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Fatty and the Broadway Stars est le titre d’un film de Roscoe Arbuckle de 1915 dont les copies ont été détruites et dont il ne reste qu’une des deux bobines aujourd’hui, parfaitement méconnue. À travers l’histoire de cette « ruine », Marc Vernet propose de reconstituer un « morceau d’histoire du cinéma ». Témoignage des grandes heures du comique muet américain (l’illustre Fatty, véritable star en son temps, fut le maître de Buster Keaton), ce film est aussi un document unique sur la production cinématographique de l’époque, puisqu’il met en scène un tournage, la vie des studios et de leur personnel. Par son enquête minutieuse, et grâce à la reproduction des images retrouvées du film et de divers documents d’archives, cet essai nous convie dans les coulisses d’une œuvre, d’une histoire et d’une industrie.
Art --- Film Radio Television --- cinéma américain --- copie --- cinéma muet --- comédie --- scénario --- septième art --- film --- bobine --- studio
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Steven Spielberg: Hollywood Wunderkind and Humanist focuses on the most commercialy successful American director of his generation, from his early career at Universal Television to the Oscar-winning Lincoln (2013). The fourteen chapters deal as much with his major hits as with films that have received little critical attention like The Sugarland Express (1974), 1941 (1979) and The Terminal (2004). They address questions of ethics, ideology and identity politics recognized as central to the director’s œuvre, while seeking to make up for the lack of material on the films’ formal qualities and on the notable contributions they have made to classical Hollywood genres such as horror, science fiction and the war movie. This book contests the idea that Spielberg is a “naïve” director, a mere craftsman with an eye for composition and a natural talent for narrative economy. Instead, the book aims to foreground the work’s cohesion, its influences and self-consciousness, its steadfast inscription within the Western humanist tradition, and its resolve to engage with the contemporary and explore complex ethical issues through mainstream narratives, whether “serious” Oscar contenders or action-filled popcorn blockbusters, a dichotomy Spielberg has increasingly sought to blur.
Film Radio Television --- cinéma américain --- esthétique --- éthique --- Nouvel Hollywood --- politique --- Steven Spielberg --- America cinema --- Ethics --- Aesthetics --- New Hollywood --- Politics
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Motion pictures, American --- Motion pictures --- Cinéma américain --- Cinéma --- History --- Dictionaries --- Histoire --- Dictionnaires --- #KVHA:Film; Verenigde Staten --- #KVHA:American Studies --- French --- Dictionnaires français --- Cinéma américain --- Cinéma --- Dictionnaires français --- French.
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LITTERATURE AMERICAINE --- LITTERATURE ANGLAISE --- CINEMA AMERICAIN --- CINEMA ANGLAIS --- FEMINISME --- FEMINISME ET LITTERATURE --- FEMINISME ET ART --- ROLE SELON LE SEXE DANS LA LITTERATURE --- POSTMODERNISME --- POSTMODERNISME (LITTERATURE) --- 20E SIECLE --- HISTOIRE ET CRITIQUE
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American film directors from the late 1930s to the early 1960s instigated a renaissance of original artistic works that helped reinvigorate and renew American culture. During a time of unprecedented danger from anti-democratic forces both abroad and at home, the most imaginative and creative films of these directors - John Ford, Frank Capra, Howard Hawks, Fred Zinnemann, Elia Kazan, George Stevens - articulated issues, themes, and realities at the core of the American experience. In this lively and original book, Sam Girgus offers a fresh look at films such as The Searchers, Mr. Smith Goes to Washington, It's a Wonderful Life, High Noon, and On the Waterfront. He shows how these films are part of the cultural and historic debate that examines, structures, and questions what modern America means to its people, the world, and history.
Motion picture producers and directors --- Motion pictures --- Production and direction. --- History. --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Persons --- CINEMA AMERICAIN --- PRODUCTEURS ET REALISATEURS DE CINEMA --- HISTOIRE ET CRITIQUE --- ETATS-UNIS
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Motion pictures --- Radio --- Television --- Motion pictures. --- Radio. --- Television. --- Radio vision --- TV --- Telephone, Wireless --- Wireless (Radio) --- Wireless telephone (Early radio) --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- History and criticism --- Artificial satellites in telecommunication --- Electronic systems --- Optoelectronic devices --- Telecommunication --- Astronautics --- Communication and traffic --- Telegraph, Wireless --- Audio-visual materials --- Mass media --- Performing arts --- Optical communication systems --- Cinéma --- Télévision --- cinéma --- télévision --- cinéma américain (Etats-Unis) --- Cinéma. --- Télédiffusion. --- Film
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Nationaal-socialisme en film --- National socialism and motion pictures --- National-socialisme et cinema --- Cinéma américain --- Industrie du cinéma --- Motion pictures, American --- Motion picture industry --- National socialism and motion pictures. --- Histoire --- History --- Allemagne --- Germany --- Influence américaine --- Civilization --- American influences. --- Motion pictures and national socialism --- Motion pictures --- American motion pictures --- Moving-pictures, American --- Foreign films --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- United States --- Motion pictures [American ] --- 20th century --- American influences --- Influence américaine.
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Motion pictures --- Motion picture plays, American --- History --- History and criticism --- Motion picture plays --- -Motion pictures --- -Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Film plays --- Film scripts --- Filmscripts --- Motion picture scripts --- Moving-picture plays --- Photoplays --- Scenarios --- Screen plays --- Screenplays --- Scripts (Motion pictures) --- Drama --- History and criticism. --- History. --- -History and criticism --- Motion pictures - United States - History --- Motion picture plays, American - History and criticism --- Cinema americain
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Uses a discussion of contemporary films and literary works to present an understanding of paranoia as a defining element in postmodern late-capitalist structure.
American fiction --- Literature and society --- Motion pictures --- Narration (Rhetoric) --- Paranoia in literature. --- Postmodernism --- History and criticism. --- History --- History. --- Sociology of literature --- Fiction --- American literature --- Psychological study of literature --- anno 1900-1999 --- Paranoia in literature --- History and criticism --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- ROMAN AMERICAIN --- LITTERATURE ET SOCIETE --- CINEMA AMERICAIN --- NARRATION --- PARANOIA DANS LA LITTERATURE --- POSTMODERNISME --- POSTMODERNISME (LITTERATURE) --- 20E SIECLE --- HISTOIRE ET CRITIQUE --- ETATS-UNIS
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Screenwriters --- Motion picture authorship --- Scénaristes --- Biography --- Dictionaries. --- Biographie --- Dictionnaires --- 791.44.071.1 --- -Motion picture authorship --- -#SBIB:309H1327 --- Film authorship --- Film-making (Motion pictures) --- Film scriptwriting --- Filmmaking (Motion pictures) --- Motion picture plays --- Motion picture scriptwriting --- Motion picture writing --- Motion pictures --- Movie-making --- Moviemaking --- Moving-picture authorship --- Screen writing --- Screenplay writing --- Screenwriting --- Scriptwriting, Film --- Scriptwriting, Motion picture --- Authorship --- Screen writers --- Authors --- Filmregisseurs. Cineasten. Filmproducers --- -Dictionaries --- Dictionaries --- Films met een amusementsfunctie en/of esthetische functie: script --- Play-writing --- 791.44.071.1 Filmregisseurs. Cineasten. Filmproducers --- #SBIB:309H1327 --- Biography&delete& --- Scénaristes --- Film (Amerikaanse). Bio-bibliografie. --- Scénaristes américains. Bio-bibliographies. --- Cinéma américain. Bio-bibliographies. --- Amerikaanse scenarioschrijvers. Bio-bibliografie.
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