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Composition (Art) --- Space (Art) --- Painting, Modern. --- Painting --- Espace (Art) --- Peinture moderne --- Peinture --- Philosophy. --- Philosophie --- -Painting, Modern --- Art --- Modern painting --- Paintings, Modern --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Proportion (Art) --- Philosophy --- Composition --- Painting, Modern --- Negative space (Art) --- Painting - Philosophy.

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Comment la main donne-t-elle forme à la matière dans la pratique artistique ? Comment concevoir leur rapport dans la genèse d'une œuvre d'art ? Le présent ouvrage propose une relecture de la pensée esthétique à partir de questions durablement escamotées par ses historiens. Au revers de l'oculocentrisme dominant s'est développée en effet, dès la naissance de l'esthétique au XVIIIe siècle, comme la face occulte d'un Janus, une haptologie de l'œuvre d'art qui détermine l'expérience esthétique comme essentiellement sensorielle et corporelle, et la pratique artistique comme le cheminement de la main trouvant son chemin au cœur de la matière.Herman Parret retrace l'histoire de cette esthétique haptologique et en analyse les concepts-clés à travers une relecture des textes fondamentaux, de Baumgarten à Lyotard, en passant par Lessing, Diderot, Kant, Herder, Nietzsche, Riegl, Husserl, Merleau-Ponty, Jean d'Udine, Henri Focillon et Gilles Deleuze. Il montre comment l'hypothèse haptologique s'immisce dans le cadre général de réflexion de ces penseurs et finit toujours par s'y justifier, dégageant une continuité méconnue sur plus de deux siècles d'esthétique philosophique.

Aesthetics --- philosophy of art --- History --- Gesture in art --- Touch --- Creation (Literary, artistic, etc.) --- Painting --- Philosophy --- Aesthetics. --- Art criticism --- Creation (Literary, artistic, etc.). --- Gesture in art. --- Phenomenology. --- Touch. --- History. --- Philosophy. --- Aesthetics - History --- Painting - Philosophy

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Art --- Aesthetics --- Painting, Chinese --- Esthétique --- Peinture chinoise --- Philosophy --- Philosophie --- Painting --- Philosophy, Chinese --- S17/0430 --- S17/0410 --- China: Art and archaeology--Esthetics --- China: Art and archaeology--Symbolism in Chinese art, iconography --- Esthétique --- Aesthetics, Chinese --- Chinese aesthetics --- Painting - Philosophy --- History of philosophy --- China --- Peinture --- Objet (esthétique) --- Perception (philosophie) --- Peinture taoïste --- Ineffable --- Chine --- Dans l'art

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Painting, according to Jean-Luc Marion, is a central topic of concern for philosophy, particularly phenomenology. For the question of painting is, at its heart, a question of visibility—of appearance. As such, the painting is a privileged case of the phenomenon; the painting becomes an index for investigating the conditions of appearance—or what Marion describes as "phenomenality" in general. In The Crossing of the Visible, Marion takes up just such a project. The natural outgrowth of his earlier reflections on icons, these four studies carefully consider the history of painting—from classical to contemporary—as a fund for phenomenological reflection on the conditions of (in)visibility. Ranging across artists from Raphael to Rothko, Caravaggio to Pollock, The Crossing of the Visible offers both a critique of contemporary accounts of the visual and a constructive alternative. According to Marion, the proper response to the "nihilism" of postmodernity is not iconoclasm, but rather a radically iconic account of the visual and the arts that opens them to the invisible.

Visual Perception. --- Perspective. --- Painting --- Phenomenology. --- Philosophy. --- Visual perception. --- Optics, Psychological --- Vision --- Architectural perspective --- Linear perspective --- Mechanical perspective --- Psychological aspects --- Philosophy, Modern --- Perception --- Visual discrimination --- Optics --- Space (Art) --- Space perception --- Projection --- Proportion (Art) --- Shades and shadows --- Perspective --- Phenomenology --- Visual perception --- Philosophy --- Visual Perception --- Painting - Philosophy

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Painting --- Affective and dynamic functions --- Philosophy and psychology of culture --- Kooning, de, Willem --- Picasso, Pablo --- Poussin, Nicolas --- Jones, Thomas --- Manet, Edouard --- Hals, Frans --- Bellini, Giovanni --- Ingres, Jean Auguste Dominique --- Friedrich, Caspar David --- Titian --- Visual perception --- Optics, Psychological --- Vision --- Perception --- Visual discrimination --- Philosophy --- Psychological aspects --- Visual Perception --- Visual perception. --- Philosophy. --- Psychological aspects. --- CDL --- 75.01 --- Painting - Psychological aspects --- Painting - Philosophy