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Delvoye, Wim --- Culture populaire dans l'art --- Popcultuur in de kunst --- Populaire cultuur in de kunst --- Popular culture in art --- Volkscultuur in de kunst --- Criticism and interpretation --- Contemporary art --- Belgium --- MAD-faculty 12 --- hedendaagse kunstenaars --- 20ste-21ste eeuw

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Mass communications --- Television soap operas --- #SBIB:309H1521 --- #SBIB:309H522 --- History and criticism. --- Radio- en/of televisieprogramma’s met een amusementsfunctie en/of esthetische functie --- Audiovisuele communicatie: kritiek --- Culture [Popular ] --- Culture de rue --- Culture des banlieues populaires --- Culture des classes populaires --- Culture des quartiers populaires --- Culture du peuple --- Culture ouvrière --- Culture populaire --- Cultures populaires --- Mass culture --- Pop culture --- Popcultuur --- Populaire cultuur --- Popular arts --- Popular culture --- Volkscultuur --- Television serials --- History and criticism

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Public history --- History in popular culture --- History in popular culture. --- Public history. --- popcultuur --- 130.2 --- cultuurfilosofie --- film --- games --- geschiedenis --- musea --- museologie --- populaire cultuur --- sociologie --- televisie --- theater --- 815 Geschiedenis --- 866 Herdenking en herinnering --- Applied history --- History --- Popular culture --- History of civilization --- History as a science --- History. --- Popular culture. --- Histoire --- Histoire locale --- Généalogie --- Archives --- Musées --- Politique et culture --- Civilisation --- Culture populaire --- Dans les médias --- Aspect politique --- 20e siècle --- Grande-Bretagne --- États-Unis

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The first volume to collect essays from the emergent field of cultural studies that specifically address the work of James Joyce, Cultural Studies of James Joyce includes work from both well-established Joyce scholars such as Margot Norris and Cheryl Herr and by such younger writers as Tracey Teets Schwarze and Paul Saint-Amour. Topics range over the whole field of culture, from “Nipper” the Victrola dog to the statuary of Praxitiles, from the Tank Girl comics to studies of Irish schizophrenia, from the history of University College Dublin to the political ferment over choral singing at the turn of the century. The volume should be of interest to Joyceans, to students of literature and culture in the twentieth century, and especially to those interested in the interactions of different cultural levels between the nineteenth century and our own time. An introductory survey by R. Brandon Kershner discusses the rise of cultural studies and places the issue within modern debates in literary theory.

Joyce, James --- Culture [Popular ] --- Culture de rue --- Culture des banlieues populaires --- Culture des classes populaires --- Culture des quartiers populaires --- Culture du peuple --- Culture ouvrière --- Culture populaire --- Cultures populaires --- Mass culture --- Pop culture --- Popcultuur --- Populaire cultuur --- Popular arts --- Popular culture --- Volkscultuur --- Criticism and interpretation --- Popular culture. --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Culture, Popular --- Joyce, James, --- Joyce, James Augustine Aloysius --- Dzhoĭs, Dzheĭms Avgustin Aloiziĭ --- Džoiss, Džeimss --- Gʻois, Gʻaims --- Joyce, Giacomo --- Jūyis, Jīms --- Tzoys, Tzaiēms --- Tzoys, Tzeēms --- Джойс, Джеймс --- Джойс, Джеймс Августин Алоїсуїс --- Zhoĭs, Zheĭms --- ג׳ויס, ג׳ײמס, --- ג׳ויס, ג׳יימס, --- ジョイス --- ジェームスジョイス, --- Criticism and interpretation.

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This volume draws a map of British film culture in the 1970s and provides a wide-ranging history of the period. It examines the cross-cultural relationship between British cinema and other media, including popular music and television. The analysis covers mainstream and experimental film cultures, identifying their production contexts and the economic, legislative and censorship constraints on British cinema throughout the decade.The essays in Part I contextualise the study and illustrate the diversity of 1970s moving image culture. In Part II, Sue Harper and Justin Smith examine how gender relations and social space were addressed in film. They show how a shared visual manner and performance style characterises this fragmented cinema, and how irony and anxiety suffuse the whole film culture. This volume charts the shifting boundaries of permission in 1970s film culture and changes in audience taste.This book is the culmination of an AHRC-funded project at the University of Portsmouth, For more information about 1970s British Cinema, Film and Video: Mainstream and Counter-Culture (2006-2009) please visit the project website at www.1970sproject.co.uk."

Motion pictures --- Motion picture industry --- Nineteen seventies. --- History --- Plots, themes, etc. --- Années soixante-dix (Vingtième siècle) --- filmcultuur --- filmcensuur --- popcultuur --- filmindustrie --- Années soixante-dix (Vingtième siècle) --- Nineteen seventies --- 791.43 --- cultuurgeschiedenis --- film --- filmgeschiedenis --- Groot-Brittannië --- kunstonderwijs --- muziek --- televisie --- twintigste eeuw --- 1970s --- 70s (Twentieth century decade) --- Seventies (Twentieth century decade) --- Twentieth century --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- Plots, themes, etc --- History and criticism --- Film --- anno 1970-1979 --- United Kingdom --- Cinéma --- Histoire --- Industrie