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Modernist --- Dada --- Surrealist --- modernisme --- Futurist --- De Stijl --- Constructivist --- kunstenaarsgeschriften --- art [fine art] --- Stuckist --- Art styles --- Fluxus --- Art --- kunststijlen --- manifesten --- Gutai --- Maciunas, Georg --- Tzara, Tristan --- Gabo, Naum --- Vostell, Wolf --- Vasarely, Victor --- Arp, Hans --- Oldenburg, Claes --- Tinguely, Jean --- Marc, Franz --- Fontana, Lucio --- Pevsner, Antoine --- Newman, Barnett --- Boccioni, Umberto --- Marinetti, Filippo Tommaso --- Gilbert and George --- Koolhaas, Rem --- Baselitz, Georg --- Ball, Hugo --- Kandinsky, Vasili Vassileevich --- anno 2000-2099 --- anno 1900-1999 --- Art movements --- Art, Modern --- History --- Themes, motives. --- Political aspects. --- 7.01 --- 72.01 --- Kunsttheorie ; bewegingen ; manifesten ; 20ste eeuw --- Culturele en artistieke manifesten --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- futurisme --- Marinetti Filippo Tommaso --- Boccioni Umberto --- Kotaro Takamura --- Apollinaire Guillaume --- de Saint-Point Valentine --- Blaue Reiter --- Kandinsky Wassily --- Marc Franz --- Larionov Mikhail --- Goncharova Natalia --- rayonisme --- Carrà Carlo --- Balla Giacomo --- Loy Mina --- Canudo Ricciotto --- Nevinson C.R.W. --- Lewis Wyndham --- Sant'Elia Antonio --- Mayakovsky Vladimir --- Malevich Kazimir --- suprematisme --- dadaïsme --- Ball Hugo --- Rozanova Olga --- kubisme --- Tzara Tristan --- Huelsenbeck Richard --- Ozenfant Amédée --- Jeanneret Charles-Edouard --- purisme --- Rodchenko Alexander --- Gropius Walter --- Picabia Francis --- Gabo Naum --- Pevzner Anton --- Popova Liubov --- Maples Arce Manuel --- Vertov Dziga --- film --- van Doesburg Theo --- Huidobro Vicente --- Le Corbusier --- Murayama Omoshoi --- Alfara Siquieros David --- Mexico --- surrealisme --- Breton André --- Mariategui José Carlos --- Dakli Salvador --- de Andrade Oswald --- John Reed Club of New York --- Sironi Mario --- Sirato Karoly --- Sirato Charles --- dimensionisme --- Rivera Diego --- Trotsky Leon --- Arp Jean --- Arp Hans --- concrete kunst --- Fontana Lucio --- Bayley Edgar --- Constant --- Nieuwenhuys Constant --- Cobra --- Newman Barnett --- Vasarely Victor --- Yoshihara Jiro --- Tinguely Jean --- Gullar Ferreira --- Metzger Gustav --- Debord Guy --- situationisme --- Oldenburg Claes --- Baselitz Georg --- Montanez Ortiz Rafael --- Maciunas George --- Vostell Wolf --- Brakhage Stan --- Brouwn Stanley --- Jarman Derek --- architectuur --- Venturi Roberto --- Laderman Ukeles Mierle --- Neagu Paul --- Davis Douglas --- Dib Maroin --- Koolhaas Rem --- Coop Himmelb(l)au --- Kitaj R.B. --- diasporisme --- Woods Lebbeus --- Dogme 95 --- Betancourt Michael --- Jencks Charles --- Herzog Werner --- Childish Billy --- Thomson Charles --- stuckisme --- Murakami Takashi --- Williams Austin --- Johnstone Edgeworth --- Li Shelley --- 7.071 AAAA --- Kunst ; theorie, filosofie, esthetica --- Architectuur ; theorie, filosofie, esthetica --- Nevinson C.R.W --- Kitaj R.B --- manifestoes --- artists' statements --- art [discipline] --- Mouvements artistiques --- Art et politique --- 20e siècle --- Kandinsky, Wassily

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How can works of the imagination help us to understand good and evil in the modern world? In this new collection of essays, Alex Danchev treats the artist as a crucial moral witness of our troubled times, and puts art to work in the service of political and ethical inquiry.

