Listing 1 - 4 of 4 |
Sort by
|
Choose an application
Alfred Döblins Spätwerk sowie seine Zeitschrift »Das Goldene Tor« haben eine zentrale Rolle bei der Konzeptionierung der Synthetischen Moderne. Nico Schmidtner nimmt vor diesem Hintergrund eine Neuordnung der Zeitschriftenlandschaft der deutschen Nachkriegszeit vor. Durch die Untersuchung der wechselvollen literarischen Konflikte Döblins liefert er einen tiefen Einblick in die literarisch-politischen Diskurse nach dem Zweiten Weltkrieg. Seine Analysen der Dimensionen von Autorschafts-Inszenierung und Werkästhetik erlauben dabei einen innovativen Blick auf Döblin sowie eine Neubewertung des literarischen 20. Jahrhunderts.
Döblin, Alfred, --- Döblin, Alfred --- Deblin, A., --- Poot, Linke, --- Doeblin, Alfred, --- דבלין, אלפרד, --- דעבלין, אלפרעד --- Literary studies: general --- Literatur --- Kultur --- Alfred Döblin --- Zeitschriftenforschung --- Nachkriegszeit --- Synthetische Moderne --- Autorschaft --- 20. Jahrhundert --- Germanistik --- Kulturpolitik --- Literaturwissenschaft --- Literature --- Culture --- Research on Popular Press --- Post-war --- Synthetic Modern --- Authorship --- 20th Century --- German Literature --- Cultural Policy --- Literary Studies
Choose an application
(Produktform)Paperback / softback --- (Zielgruppe)Fachpublikum/ Wissenschaft --- (Produktform (spezifisch))Unsewn / adhesive bound --- Literatur --- Kultur --- Alfred Döblin --- Zeitschriftenforschung --- Nachkriegszeit --- Synthetische Moderne --- Autorschaft --- 20. Jahrhundert --- Germanistik --- Kulturpolitik --- Literaturwissenschaft --- Literature --- Culture --- Research on Popular Press --- Post-war --- Synthetic Modern --- Authorship --- 20th Century --- German Literature --- Cultural Policy --- Literary Studies --- (VLB-WN)1563: Hardcover, Softcover / Sprachwissenschaft, Literaturwissenschaft/Deutsche Sprachwissenschaft, Deutschsprachige Literaturwissenschaft --- Döblin, Alfred --- Deblin, A., --- Poot, Linke, --- Doeblin, Alfred, --- דבלין, אלפרד, --- דעבלין, אלפרעד
Choose an application
Non-fiction --- Journalism --- English literature --- anno 1800-1899 --- anno 1900-1999 --- Great Britain --- 094:054 --- 070 <09> <41> --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Nieuwsbladen --- Persgeschiedenis--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- 070 <09> <41> Persgeschiedenis--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- 094:054 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Nieuwsbladen --- Popular press --- 1855-1914 --- 1855-1914. --- Press --- Media, News --- Media, The --- News media --- Publicity --- Newspapers --- Periodicals --- History --- anno 1800-1999 --- England --- History. --- Press - England - History
Choose an application
"The Age of Irreverence tells the story of why China's entry into the modern age was not just traumatic, but uproarious. As the Qing dynasty slumped toward extinction, prominent writers compiled jokes into collections they called "histories of laughter." During the first years of the Republic, novelists, essayists and illustrators used humorous allegories to make veiled critiques of the new government. But political and cultural discussion repeatedly erupted into invective, as critics jeered and derided rivals in public. Farceurs drew followings in the popular press, promoting a culture of practical joking and buffoonery. Eventually, these various expressions of hilarity proved so offensive to high-brow writers that they launched a campaign to transform the tone of public discourse, hoping to displace the old forms of mirth with a new one they called youmo (humor). Christopher Rea argues that this era--from the 1890s up to the 1930s--transformed how Chinese people thought and talked about what is funny. Focusing on five cultural expressions of laughter--jokes, play, mockery, farce, and humor--he reveals the textures of comedy that were a part of everyday life during modern China's first "age of irreverence." This new history offers an unprecedented and up-close look at a neglected facet of Chinese cultural modernity, and discusses its legacy in the language and styles of Chinese humor today.--Provided by publisher.
S02/0200 --- S16/0490 --- China: General works--Civilization and culture --- China: Literature and theatrical art--Wit and humour, proverbs, an ecdotes, cartoons --- Chinese wit and humor --- Popular culture --- History and criticism. --- History --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Chinese literature --- asian history. --- asian literary criticism. --- asian literature. --- buffoonery. --- china. --- chinese cultural modernity. --- chinese government. --- chinese history. --- chinese republic. --- comedy. --- cultural expressions of laughter. --- cultural studies. --- end of the qing dynasty. --- farce. --- funny. --- histories of laughter. --- history. --- humor. --- humorous allegories. --- jokes. --- laughter. --- mockery. --- modern age. --- new government. --- play. --- political commentary. --- popular culture. --- popular press. --- practical joking. --- public discourse. --- qing dynasty. --- social commentary. --- youmo.
Listing 1 - 4 of 4 |
Sort by
|