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Art --- Science --- Art and science. --- Science and art --- Art and science --- Art et sciences

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Since the time of Aristotle, the making of knowledge and the making of objects have generally been considered separate enterprises. Yet during the late sixteenth and early seventeenth centuries, the two became linked through a “new” philosophy known as science. In The Body of the Artisan, Pamela H. Smith demonstrates how much early modern science owed to an unlikely source-artists and artisans. From goldsmiths to locksmiths and from carpenters to painters, artists and artisans were much sought after by the new scientists for their intimate, hands-on knowledge of natural materials and the ability to manipulate them. Drawing on a fascinating array of new evidence from northern Europe including artisans’ objects and their writings, Smith shows how artisans saw all knowledge as rooted in matter and nature. With nearly two hundred images, The Body of the Artisan provides astonishingly vivid examples of this Renaissance synergy among art, craft, and science, and recovers a forgotten episode of the Scientific Revolution-an episode that forever altered the way we see the natural world.

Art --- anno 1600-1699 --- anno 1500-1599 --- Art and science --- History --- Science and art --- Science --- 16th century --- 17th century --- cultuurgeschiedenis --- kunst en wetenschap --- Art et sciences --- Histoire

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Creative ability in science --- Art and science --- Science and art --- Science --- Scientific creativity --- Methodology --- Art and science. --- Creative ability in science.

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With the increasing loss of biological diversity in this Sixth Age of Mass Extinction, it is timely to show that devolutionary paranoia is not new, but rather stretches back to the time of Charles Darwin. It is also an opportune moment to show how human-driven extinction, as designated by the term, Anthropocene, has long been acknowledged. The halcyon days of European industrial progress, colonial expansion and scientific revolution trumpeted from the Great Exhibition of 1851 until the Dresden International Hygiene Exhibition of 1930 were constantly marred by fears of rampant degeneration, dep

Art and science. --- Art and technology. --- Technology and art --- Technology --- Science and art --- Science --- Art and science --- Art and technology --- E-books

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Reissue of the catalog of the famous exhibition held at the Museum of Modern Art in New York in 1971 and which highlighted the revolutionary aspect of the architectural education of the "Cooper Union" from 1964 to 1971, under directed by John Hejduk. With superb drawings, the book offers the projects of more than 50 students, as well as 8 exercises from different courses.

Architecture --- Higher education --- anno 1960-1969 --- anno 1970-1979 --- United States --- Exhibitions. --- Study and teaching --- Expositions --- Etude et enseignement --- Cooper Union for the Advancement of Science and Art. --- 373.67 --- Cooper Union --- Cooper Union for the Advancement of Science and Art --- Cooper Union School of Art and Architecture --- Hejduk, John --- New York --- Onderwijs (architectuur) --- Architectuuronderwijs --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Design and construction --- Cooper Union for the Advancement of Science and Art, New York. --- architectural education --- Architecture, Primitive --- Amerikaanse architectuur --- didactiek --- United States of America