Good and evil --- Arts and morals. --- Arts and ethics --- Ethics and the arts --- Morals and the arts --- Evil --- Wickedness --- Ethics --- Philosophy --- Polarity --- Religious thought --- Psychological aspects. --- Philosophy. --- Arts --- Good and evil in art. --- Moral and ethical aspects. --- Poitras, Laura. --- Kiefer, Anselm, --- Mucha, Reinhard, --- Evil in art --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Arts, Primitive

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Geïllustreerde biografie van de Belgische kunstschilder René Magritte (1989-1967) en zijn nalatenschap in het surrealisme. René Magrittes kledingkeuze was even elegant als zijn schilderstijl: hij schilderde altijd in pak, inclusief das en bolhoed. En net als zijn werk blijft de persoon Magritte, de man die een droomwereld vol mysterie, erotiek en humor creëerde, raadselachtig. ‘Ceci n’est pas une pipe’. Met die woorden uit La trahison des images verstevigde Magritte zijn positie als een van de belangrijkste kunstenaars van het surrealisme. In deze biografie volgen de auteurs het fascinerende leven van Magritte; van de traumatische zelfmoord van zijn moeder tot de verkoop van vervalste kunstwerken. En van zijn turbulente relatie met de Franse surrealisten tot zijn artistieke ontwikkeling en zijn weg naar internationale bekendheid. Het levert een fascinerend portret op van een kunstenaar wiens invloed nog altijd groot is en die een centrale plek in de kunstgeschiedenis verdient.

75.07 --- Biografieën ; René Magritte --- Kunstenaarsbiografieën --- Belgische kunstenaars --- Magritte, René 1898-1967 (°Lessines, België) --- Schilderkunst ; schilders A-Z --- Magritte, René --- Biografie --- Schilderkunst --- 20e eeuw --- Mysterie --- Surrealisme --- Erotiek --- Humor --- Dadaïsme --- Moderne kunst --- Magritte, René.

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"This book, like the exhibition it accompanies, looks at the special pictorial and thematic characteristics of Cezanne's portraiture practice, including his creation of complementary pairs and multiple versions of the same subject. The chronological development of the artist's portraiture is also explored, with an examination of the changes that occurred with respect to his style and method, on the one hand, and his understanding of resemblance and identity, on the other . The extent to which particular sitters inflected the characteristics and development of his practice is also considered. Cezanne Portraits features works that mutually inform each other to reveal arguably the most personal, and therefore most human, aspect of his art, and one that has hitherto received surprisingly little attention. They range from Cezanne's earliest surviving self - portraits, dating from the 1860s, through to his final portraits of Vallier, the gardener at his house near Aix-en-Provence, made shortly before the artist's death in 1906. Exhibition curator John Elderfield contributes an illuminating introductory essay on Cezanne's portraiture, while the artist's biographer, the late Alex Danchev, provides an informative dramatis personae on the sitters featured. The catalogue texts are by John Elderfield, Mary Morton and Xavier Rey, and a chronology by Jayne Warman sets the artist's work in the context of his life."--Provided by publisher.

Painters --- Portrait painting, French --- 75.07 --- Portretschilderkunst --- Schilderkunst ; portretten ; 19de eeuw ; P. Cézanne --- Schilderkunst ; Post-Impressionisme --- Cézanne, Paul 1839-1906 (°Aix-en Provence, Frankrijk) --- French portrait painting --- Artists --- Schilderkunst ; schilders --- Cézanne, Paul, --- Saishang, Baoluo, --- Sezan, Pol, --- Sezanas, P., --- Sezann, Polʹ, --- סזאן, פאול, --- セザンヌ, --- Saishang, --- Criticism and interpretation. --- Exhibitions --- painting [image-making] --- easel paintings [paintings by form] --- portraits --- portretschilderkunst --- Cézanne, Paul --- Cézanne, Paul --- Saishang, Baoluo --- Sezan, Pol --- Sezanas, P. --- Sezann, Polʹ --- Saishang