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Public economics --- Performing arts --- Performing arts sponsorship --- Arts du spectacle --- Parrainage culturel --- Finance. --- Economic aspects --- Finances --- Aspect économique --- Finance --- 330.1 --- 7.078 --- -Performing arts --- -Performing arts sponsorship --- AA / International- internationaal --- 338.78 --- 339.44 --- 332.26 --- 338.042 --- Sponsorship of performing arts --- Art patronage --- Show business --- Arts --- Performance art --- Economische grondbegrippen. Algemene begrippen in de economie --- Kunstbescherming. Kunstbevordering --- Diensten. Non-profitsector. --- Kunstmarkt. --- Loonevolutie. --- Productieprijs. --- Sponsorship --- Performing arts sponsorship. --- Economic aspects. --- 7.078 Kunstbescherming. Kunstbevordering --- 330.1 Economische grondbegrippen. Algemene begrippen in de economie --- Aspect économique --- Loonevolutie --- Productieprijs --- Diensten. Non-profitsector --- Kunstmarkt --- Performing arts - Finance --- Performing arts - Economic aspects
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In The Comedians of the King, Julia Doe traces the impact of Bourbon patronage on the development of French lyric comedy. The book presents the history of an understudied genre and the institutional structures that supported it, determining how changes in royal sponsorship, especially under Marie Antoinette, contributed to the genre's rapid evolution. The stylistic shift, coming at a time of tremendous cultural change, had sizeable political implications. Drawing on both musical and archival evidence, Doe demonstrates how comic theater was exploited in (and worked against) the construction of the monarchy's carefully cultivated public image. In essence, this book examines the aesthetic, institutional, and political tensions that arose when a genre with popular roots was folded into the Bourbon propaganda machine-and when actors trained at the Paris fairs became official representatives of the sovereign, or comédiens ordinaires du roi.
Opéra comique --- Music patronage --- Business patronage of music --- Corporations --- Maecenatism --- Patronage of music --- Performing arts sponsorship --- Opéra comique français --- Opera --- History --- Bourbon, House of --- Music --- Theatrical science --- comic operas --- anno 1700-1799 --- France
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Music patronage --- Madrigals, Italian --- History and criticism --- History and criticism. --- 78 <45> "15" --- 78.078 --- Muziek--Italië--16e eeuw. Periode 1500-1599 --- Muziekbescherming. Muziekpolitiek. Muziekbeleid --- 78.078 Muziekbescherming. Muziekpolitiek. Muziekbeleid --- Business patronage of music --- Corporations --- Maecenatism --- Patronage of music --- Performing arts sponsorship --- Italian madrigals --- Madrigals (Music), Italian --- Music patronage - Italy - Florence --- Madrigals, Italian - Italy - 16th century - History and criticism
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78 <4/9> --- Muziek--Landen en plaatsen van de moderne wereld --- 78 <4/9> Muziek--Landen en plaatsen van de moderne wereld --- Music patronage --- Music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Business patronage of music --- Corporations --- Maecenatism --- Patronage of music --- Performing arts sponsorship --- History and criticism --- Manuscripts --- Hatton, Christopher Hatton, --- England --- 17th century --- Hatton, Christopher --- 78.25
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Drawing upon hundreds of newly uncovered archival records, Gretchen Peters reconstructs the music of everyday life in over twenty cities in late medieval France. Through the comparative study of these cities' political and musical histories, the book establishes that the degree to which a city achieved civic authority and independence determined the nature and use of music within the urban setting. The world of urban minstrels beyond civic patronage is explored through the use of diverse records; their livelihood depended upon seeking out and securing a variety of engagements from confraternities to bathhouses. Minstrels engaged in complex professional relationships on a broad level, as with guilds and minstrel schools, and on an individual level, as with partnerships and apprenticeships. The study investigates how minstrels fared economically and socially, recognizing the diversity within this body of musicians in the Middle Ages from itinerant outcasts to wealthy and respected town musicians.
Music --- anno 1400-1499 --- France --- Musique --- Muziek --- Music patronage --- Social aspects --- History --- History and criticism. --- Aspect social --- Histoire --- Mécénat --- Histoire et critique --- History and criticism --- Mécénat --- 15th century --- 78.23 --- Histoire et critique. --- Music patronage. --- Music. --- Social aspects. --- 1400-1499. --- France. --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Business patronage of music --- Corporations --- Maecenatism --- Patronage of music --- Performing arts sponsorship --- Music - Social aspects - France - History - 15th century --- Music patronage - France - History - 15th century --- Music - France - 15th century - History and criticism
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Corporate sponsorship --- Gifts --- Art patronage --- Parrainage publicitaire --- Donations --- Mécénat --- Law and legislation --- Taxation --- Droit --- Impôts --- 347.45 <44> --- 347.74 <44> --- Bijzondere overeenkomsten --(algemeen)--Frankrijk --- Handelsovereenkomsten. Wissels. Mandaat tot betaling. Assignaties--Frankrijk --- 347.74 <44> Handelsovereenkomsten. Wissels. Mandaat tot betaling. Assignaties--Frankrijk --- 347.45 <44> Bijzondere overeenkomsten --(algemeen)--Frankrijk --- Mécénat --- Impôts --- Income tax deductions --- Performing arts sponsorship --- Sponsors --- Sports sponsorship --- Sponsorship of sports --- Sports --- Godfathers --- Godmothers --- Godparents --- Baptism --- Confirmation --- Performing arts --- Sponsorship of performing arts --- Income tax --- Tax deductions --- Arts patronage --- Business patronage of the arts --- Corporations --- Maecenatism --- Patronage of art --- Art and industry --- Legal status, laws, etc --- Sponsorship --- Deductions --- Persons
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Based on fieldwork in Kinshasa and Paris, "Breaking Rocks" examines patronage payments within Congolese popular music, where a love song dedication can cost 6,000 dollars and a simple name check can trade for 500 or 600 dollars. Tracing this system of prestige through networks of musicians and patrons - who include gangsters based in Europe, kleptocratic politicians in Congo, and lawless diamond dealers in northern Angola - this book offers insights into ideologies of power and value in central Africa's troubled post-colonial political economy, as well as a glimpse into the economic flows that make up the hidden side of the globalization.
