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Chinoiserie (Art) --- Decoration and ornament --- Chinese influences --- History
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Applied arts. Arts and crafts --- decorative arts [discipline] --- Orientalism --- Chinoiserie --- oriëntalisme --- toegepaste kunsten --- China --- Art, Chinese --- Art, European --- Chinoiserie (Art) --- S17/1800 --- Anglo-Chinoise (Art) --- Art, Modern --- Chinese art --- Chinese influences --- China: Art and archaeology--Influence on Foreign art (incl. Chinoiserie) --- Influence
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Art, Chinese --- Art, European --- Chinoiserie (Art) --- S17/1800 --- S17/2112 --- Art, Modern --- European art --- Nouveaux réalistes (Group of artists) --- Zaj (Group of artists) --- Chinese art --- Anglo-Chinoise (Art) --- European influences --- Chinese influences --- History --- China: Art and archaeology--Influence on Foreign art (incl. Chinoiserie) --- China: Art and archaeology--Musea and exhibitions: Germany --- Influence --- China --- Europe --- Relations --- Applied arts. Arts and crafts --- Graphic arts --- prints [visual works] --- decorative arts [discipline] --- Chinoiserie --- anno 1600-1699 --- anno 1800-1999 --- anno 1700-1799
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This volume examines the ways in which an intellectual vogue for a mythic China was a constituent element of British modernism. Traditionally defined as a decorative style that conjured a fanciful and idealized notion of China, chinoiserie was revived in in London's avant-garde circles, the Bloomsbury group, the Vorticists and others, who like their eighteenth-century forebears, turned to China as a cultural and aesthetic utopia. As part of Modernism's challenge to the 'universality' of so-called Western values and aesthetics, the turn to China would contribute much more than has been acknowledged to Modernist thinking. As these 10 new chapters demonstrate, China as an intellectual and aesthetic utopia dazzled intellectuals and aesthetes, at the same time the consumption of Chinese exoticism became commercialized. The essays show that from cutting-edge Modernist chic to mass culture and consumer products, the vogue for chinoiserie style and motifs permeated the art and design of the period. --Provided by publisher.
English literature --- Chinoiserie (Art) --- Art, British --- Modernism (Aesthetics) --- Aesthetics --- British art --- Anglo-Chinoise (Art) --- Art, Chinese --- Art, Modern --- Chinese influences. --- History and criticism. --- Influence
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S17/1800 --- S13B/0429 --- China: Art and archaeology--Influence on Foreign art (incl. Chinoiserie) --- China: Christianity--Missionary works and activities of the Catholic Church general and until 1840 --- Applied arts. Arts and crafts --- Painting --- influence --- Roman Catholicism --- missions [settlements] --- Chinoiserie --- anno 1700-1799 --- Europe --- China
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S17/2111 --- S17/1800 --- China: Art and archaeology--Musea and exhibitions: France --- China: Art and archaeology--Influence on Foreign art (incl. Chinoiserie) --- Exhibitions --- Engraving, French --- Prints, French --- French prints --- French engraving --- 18th century --- China --- France --- Foreign relations
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"This volume discusses the centuries-old familiarity between Europe and China. It explores the European nations' admiration for the distant Asian country, and their attempt at capturing the meaning of its ancient culture and language"--
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Art, European --- Chinoiserie (Art) --- Decoration and ornament --- 7.034/035 --- CDL --- S02/0310 --- S17/1800 --- Art, Decorative --- Decorative art --- Decorative design --- Design, Decorative --- Nature in ornament --- Ornament --- Painting, Decorative --- Art --- Decorative arts --- Arts and crafts movement --- Anglo-Chinoise (Art) --- Art, Chinese --- Art, Modern --- Chinese influences --- China: General works--Intercultural dialogue --- China: Art and archaeology--Influence on Foreign art (incl. Chinoiserie) --- Influence --- China --- Decoration and ornament, Primitive
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