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Originally published in 1984. The Sage in Harlem establishes H. L. Mencken as a catalyst for the blossoming of black literary culture in the 1920s and chronicles the intensely productive exchange of ideas between Mencken and two generations of black writers: the Old Guard who pioneered the Harlem Renaissance and the Young Wits who sought to reshape it a decade later. From his readings of unpublished letters and articles from black publications of the time, Charles Scruggs argues that black writers saw usefulness in Mencken's critique of American culture, his advocacy of literary realism, and his satire of America. They understood that realism could free them from the pernicious stereotypes that had hounded past efforts at honest portraiture, and that satire could be the means whereby the white man might be paid back in his own coin. Scruggs contends that the content of Mencken's observations, whether ludicrously narrow or dazzlingly astute, was of secondary importance to the Harlem intellectuals. It was the honesty, precision, and fearlessness of his expression that proved irresistible to a generation of artists desperate to be taken seriously. The writers of the Harlem Renaissance turned to Mencken as an uncompromising-and uncondescending-commentator whose criticisms were informed by deep interest in African American life but guided by the same standards he applied to all literature, whatever its source. The Sage in Harlem demonstrates how Mencken, through the example of his own work, his power as editor of the American Mercury, and his dedication to literary quality, was able to nurture the developing talents of black authors from James Weldon Johnson to Richard Wright.
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"In Moving Home, Sandra Gunning examines nineteenth-century African diasporic travel writing to expand and complicate understandings of the Black Atlantic. Gunning draws on the writing of missionaries, abolitionists, entrepreneurs, and explorers whose work challenges the assumptions that travel writing is primarily associated with leisure or scientific research. For instance, Yoruba ex-slave turned Anglican bishop Samuel Ajayi Crowther played a role in the Christianization of colonial Nigeria. Sarah Forbes Bonetta, a formerly enslaved girl gifted to Queen Victoria, traveled the African colonies as the wife of a prominent colonial figure and at the protection of her benefactress. Alongside Nancy Gardiner Prince, Martin R. Delany, Robert Campbell, and others, these writers used their mobility as African diasporic and colonial subjects to explore the Atlantic world and beyond while they negotiated the complex intersections between nation and empire. Rather than categorizing them as merely precursors of Pan-Africanist traditions, Gunning traces their successes and frustrations to capture a sense of the historical and geographical specificities that shaped their careers"
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How do contemporary African American authors relate trauma, memory, and the recovery of the past with the processes of cultural and identity formation in African American communities? Patricia San José analyses a variety of novels by authors like Toni Morrison, Gloria Naylor, and David Bradley and explores these works as valuable instruments for the disclosure, giving voice, and public recognition of African American collective and historical trauma.
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According to relational sociology, power imbalances are at the root of human conflicts and consequently shape the physical and symbolic struggles between interdependent groups or individuals. This volume highlights the role of power relations in the African American experience by applying key concepts of Pierre Bourdieu and Norbert Elias to black literature and culture. The authors offer new readings of power asymmetries as represented in works of canonical and contemporary black writers (Richard Wright, Ralph Ellison, Gwendolyn Brooks, Toni Morrison, Percival Everett, Colson Whitehead), rap music (e.g., Jay Z), images of black homelessness, and figurations of political activism (civil rights activist Bayard Rustin Besprochen in: Begegnungszentrum für aktive Gewaltlosigkeit, Rundbrief, 1 (2018)
American literature --- African American authors. --- African American literature (English) --- Black literature (American) --- Negro literature --- Afro-American authors --- Negro authors --- African American Literature. --- America. --- American Studies. --- Black Culture. --- Capital. --- Cultural Sociology. --- Cultural Studies. --- Established-Outsider Relationships. --- Field. --- Habitus. --- Literary Studies. --- Norbert Elias. --- Pierre Bourdieu. --- Political Activism. --- Power Asymmetries. --- Power Imbalances. --- Power Relations. --- Racism. --- Rap Music. --- Social Relations. --- Sociological Theory. --- Sociology of Literature. --- Symbolic Violence. --- Relational Sociology; Pierre Bourdieu; Norbert Elias; Sociology of Literature; Cultural Sociology; Power Relations; Racism; African American Literature; Black Culture; Rap Music; Political Activism; Habitus; Field; Capital; Symbolic Violence; Established-Outsider Relationships; Power Asymmetries; Power Imbalances; America; Social Relations; American Studies; Sociological Theory; Cultural Studies; Literary Studies --- Racism in literature. --- African Americans --- Politics and government. --- History and criticism --- Bourdieu, Pierre, --- Elias, Norbert, --- Elías, N. --- Burdʹe, Pʹer, --- Burdʹe, P. --- Bourdieu, P. --- Pūrtiyu, Piyar,
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American literature --- Littérature américaine --- African American authors --- History and criticism --- Auteurs noirs américains --- Histoire et critique --- African American authors. --- African American literature (English) --- Black literature (American) --- Negro literature --- English literature --- Afro-American authors --- Negro authors --- Agrarians (Group of writers) --- American Literature --- Literatura nord-americana. --- Escriptors afro-nord-americans.
