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This is the first detailed study of underground dance music or UDM, a phenomenon that has its roots in the overlap and cross-fertilization of African American and gay cultural sensibilities that have occurred since the 1970s. UDM not only predates and includes disco, but also constitutes a unique performance practice in the history of American social dance. Taking New York City as its geographic focus, this book shows how UDM functions in the lives of its DJs and dancers, and how it is used as the primary identifier of an urban subculture shaped essentially by the relationships between music, dance, and marginality. The author goes beyond stereotypical images of club and disco to explore the cult and culture of the DJ, the turntable and vinyl recordings as musical instruments, and the vital relationship between music and dance at underground clubs. Including interviews, photographs, and an extensive discography, this ethnographic account tells the story of a celebration of collective marginality through music and dance.
Underground dance music --- History and criticism --- Electronic dance music
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"Discos, clubs and raves have been focal points for the development of new and distinctive musical and cultural practices over the past four decades. This volume presents the rich array of scholarship that has sprung up in response. Cutting-edge perspectives from a broad range of academic disciplines reveal the complex questions provoked by this musical tradition. Issues considered include aesthetics; agency; 'the body' in dance, movement, and space; composition; identity (including gender, sexuality, race, and other constructs); musical design; place; pleasure; policing and moral panics; production techniques such as sampling; spirituality and religion; sub-cultural affiliations and distinctions; and technology. The essays are contributed by an international group of scholars and cover a geographically and culturally diverse array of musical scenes" -- Publisher's website.
Electronica (Music) --- Disco music --- History and criticism --- Electronic dance music --- Underground dance music --- #SBIB:309H142 --- Club music --- Dance music, Electronic --- Dance music, Underground --- EDM (Electronic dance music) --- Electronic music (Electronic dance music) --- UDM (Underground dance music) --- Dance music --- Remixes --- Electronic popular music --- Popular music --- Music, Disco --- Populaire muziek: functies, muziekgenres, historiek --- Electronica (Music) - History and criticism --- Disco music - History and criticism
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This book uses ethnographic research to examine the role of dance in the construction of identity in the distinctly British electronic dance music club culture of drum ’n’ bass. Dancing is revealed as the central way in which drum ’n’ bass clubbers construct and perform their identities, which are informed, although not defined, by the club culture’s histories. The intertextual and intercultural development of drum ’n’ bass musical and clubbing culture is shown to be represented in the dancing body, prompting a challenge to the discourse of cultural appropriation. Popular representations of identities are embodied by drum ’n’ bass clubbers through affective transmission via the popular screen, and in this process are re-valued in their embodiment. Using a socially orientated understanding of intertextuality, the popular dancing body is shown to be heterocorporeal: containing traces of prior meaning and logic yet replete with new meaning and significance. .
Electronic dance music --- Club music --- Dance music, Electronic --- Dance music, Underground --- EDM (Electronic dance music) --- Electronic music (Electronic dance music) --- UDM (Underground dance music) --- Underground dance music --- Dance music --- Electronica (Music) --- Remixes --- Dance. --- Dances --- Dancing --- Amusements --- Performing arts --- Balls (Parties) --- Eurythmics
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Analyse à la fois rigoureuse et nuancée, ce livre replace la Tecktonik et les danses électro dans l'univers des cultures jeunes et révèle les attentes de la jeunesse dans une société médiatique. L'été 2007, la Tecktonik a provoqué un véritable effet de mode auprès des adolescents et préadolescents. Des jeunes danseurs aux vêtements colorés et aux coiffures stylisées déferlent sur les écrans de télévision, les radios et les magazines, dansent dans les rues, les discothèques et les cours de collège. Mais les danses électro, toujours existantes à l'heure actuelle, se développaient en réalité depuis plusieurs années dans les discothèques et sur Internet, au travers des blogs et des réseaux sociaux. Cette enquête décrypte l'impact des industries culturelles et médiatiques aujourd'hui, tout en montrant le rôle de la créativité des jeunes, de leurs pratiques amateurs et des espaces qu'ils créent sur Internet. L'arrivée du web 2.0, des blogs et messageries instantanées dans les pratiques, la conquête d'une autonomie culturelle par les préadolescents, les nouvelles modalités de mise en scène et de construction identitaire à l'heure d'Internet, les processus de starification, sont autant de phénomènes passés au crible de l'analyse. Une plongée au cœur d'un phénomène juvénile qui, en associant étroitement pratiques numériques et pratiques musicales, manifeste de grandes tendances de la culture contemporaine.
