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Hildegard Saint --- Hildegard, --- Bingen, Hildegard von, --- Hildegarde, --- Hildegardis, --- Ildegarda, --- Hildegard --- Hildegardis Bingensis --- Hildegard von Bingen --- Hildegard van Bingen --- Hildegarde de Bingen --- Hildegard of Bingen --- von Bingen, Hildegard

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#gsdb10 --- Hildegard, --- Bingen, Hildegard von, --- Hildegarde, --- Hildegardis, --- Ildegarda, --- Hildegardis Bingensis --- Hildegard von Bingen --- Hildegard van Bingen --- Hildegarde de Bingen --- Hildegard of Bingen --- von Bingen, Hildegard

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Medieval Latin language --- Hildegard of Bingen --- 470 --- Language Latin --- Hildegardis Bingensis --- Hildegard von Bingen --- Hildegard van Bingen --- Hildegarde de Bingen --- von Bingen, Hildegard --- Bingen, Hildegard von, --- Hildegard, --- Hildegarde, --- Hildegardis, --- Ildegarda,

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Since her death in 1179, Hildegard of Bingen has commanded attention in every century. In this book Jennifer Bain traces the historical reception of Hildegard, focusing particularly on the moment in the modern era when she began to be considered as a composer. Bain examines how the activities of clergy in nineteenth-century Eibingen resulted in increased veneration of Hildegard, an authentication of her relics, and a rediscovery of her music. The book goes on to situate the emergence of Hildegard's music both within the French chant restoration movement driven by Solesmes and the German chant revival supported by Cecilianism, the German movement to reform Church music more generally. Engaging with the complex political and religious environment in German speaking areas, Bain places the more recent Anglophone revival of Hildegard's music in a broader historical perspective and reveals the important intersections amongst local devotion, popular culture, and intellectual activities.

Hildegard of Bingen --- Gregorian chants --- History and criticism. --- Hildegard. --- Hildegard, --- Appreciation --- History. --- Bingen, Hildegard von, --- Hildegarde, --- Hildegardis, --- Ildegarda, --- Hildegardis Bingensis --- Hildegard von Bingen --- Hildegard van Bingen --- Hildegarde de Bingen --- von Bingen, Hildegard

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A Renaissance woman long before the Renaissance, the visionary Hildegard of Bingen (1098-1179) corresponded with Europe's elite, founded and led a noted women's religious community, and wrote on topics ranging from theology to natural history. Yet we know her best as Western music's most accomplished early composer, responsible for a wealth of musical creations for her fellow monastics. Honey Meconi draws on her own experience as a scholar and performer of Hildegard's music to explore the life and work of this foundational figure. Combining historical detail with musical analysis, Meconi delves into Hildegard's mastery of plainchant, her innovative musical drama, and her voluminous writings. Hildegard's distinctive musical style still excites modern listeners through wide-ranging, sinuous melodies set to her own evocative poetry. Together with her passionate religious texts, her music reveals a holistic understanding of the medieval world still relevant to today's readers.

Composers --- Women composers --- Composers, Women --- Women as composers --- Women musicians --- Hildegard, --- Bingen, Hildegard von, --- Hildegarde, --- Hildegardis, --- Ildegarda, --- Hildegardis Bingensis --- Hildegard von Bingen --- Hildegard van Bingen --- Hildegarde de Bingen --- Hildegard of Bingen --- von Bingen, Hildegard