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76.02 <035> --- 762.2 --- 655.3 --- Technieken van de grafische kunsten--Grote handboeken. Compendia --- Etstechnieken: ets vernis mou --- Drukken--technieken en arbeidsprocessen --- 655.3 Drukken--technieken en arbeidsprocessen --- 762.2 Etstechnieken: ets vernis mou --- 76.02 <035> Technieken van de grafische kunsten--Grote handboeken. Compendia --- 762.2 Etstechnieken: ets; vernis mou --- Etstechnieken: ets; vernis mou --- etsen --- printing techniques --- Graphic arts --- druktechnieken --- etchings [prints] --- grafische technieken
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Engraving --- Technique --- History --- 762.2 --- 762 --- -Engraving --- -Copper engraving --- Engravings --- Line-engraving --- Siderography --- Steel-engraving --- Graphic arts --- Prints --- Etching --- Etstechnieken: ets; vernis mou --- Diepdruktechnieken in de grafische kunst --- -Etstechnieken: ets; vernis mou --- 762 Diepdruktechnieken in de grafische kunst --- 762.2 Etstechnieken: ets; vernis mou --- -762 Diepdruktechnieken in de grafische kunst --- Copper engraving --- Engraving - Technique --- Engraving - History --- Taille-douce
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The first comprehensive look at the origins and diffusion across Europe of the etched print during the late 15th and early 16th centuries. The etching of images on metal, originally used as a method for decorating armor, was first employed as a printmaking technique at the end of the 15th century. This in-depth study explores the origins of the etched print, its evolution from decorative technique to fine art, and its spread across Europe in the early Renaissance, leading to the professionalization of the field in the Netherlands in the 1550s. Beautifully illustrated, this book features the work of familiar Renaissance artists, including Albrecht Durer, Jan Gossart, Pieter Breughel the Elder, and Parmigianino, as well as lesser known practitioners, such as Daniel Hopfer and Lucas van Leyden, whose pioneering work paved the way for later printmakers like Rembrandt and Goya. The book also includes a clear and fascinating description of the etching process, as well as an investigation of how the medium allowed artists to create highly detailed prints that were more durable than engravings and more delicate than woodblocks.--éd.
Gravure à l'eau-forte --- Etching, European --- Prints, European --- Catalogues d'exposition. --- Exhibitions. --- Graphic arts --- etchings [prints] --- anno 1400-1499 --- anno 1500-1599 --- Europe --- 762.2 --- 76 "15" --- 762.2 Etstechnieken: ets; vernis mou --- Etstechnieken: ets; vernis mou --- 76 "15" Grafische kunsten. Grafiek. Prentkunst--16e eeuw. Periode 1500-1599 --- Grafische kunsten. Grafiek. Prentkunst--16e eeuw. Periode 1500-1599 --- Exhibitions --- Gravure à l'eau-forte
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L'incisione moderna nacque nel XVI secolo in territorio tedesco. Quando la Germania non era ancora stato unitario, gli artisti di lingua tedesca svilupparono un efficiente sistema di produzione e diffusione delle stampa che ne elevò lo status, da mezzo di moltiplicazione delle immagini a basso costo, a linguaggio artistico indipendente. Ciò avvenne principalmente grazie a una delle massime menti del Rinascimento, quella di Albrecht Dürer: ma le sue intuizioni furono replicate, sviluppate e consolidate da una formidabile schiera di maestri incisori. Questo è il primo studio comprensivo in lingua italiana sull'argomento: raccoglie le biografie, una bibliografia di riferimento e un'antologia di opere rappresentative di oltre sessanta artisti compresi tra l'ultimo decennio del Quattrocento e la fine del secolo successivo, da Schongauer ai Piccoli Maestri di Norimberga, da Cranach a Altdorfer, passando per figure meno note e confronti con l'Italia, la Francia, la Svizzera e le Fiandre. Completa il testo una selezione di saggi che approfondiscono il mondo dell'incisione tedesca nelle sue molteplici sfaccettature storiche, tecniche e di espressione visiva.
Graphic arts --- engravings [prints] --- etchings [prints] --- woodcuts [prints] --- German Renaissance-Baroque styles --- Dürer, Albrecht --- anno 1400-1499 --- anno 1500-1599 --- 762.2 --- 76 <45> "15" --- 76 <45> "15" Grafische kunsten. Grafiek. Prentkunst--Italië--16e eeuw. Periode 1500-1599 --- Grafische kunsten. Grafiek. Prentkunst--Italië--16e eeuw. Periode 1500-1599 --- 762.2 Etstechnieken: ets; vernis mou --- Etstechnieken: ets; vernis mou --- Exhibitions --- invloed van Duitse school
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This book surveys the history of the techniques of engraving, etching and plate printing - ie that of manual intaglio printmaking processes - from its beginning in the 1430s until today. These developments are observed in the light of the coherence between the technique of the intaglio print (such as its materials and methods of production); the 'style' or outward appearance of the print; the creator of the print; and the fashion typical of a particular social group, place and time. Economic, educational and social aspects are discussed, as well as the worldwide dissemination of the trade of intaglio printmaking. The author shows how intaglio printmaking developed steadily from the mid-fifteenth century, with the invention of the roller press and the etching of printing plates. By 1525 intaglio printmaking techniques could be said to have reached maturity and spread east and west following the European trade routes and colonisation. Further developments in plate-making resulted from a series of inventions and reinventions. After the abolition of the guilds on the European continent around 1800, and the introduction of photography and the expansion of the graphic industry, the engraving of images became a mere mechanical procedure. The handcrafted print made way for the large-scale mechanised graphic industry which emerged in the middle of the nineteenth century. Consequently artist-etchers withdrew to an elite position to concentrate on the manual aspects of printmaking, which is the situation today. This comprehensively illustrated study is the first of its kind to cover all elements of the trade of engraving and etching throughout six centuries. Based on an exhaustive number of primary sources it will be an essential resource for collectors, curators, conservators, printmakers and students of technical art history.
