otherness.
Italian literature --- Race in literature. --- Narration (Rhetoric) --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Ottovolante (Group of writers) --- Women authors --- History and criticism.
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This book provides, for the first time, a scholarly edition of five adaptations of Shakespeare from the early eighteenth century. Providing a critical introduction and extensive explanatory notes, Shakespeare Adaptations from the Early Eighteenth Century firmly situates the texts of Coriolanus, Richard II, 2 Henry VI, 3 Henry VI, and Henry V in the literary, cultural, and political contexts of the period.
Shakespeare, William, --- Shakespeare, William --- Shakespear, William, --- Shakspeare, William, --- Šekʻspiri, Uiliam, --- Saixpēr, Gouilliam, --- Shakspere, William, --- Shikisbīr, Wilyam, --- Szekspir, Wiliam, --- Šekspyras, --- Shekspir, Vilʹi︠a︡m, --- Šekspir, Viljem, --- Tsikinya-chaka, --- Sha-shih-pi-ya, --- Shashibiya, --- Sheḳspir, Ṿilyam, --- Shaḳspir, Ṿilyam, --- Syeiksŭpʻio, --- Shekspir, V. --- Szekspir, William, --- Shakespeare, Guglielmo, --- Shake-speare, William, --- Sha-ō, --- Şekspir, --- Shekspir, Uiliam, --- Shekspir, U. --- Šekspir, Vilijam, --- Ṣēkspiyar, Viliyam, --- Shakspir, --- Shekspyr, Vyli︠e︡m, --- Şekspir, Velyam, --- Ṣēkspiyar, Villiyam, --- Shēkʻspʻiyr, Vlilliam, --- Ṣēkspiyar, --- Ṣēkspiyar Mahākavi, --- Ṣēkspiyar Mahākaviya, --- Sheḳspier, Ṿilyam, --- Shēkʻspir, --- Shakespeare, --- Śeksper, --- Шекспир, Вильям, --- Шекспир, Уильям, --- שייקספיר, וויליאם, --- שייקספיר, וו., --- שיקספיר, וויליאם --- שיקספיר, ויליאם --- שיקספיר, ויליאם, --- שכספיר, ויליאם, --- שכספיר, וילים, --- שכספיר, ו׳ --- שעפקספיר, וויליאם, --- שעקספיער, וויליאם --- שעקספיער, וויליאם, --- שעקספיער, ווילליאם --- שעקספיער, וו., --- שעקספיר --- שעקספיר, וו --- שעקספיר, וויליאם, --- שעקספיר, וויליאמ --- שעקספיר, ווילליאם --- שעקספיר, ווילליאם, --- שעקספיר, וו., --- שעקספיר, װיליאם, --- שעקספיר, װילליאם, --- שעקספיר, װ., --- שעקספער --- שעקספער, וויליאמ --- שקספיר --- שקספיר, וו --- שקספיר, וויליאם --- שקספיר, וויליאם, --- שקספיר, ווילים, --- שקספיר, וילאם --- שקספיר, ויליאם --- שקספיר, ויליאם, --- שקספיר, ויליים, --- שקספיר, וילים --- שקספיר, וילים, --- شاكسبير، وليم --- شاكسپير، وليم --- شكسبير، وليام --- شكسبير، وليم --- شكسبير، وليم، --- شكسبير، و. --- شكسپير، وليم --- شكسپير، ويليام --- شيكسبير، وليام --- شيكسبير، وليام.، --- شيكسبير، وليم --- شکسبير، وليم --- وليم شکسبير --- 沙士北亞威廉姆, --- 沙士比亞威廉姆, --- 莎士比亞威廉姆, --- 莎士比亞威廉, --- 莎士比亞, --- Adaptations --- History and criticism.
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Many popular French films of the 1930s captured the world and brought it into neighborhood cinemas for filmgoers who craved adventure. These films often served as visual postcards from the French empire, which enjoyed an unprecedented visibility in domestic popular culture between the world wars. But the public appetite for the exotic also transcended imperial borders. Exoticist films displayed landscapes and different that lay beyond the metropole, many of which were not subject to European rule. This broad conception of the exotic meant that French narrative cinema represented both colonial and non-colonial settings and populations, developing a coherent set of tropes that were shaped, yet not entirely defined, by the politics of imperial rule. Empire alone cannot address the full range of the French exoticist imaginary that was projected onto movie screens in the 30s. Only by venturing beyond imperial boundaries can we fully understand how the French saw non-Westerners and, by extension, how they saw themselves during this tumultuous decade. Rogues, Romance, and Exoticism in French Cinema of the 1930s proposes a critical framework for exoticist cinema that includes and exceeds the limits of empire. From rogue colons to the métisse in love, from the deserts of North Africa to the streets of Shanghai, this book identifies and analyzes recurring figures, common settings, major stars, plot devices, and narrative outcomes that dominated exoticist cinema at its popular peak.--
Exoticism in motion pictures. --- Love in motion pictures. --- Masculinity in motion pictures. --- Motion pictures --- Outsiders in motion pictures. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History --- History and criticism
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Using the framework of self-representation, this book rethinks problems of representation of the female body in French cinema and contemporary French culture. By filming themselves, these filmmakers visually claim their roles, establish their authority in the field, and expose new ways to configure representation, gender, and cinema.
Human body in motion pictures. --- Sex role in motion pictures. --- Motion pictures --- Body, Human, in motion pictures --- Varda, Agnès, --- Akerman, Chantal --- Cabrera, Dominique, --- Calle, Sophie --- Le Besco, Maïwenn, --- Ḳal, Sofi --- קאל, סופי --- Ackerman, Chantal --- Акерман, Шанталь --- Akerman, Shantalʹ --- Criticism and interpretation. --- Maïwenn, --- Besco, Maïwenn Le, --- Ouin-Ouin,
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