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African Americans --- American literature --- African American authors --- Books and reading --- African Americans. --- Books and reading. --- African American authors. --- English literature --- African American literature (English) --- Black literature (American) --- Negro literature --- Afro-Americans --- Black Americans --- Colored people (United States) --- Negroes --- Afro-American authors --- Negro authors --- Agrarians (Group of writers) --- Africans --- Ethnology --- Blacks --- American Literature --- Black people
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Littérature américaine --- Ethnologie --- American literature --- Ethnology in literature. --- Auteurs noirs américains --- Histoire et critique --- Dans la littérature --- History and criticism. --- African American authors. --- Ethnology in literature --- African American literature (English) --- Black literature (American) --- Negro literature --- African American authors --- History and criticism --- Afro-American authors --- Negro authors --- Histoire et critique. --- Dans la littérature.
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American literature --- English literature --- Agrarians (Group of writers) --- African American literature (English) --- Black literature (American) --- African American authors --- History and criticism --- African American authors. --- Afro-American authors --- Negro authors --- Hughes, Langston, --- Hughes, James Langston, --- Khʹi︠u︡z, Lengston, --- Hiyūz, Lānkistūn, --- Khʹi︠u︡z, L. --- Huza, L., --- יוז, לענגסטאן, --- ヒューズラングストン, --- Khʹi͡uz, L. --- Khʹi͡uz, Lengston, --- Hugues, Langston
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James Baldwin is a widely taught and anthologized author. His short story "Sonny's Blues" remains a perennial favorite in literature anthologies, and all of his essay collections and novels are still in print. His first essay collection, Notes of a Native Son, is a seminal work that led a new generation of African American writers from beneath the shadow of Richard Wright. The Fire Next Time is widely held as one of the most profound and accurate articulations of black consciousness during the Civil Rights movement. It is difficult to imagine teaching a survey of African American literature or considering the development of black intellectual thought in the twentieth century without mentioning Baldwin. For more than half a century, readers and critics alike have agreed that Baldwin is a major African American writer. What they do not agree on is why. Because of his artistic and intellectual complexity, his work resists easy categorization, and Baldwin scholarship, consequently, spans the critical horizon. Conseula Francis's book examines the major divisions in Baldwin criticism, paying particular attention to the wayeach critical period defines Baldwin and his work for its own purposes. Conseula Francis is Associate Professor of English and Director of African American Studies at the College of Charleston.
Baldwin, James, --- Baldwin, James --- Baldwin, James Arthur --- Baldwin, Jimmy --- Bolduïn, Dz︠h︡eĭms --- Bōrudouin, J. --- Bōrudouin, Jēmuzu --- Болдуин, Джеймс --- ボールドウィン, J., --- ボールドウィン, ジェームズ, --- Criticism and interpretation. --- Appreciation. --- LITERARY CRITICISM / American / African-American. --- African American Literature. --- African American Studies. --- African American Writer. --- Civil Rights Movement. --- Conseula Francis. --- James Baldwin. --- Literary Criticism.
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The Making of the New Negro examines black masculinity in the period of the Harlem Renaissance, a cultural movement that spanned the 1920s and 1930s in America and was marked by an outpouring of African American art, music, theater and literature. The Harlem Renaissance, or New Negro Movement, began attracting extensive academic attention in the 1990s as scholars discovered how complex, significant, and fascinating it was. Drawing on African American texts, archives, unpublished writings, and contemporaneous European discourses, this book highlights both the canonical figures of the New Negro Movement and African American culture such as W. E. B. Dubois, Booker T. Washington, Alain Locke, and Richard Wright, and other writers such as Wallace Thurman, who have not received as much scholarly attention despite their significant contributions to the movement. Anna Pochmara offers a striking combination of thorough literary analysis and historicist investigation in order to provide novel insights into one of the most important periods of black history in the United States.
American literature --- African Americans --- African American intellectuals --- African American authors --- History and criticism. --- Intellectual life. --- United States --- Africa --- Civilization --- African influences. --- African American men in literature. --- Masculinity --- African American authors. --- History --- Harlem (New York, N.Y.) --- Intellectual life --- Masculinity (Psychology) --- Sex (Psychology) --- Men --- African American literature (English) --- Black literature (American) --- Negro literature --- Afro-American men in literature --- Afro-American authors --- Negro authors
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