Electronic dance music --- Youth --- Music and youth --- Social aspects --- Attitudes --- Youth and music --- Young people --- Young persons --- Youngsters --- Youths --- Age groups --- Life cycle, Human --- Club music --- Dance music, Electronic --- Dance music, Underground --- EDM (Electronic dance music) --- Electronic music (Electronic dance music) --- UDM (Underground dance music) --- Underground dance music --- Dance music --- Electronica (Music) --- Remixes --- jeunesse --- industrie culturelle --- musique --- média --- Tecktonik
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"From massive raves sprouting around the London orbital at the turn of the 1990s to events operated under the control of corporate empires, EDM (Electronic Dance Music) festivals have developed into cross-genre, multi-city, transnational mega-events. From free party teknivals proliferating across Europe since the mid-1990s to colossal corporate attractions like Tomorrowland Electric Daisy Carnival and Stereosonic, and from transformational and participatory events like Burning Man and events in the UK outdoor psytrance circuit, to such digital arts and new media showcases as Barcelona's Sónar Festival and Montreal's MUTEK, dance festivals are platforms for a variety of arts, lifestyles, industries and policies. Growing ubiquitous in contemporary social life, and providing participants with independent sources of belonging, these festivals and their event-cultures are diverse in organization, intent and outcome. From ethically-charged and ?boutique? events with commitments to local regions to subsidiaries of entertainment conglomerates touring multiple nations, EDM festivals are expressions of ?freedoms? revolutionary and recreational. Centres of ?EDM pop?, critical vectors in tourism industries, fields of racial distinction, or experiments in harm reduction, gifting culture, and co-created art, as this volume demonstrates, diversity is evident across management styles, performance legacies and modes of participation. Weekend Societies is a timely interdisciplinary volume from the emergent field of EDM festival and event-culture studies. Echoing an industry trend in world dance music culture from raves and clubs towards festivals, Weekend Societies features contributions from scholars of EDM festivals showcasing a diversity of methodological approaches, theoretical perspectives and representational styles. Organised in four sections: Dance Empires; Underground Networks; Urban Experiments; Global Flows, Weekend Societies illustrates how a complex array of regional, economic, social, cultural and political factors combine to determine the fate of EDM festivals that transpire at the intersections of the local and global."--
Electronic dance music festivals. --- Electronic dance music --- Club music --- Dance music, Electronic --- Dance music, Underground --- EDM (Electronic dance music) --- Electronic music (Electronic dance music) --- UDM (Underground dance music) --- Underground dance music --- Dance music --- Electronica (Music) --- Remixes --- Music festivals --- Social aspects. --- Electronic music --- Electronic dance music festivals --- Social aspects
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Electronic dance music --- Music and technology --- Social aspects. --- Technology and music --- Technology --- Club music --- Dance music, Electronic --- Dance music, Underground --- EDM (Electronic dance music) --- Electronic music (Electronic dance music) --- UDM (Underground dance music) --- Underground dance music --- Dance music --- Electronica (Music) --- Remixes
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Rave culture --- Religion and culture --- Youth --- Religious life --- Social life and customs --- techno --- spirituality --- rave culture --- dance --- new religious movement --- ecstacy --- neural tuning --- music --- ritual --- underground dance music --- gospel --- Baptist worship --- Gamelan --- counterculture --- New Age --- Ibiza --- Goa --- hedonism --- trance
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This book offers a comprehensive overview of electronic dance music (EDM) and club culture. To do so, it interlinks a broad range of disciplines, revealing their (at times vastly) differing standpoints on the same subject. Scholars from such diverse fields as cultural studies, economics, linguistics, media studies, musicology, philosophy, and sociology share their perspectives. In addition, the book features articles by practitioners who have been active on the EDM scene for many years and discuss issues like gender and diversity problems in general, and the effects of gentrification on club culture in Berlin. Although the book’s main focus is on Berlin, one of the key centers of EDM and club culture, its findings can also be applied to other hotspots. Though primarily intended for researchers and students, the book will benefit all readers interested in obtaining an interdisciplinary overview of research on electronic dance music. .
Electronic dance music --- History and criticism. --- Club music --- Dance music, Electronic --- Dance music, Underground --- EDM (Electronic dance music) --- Electronic music (Electronic dance music) --- UDM (Underground dance music) --- Underground dance music --- Dance music --- Electronica (Music) --- Remixes --- Music. --- Culture—Economic aspects. --- Dance. --- Digital media. --- Management. --- Mass media. --- Law. --- Cultural Economics. --- Digital/New Media. --- Cultural Management. --- IT Law, Media Law, Intellectual Property. --- Acts, Legislative --- Enactments, Legislative --- Laws (Statutes) --- Legislative acts --- Legislative enactments --- Jurisprudence --- Legislation --- Mass communication --- Media, Mass --- Media, The --- Communication --- Administration --- Industrial relations --- Organization --- Electronic media --- New media (Digital media) --- Mass media --- Digital communications --- Online journalism --- Dances --- Dancing --- Amusements --- Performing arts --- Balls (Parties) --- Eurythmics --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Economics. --- Culture. --- Cultural property --- Information technology --- Digital and New Media. --- Cultural Resource Management. --- Economic theory --- Political economy --- Social sciences --- Economic man --- Technology and law --- Cultural property, Protection of --- Cultural resources management --- Cultural policy --- Historic preservation --- Cultural sociology --- Culture --- Sociology of culture --- Civilization --- Popular culture --- Protection. --- Law and legislation. --- Protection --- Government policy --- Social aspects
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