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Music --- Theatrical science --- Musical films --- Musicals --- 926 --- Musical comedies --- Musical plays --- Musical revues, comedies, etc. --- Musical shows --- Operettas --- Shows, Musical --- Dramatic music --- Film musicals --- Motion picture musicals --- Moving-pictures, Musical --- Musicals (Motion pictures) --- Motion pictures --- Concert films --- Repertoria - catalogia (genre)
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Hungarian-born composer Sigmund Romberg (1887-1951) arrived in America in 1909 and within eight years had achieved his first hit musical on Broadway. This early success was soon followed by others, and in the 1920's his popularity in musical theater was unsurpassed. In this book, William Everett offers the first detailed study of the gifted operetta composer, examining Romberg's key works and musical accomplishments and demonstrating his lasting importance in the history of American musicals. Romberg composed nearly sixty works for musical theater as well as music for revues, for musical comedies, and, later in life, for Hollywood films. Everett shows how Romberg was a defining figure of American operetta in the 1910's and 1920's (Maytime, Blossom Time, The Student Prince), traces the new model for operetta that he developed with Oscar Hammerstein II in the late 1920's (The Desert Song, The New Moon), and looks at his reworked style of the 1940's (Up in Central Park). This book offers an illuminating look at Romberg's Broadway career and legacy.
Operetta --- Comic opera --- Musical farce --- Opera --- Liederspiel --- Romberg, Sigmund, --- Rosenberg, Sigmund, --- Romberg, Sig. --- Romberg, S. --- Romberg, S. A. --- Romberg, Sigmund --- United States --- 20th century --- Romberg, Sigmund, -- 1887-1951.. --- Operetta -- United States -- 20th century.
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This second edition of Historical Dictionary of the Broadway Musical contains a chronology, an introduction, an appendix, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on Broadway shows, composers, playwrights, directors, producers, designers, actors, and theatres. This book is an excellent access point for students, researchers, and anyone wanting to know more about Broadway musicals.
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