Popular music --- Music patronage --- Congolese (Democratic Republic) --- #SBIB:39A5 --- #SBIB:309H142 --- #SBIB:316.7C215 --- Zaireans --- Zairians --- Business patronage of music --- Corporations --- Maecenatism --- Patronage of music --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Economic aspects --- Social aspects --- Social conditions. --- Kunst, habitat, materiële cultuur en ontspanning --- Populaire muziek: functies, muziekgenres, historiek --- Cultuursociologie: muziek --- Congolais (République démocratique) --- Musique populaire --- Musique --- Conditions sociales --- Social conditions --- Aspect social --- Aspect économique --- Mécénat --- Ethnology --- Performing arts sponsorship --- Music --- Cover versions
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This study is based on newly recovered documentation pertaining to music and the patronage of music in the court of René d'Anjou, especially on the singers of his chapel. The book includes unpublished notarial records of Josquin Desprez and other musicians. These findings -- some of which alter our assessment of musicians' biographies and service, primary sources, and repertoire -- are considered in the context the literary program, theatrical productions, visual culture, liturgical observance, and ceremonial of the court.
Music patronage --- Music --- René --- Josquin, --- Provence (France) --- History --- Medieval music --- Music, Medieval --- Music, Renaissance --- Renaissance music --- Business patronage of music --- Corporations --- Maecenatism --- Patronage of music --- Performing arts sponsorship --- René --- De Pres, Josquin, --- Deprès, Josquin, --- Des Prés, Josquin, --- Des Prez, Josquin, --- Després, Josquin, --- Desprez, Josquin, --- Dupré, Josquin, --- Jodocus, --- Josse, --- Jusquin, --- Pres, Josquin de, --- Pres, Josquin des, --- Prez, Josquin des, --- History. --- Josquin des Prez --- Josquinus Pratensis --- Jodocus Pratensis --- Jodocus a Prato --- Josquin Desprez --- des Prez, Josquin --- Desprez, Josquin --- Des Prés, Josquin --- Després, Josquin --- Lebloitte, Jossequin --- Lebloitte, Josquin --- Music patronage - France - Provence - 15th century --- Music - 15th century --- René - I, - King of Naples and Jerusalem, - 1409-1480 --- Josquin, - des Prez, - -1521 --- Provence (France) - History
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Music --- anno 1200-1499 --- Germany --- 78 <43> --- 78 "04/14" --- Instrumental music --- -Instrumental music --- -Performance practice (Music) --- -Music patronage --- -#BIBC:02.43 ALAMIRE --- Business patronage of music --- Corporations --- Maecenatism --- Patronage of music --- Performing arts sponsorship --- Musical performance practice --- Performing practice (Music) --- Music, Instrumental --- Tijdschriften. Periodieken. Serials--Europa --- 05 <4> Tijdschriften. Periodieken. Serials--Europa --- Muziek--Duitsland voor 1945 en na 1989 --- Muziek--Middeleeuwen --- History and criticism --- History --- Performance --- Music patronage --- Performance practice (Music) --- History and criticism. --- -78 <43> --- 78 <43> Muziek--Duitsland voor 1945 en na 1989 --- 78 "04/14" Muziek--Middeleeuwen --- #BIBC:02.43 ALAMIRE --- Instrumental music - Germany - 500-1400 - History and criticism. --- Instrumental music - Germany - 15th century - History and criticism. --- Music patronage - Germany. --- Performance practice (Music) - Germany - 500-1400. --- Performance practice (Music) - Germany - 15th century. --- 78.23 --- Muziekgeschiedenis --- Instrumenten --- Instrumentaal --- Mecenaat --- Duitsland --- Middeleeuwen --- Renaissance --- 14e eeuw --- 15e eeuw --- 16e eeuw --- Uitvoeringspraktijk
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Music --- -Music patronage --- -Opera --- -Comic opera --- Lyric drama --- Opera --- Opera, Comic --- Operas --- Drama --- Dramatic music --- Singspiel --- Business patronage of music --- Corporations --- Maecenatism --- Patronage of music --- Performing arts sponsorship --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- History and criticism --- Music patronage --- Barberini family --- Urban VIII, Pope --- History and criticism. --- -History and criticism --- -Drama --- Comic opera --- -Business patronage of music --- Urban --- Barberini family. --- Barberini, Maffeo, --- Urbano --- Urbanus --- Italy --- Rome --- 17th century --- Urban VIII --- 78.21.2 Roma --- 78.25 --- Barberini, Maffeo Vincenzo, --- Barberino, Maffeo, --- Urbain --- Muziekgeschiedenis --- Geschiedenis --- Politiek --- Sociologie --- Theater --- Muziektheater --- Opera's --- Profane muziek --- Religieuze muziek --- Mecenaat --- Barberini --- Barok --- Italië --- 17e eeuw
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