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Religious architecture --- Applied arts. Arts and crafts --- Soulages, Pierre --- Conques --- Glass painting and staining --- History --- Criticism and interpretation --- Sainte-Foy de Conques (Church) --- Conques (Aveyron, France) --- Buildings, structures, etc --- Catalogs --- Abbatiale Sainte-Foy de Conques --- Stained glass windows --- Vitraux --- Peinture sur verre --- Soulages, Pierre, --- Oeuvres --- Vitraux. --- Glass painting and staining - France - Conques (Aveyron) - History - 20th century --- Soulages, Pierre - Criticism and interpretation --- Conques (Aveyron, France) - Buildings, structures, etc --- 748.5 --- 748.5 Glasschilderkunst. Glas in lood. Decoratieve ramen --- Glasschilderkunst. Glas in lood. Decoratieve ramen
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The miracle stories surrounding Sainte Foy form one of the most complete sets of material relating to a medieval saint's cult and its practices. Pamela Sheingorn's superb translation from the Medieval Latin texts now makes this literature available in English. The Book of Sainte Foy recounts the virgin saint's martyrdom in the third century (Passio), the theft of her relics in the late ninth century by the monks of the monastery at Conques (Translatio), and her diverse miracles (Liber miraculorum); also included is a rendering of the Provençal Chanson de Sainte Foy, translated by Robert L. A. Clark. The miracles distinguish Sainte Foy as an unusual and highly individualistic child saint displaying a fondness for gold and pretty things, as well as a penchant for playing practical jokes on her worshippers. In his record of Sainte Foy, Bernard of Angers, the eleventh-century author of the first parts of the Liber miraculorum, emphasized the saint's "unheard of" miracles, such as replacing missing body parts and bringing dead animals back to life. The introduction to the volume situates Sainte Foy in the history in the history of hagiography and places the saint and her monastery in the social context of the high Middle Ages. Sheingorn also evokes the rugged landscape of south central France, the picturesque village of Conques on the pilgrimage road, and, most important, the golden, jewel-encrusted reliquary statue that medieval believers saw as the embodiment of Sainte Foy's miracle-working power. In no other book will readers enjoy such a comprehensive portrait of Sainte Foy and the culture that nurtured her.
Old French literature --- Medieval Latin literature --- Christian church history --- Christian special devotions --- Christian child saints --- Enfants saints chrétiens --- Biography --- Biographie --- Foy, --- Conques (Aveyron, France) --- France --- Religious life and customs --- Vie religieuse --- Enfants saints chrétiens --- Child Christian saints --- Christian saints, Juvenile --- Child saints --- Christian saints --- Faith, --- Fe, --- Fede, --- Fides, --- Foy --- Getreu, --- Conques, France (Aveyron) --- Concas (France) --- Conques-en-Rouergue (France) --- Religious life and customs. --- Biography. --- Foy, sainte, 02..?-02..? --- Abbaye Saint-Sauveur-et-Sainte-Foy , Conques, Aveyron --- Fides v. m. Aginni
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plate [metal, visual works] --- Applied arts. Arts and crafts --- Conques --- Goldwork, Medieval --- Orfèvrerie médiévale --- Exhibitions --- Church plate --- Reliquaries --- Relics and reliquaries --- Containers --- Religious articles --- Shrines --- Communion plate --- Liturgical objects --- Plate --- Sainte-Foy de Conques (Abbey) --- Conques (Aveyron, France). --- Religious silver art --- Middle Ages --- plate [silver or gold tableware] --- Orfèvrerie médiévale --- Church plate - France - Conques (Aveyron) - Exhibitions. --- Reliquaries - France - Conques (Aveyron) - Exhibitions. --- Fides v. m. Aginni --- Iconographie --- Trésor
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Challenging the notion that modernization is a homogenizing process, Susan Rogers contends that in the course of large-scale transformations communities often reproduce and strengthen distinctive cultural and social features. To make this argument, she focuses on the French farming community of "Ste Foy" during a period of rapid change (1945-75). Using ethnographic field data and archival material that she collected as a "participant-observer," she finds an intriguing puzzle: an allegedly archaic social form, the ostal, has become increasingly common in the community. The ostal, a type of family farm organized around an extended "stem family" household, is a variant of the stem family systems associated with preindustrial southern Europe. How have Ste Foyans continued to remake this "archaic" mode as their community grew more prosperous and more involved in national and international markets? In showing how the specific identity of a community is reproduced rather than obliterated by modernization, the author reveals dialectical relationships between structure and change, history and culture, and the centralized nation-state and regional diversity. This analysis addresses anthropologists, historians, and scholars interested in local politics and economic development.
Social change. --- Families --- Ethnology --- France --- Sainte Foy (Aveyron, France) --- Economic conditions. --- Social conditions. --- Amicale movement. --- Catholic church. --- Decazeville. --- European Economic Community. --- French institutions. --- Lorraine. --- Occitane. --- Rodez. --- Rouergue. --- Ségala. --- agricultural markets. --- anthropology. --- archival sources. --- behavior, aberrant. --- bourg: appearance of. --- census. --- cohabitation. --- community relations. --- conflict. --- education. --- fair (monthly). --- family history. --- family relations. --- gros ostals. --- household composition. --- human agency. --- identity: individual. --- inheritance. --- leisure activities. --- migration. --- modernization. --- municipal crisis. --- ostal system. --- ostals. --- patois. --- patron-client ties. --- pistonnage. --- politics, local. --- regionalist movements. --- sociability. --- social stratification. --- sociocultural reproduction. --- standards of living. --- stem family. --- technological innovation. --- tourism. --- urbanization: of Aveyron. --- voluntary associations.
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Relief (Sculpture), French --- -Relief (Sculpture), Romanesque --- -Symbolism in art --- Tympana (Architecture) --- -Christian art and symbolism --- -Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Art --- Symbolism --- Christian antiquities --- Church decoration and ornament --- Tympanums (Architecture) --- Arches --- Pediments --- Allegory (Art) --- Signs and symbols in art --- Romanesque relief (Sculpture) --- French relief (Sculpture) --- Themes, motives --- Sainte-Foy de Conques (Church) --- Abbatiale de Conques --- Eglise de Saint-Foy de Conques --- Conques (Aveyron, France). --- Conques, France (Aveyron). --- Conques (Aveyron, France) --- -Buildings, structures, etc --- Tympans (Architecture) --- Église Sainte-Foy (Conques, France) --- -Tympanums (Architecture) --- Art, Christian --- -Conques, France (Aveyron) --- Concas (France) --- Buildings, structures, etc --- Christian art and symbolism --- Relief (Sculpture), Romanesque --- Symbolism in art --- Religious art --- Conques, France (Aveyron) --- Buildings, structures, etc. --- Art roman --- Conques-en-Rouergue (France) --- 726 --- 726 Religieuze bouwkunst. Kerkelijke bouwkunst. Sacrale architectuur --- Religieuze bouwkunst. Kerkelijke bouwkunst. Sacrale architectuur --- Tympans (Architecture) - France - Conques --- Tympana (Architecture) - France - Conques (Aveyron) - Themes, motives --- Christian art and symbolism - France - Conques (Aveyron) - Medieval, 500-1500 --- Relief (Sculpture), Romanesque - France - Conques (Aveyron) - Themes, motives --- Relief (Sculpture), French - France - Conques (Aveyron) - Themes, motives --- Symbolism in art - France - Conques (Aveyron) --- Conques (Aveyron, France) - Buildings, structures, etc
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