Intaglio printing. --- Intaglio printing --- Impression en creux. --- Impression en creux --- History. --- Histoire. --- printmaking --- rolling presses --- intaglio [sculpture technique] --- Graphic arts --- etching [printing process] --- engraving [printing process] --- anno 1500-1799 --- anno 1800-1999 --- anno 1400-1499 --- 762.1 --- 762.2 --- 76 <09> --- 762 --- 762 Diepdruktechnieken in de grafische kunst --- Diepdruktechnieken in de grafische kunst --- 76 <09> Geschiedenis van de grafische kunsten --- Geschiedenis van de grafische kunsten --- 762.2 Etstechnieken: ets; vernis mou --- Etstechnieken: ets; vernis mou --- 762.1 Graveertechnieken: burijngravure; drogenaaldgravure; stippelgravure; crayonmanier --- Graveertechnieken: burijngravure; drogenaaldgravure; stippelgravure; crayonmanier --- Gravure --- Etsen --- Etstechniek
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etsen --- prentkunst --- gravures --- Graphic arts --- history [discipline] --- engravings [prints] --- etchings [prints] --- geschiedenis --- anno 1500-1799 --- anno 1800-1899 --- 762.1 --- 762.2 --- 76 <09> --- Graveertechnieken: burijngravure; drogenaaldgravure; stippelgravure; crayonmanier --- Etstechnieken: ets; vernis mou --- Geschiedenis van de grafische kunsten --- 76 <09> Geschiedenis van de grafische kunsten --- 762.2 Etstechnieken: ets; vernis mou --- 762.1 Graveertechnieken: burijngravure; drogenaaldgravure; stippelgravure; crayonmanier --- prints [visual works] --- grafische kunsten --- prenten --- kunstgeschiedenis --- 15de eeuw --- 16de eeuw --- 17de eeuw --- 18de eeuw --- 19de eeuw --- 20ste eeuw --- grafische kunsten. --- prenten. --- kunstgeschiedenis. --- 15de eeuw. --- 16de eeuw. --- 17de eeuw. --- 18de eeuw. --- 19de eeuw. --- 20ste eeuw. --- Sint-Trudoabdij (Odegem, Brugge, Male). --- geschiedenis. --- religieuze gemeenschap. --- obituarium. --- 1688 - 1688. --- Brugge. --- Male. --- Odegem.
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Présentation d'eaux-fortes et d'encrages en couleurs de Camille Pissarro. ©Electre 2018
Etching, French --- Pissarro, Camille, --- French etching --- Pisaro, Ḳami, --- Pisarro, Camille, --- Pissarro, Jacob-Abraham-Camille, --- פיסארו, קמי, --- 76 PISSARRO, CAMILLE (1830-1903) --- 76 pissarro --- 76 <44> "18/19" --- 762.2 --- 763 --- 763 Vlakdruktechnieken in de grafische kunsten. Lithografie --- Vlakdruktechnieken in de grafische kunsten. Lithografie --- 762.2 Etstechnieken: ets; vernis mou --- Etstechnieken: ets; vernis mou --- 76 <44> "18/19" Grafische kunsten. Grafiek. Prentkunst--Frankrijk--Hedendaagse Tijd --- Grafische kunsten. Grafiek. Prentkunst--Frankrijk--Hedendaagse Tijd --- Grafische kunsten. Grafiek. Prentkunst--PISSARRO, CAMILLE (1830-1903). --- Grafische kunsten. Grafiek. Prentkunst--PISSARRO, CAMILLE (1830-1903) --- Exhibitions --- Pissarro, Camille --- Catalogues d'exposition --- Prints, French --- Impressionism (Art)
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Chemical technology --- productietechniek --- Dyes --- Graphics industry --- Environmental protection. Environmental technology --- verfstoffen --- Chemische industrie --- Industrie chimique --- #A0003A --- 510 Milieurecht --- 468.1 Techniek --- ecologie --- productie --- inkt --- lak --- verf --- vernis --- emissie --- mengen --- malen --- solventen --- verbranding --- absorptie --- adsorptie --- BBT --- milieuproblematiek --- milieuvriendelijke productieprocessen --- verfindustrie --- Agrotechnology and Food Sciences. Engineering --- Environmental Engineering --- Environmental Engineering.
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Graphic arts --- 76.02 --- 76 <09> --- Walter Koschatzky --- kunst --- grafiek --- hoogdruk --- houtsnedes --- houtgravures --- diepdruk --- kopergravures --- staalgravures --- niëllo --- schaaftechniek --- opus mallei --- stippelgravure --- droge naald --- ets --- aquatint --- vernis mou --- roulettemethode --- crayonmanier --- vlakdruk --- lithografie --- autografie --- zeefdruk --- monotypie --- cliché-verre --- frottages --- 76.03 --- Technieken van de grafische kunsten --- Geschiedenis van de grafische kunsten --- 76 <09> Geschiedenis van de grafische kunsten --- 76.02 Technieken van de grafische kunsten
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