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The comedians of the king : opéra comique and the Bourbon monarchy on the eve of revolution
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ISBN: 9780226743257 022674325X 9780226743394 Year: 2021 Publisher: Chicago, Ill. The University of Chicago Press

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In The Comedians of the King, Julia Doe traces the impact of Bourbon patronage on the development of French lyric comedy. The book presents the history of an understudied genre and the institutional structures that supported it, determining how changes in royal sponsorship, especially under Marie Antoinette, contributed to the genre's rapid evolution. The stylistic shift, coming at a time of tremendous cultural change, had sizeable political implications. Drawing on both musical and archival evidence, Doe demonstrates how comic theater was exploited in (and worked against) the construction of the monarchy's carefully cultivated public image. In essence, this book examines the aesthetic, institutional, and political tensions that arose when a genre with popular roots was folded into the Bourbon propaganda machine-and when actors trained at the Paris fairs became official representatives of the sovereign, or comédiens ordinaires du roi.

The Maecenas and the Madrigalist : patrons, patronage, and the origins of the Italian madrigal
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ISBN: 0871692538 9780871692535 Year: 2004 Volume: 253 Publisher: Philadelphia: American philosophical society,

Musical patronage in seventeenth-century England : Christopher, first Baron Hatton (1605-1670)
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ISBN: 1859282784 Year: 1997 Publisher: Aldershot Brookfield (Vermont) Scolar Press Ashgate


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The musical sounds of medieval French cities : players, patrons, and politics
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ISBN: 9781107010611 1107010616 9780511862526 9781316620823 1316620824 9781139570831 1139570838 9781139569026 1139569023 0511862520 9781139572583 113957258X 9781139572583 1139888382 9781139888387 1139579401 9781139579407 1139573381 9781139573382 1283716275 9781283716277 1139569929 9781139569927 Year: 2012 Publisher: Cambridge: Cambridge university press,

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Drawing upon hundreds of newly uncovered archival records, Gretchen Peters reconstructs the music of everyday life in over twenty cities in late medieval France. Through the comparative study of these cities' political and musical histories, the book establishes that the degree to which a city achieved civic authority and independence determined the nature and use of music within the urban setting. The world of urban minstrels beyond civic patronage is explored through the use of diverse records; their livelihood depended upon seeking out and securing a variety of engagements from confraternities to bathhouses. Minstrels engaged in complex professional relationships on a broad level, as with guilds and minstrel schools, and on an individual level, as with partnerships and apprenticeships. The study investigates how minstrels fared economically and socially, recognizing the diversity within this body of musicians in the Middle Ages from itinerant outcasts to wealthy and respected town musicians.


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Breaking rocks : music, ideology and economic collapse, from Paris to Kinshasa
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ISBN: 9781785333989 1785333984 1785333992 Year: 2017 Publisher: New York Berghahn Books

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Based on fieldwork in Kinshasa and Paris, "Breaking Rocks" examines patronage payments within Congolese popular music, where a love song dedication can cost 6,000 dollars and a simple name check can trade for 500 or 600 dollars. Tracing this system of prestige through networks of musicians and patrons - who include gangsters based in Europe, kleptocratic politicians in Congo, and lawless diamond dealers in northern Angola - this book offers insights into ideologies of power and value in central Africa's troubled post-colonial political economy, as well as a glimpse into the economic flows that make up the hidden side of the globalization.


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Music and patronage in the court of René d'Anjou : sacred and secular music in the literary program and ceremonial
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ISBN: 9780866985536 0866985530 Year: 2017 Volume: 498 Publisher: Tempe, AZ: Arizona center for Medieval and Renaissance studies,

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This study is based on newly recovered documentation pertaining to music and the patronage of music in the court of René d'Anjou, especially on the singers of his chapel. The book includes unpublished notarial records of Josquin Desprez and other musicians. These findings -- some of which alter our assessment of musicians' biographies and service, primary sources, and repertoire -- are considered in the context the literary program, theatrical productions, visual culture, liturgical observance, and ceremonial of the court.

German instrumental music of the late Middle Ages : players, patrons, and performance practice
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ISBN: 0521385210 Year: 1992 Volume: 4 Publisher: Cambridge [England] New York Cambridge University Press

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