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De Fontenelle à Gaston Tissandier, la Vulgarisation trace son chemin, à travers les remous de l’Histoire, avec les abbés Nollet, Pluche et Moigno – soucieux de concilier religion et science – et les républicains Arago, Figuier, Flammarion, Meunier, Jules Verne et tant d’autres. Elle permet à un public de plus en plus varié, grâce aux progrès de la presse et de l’imprimerie, de suivre de près les découvertes scientifiques, mais aussi de comprendre les progrès techniques qui modifient la vie "idienne : le chemin de fer, l’électricité, les ascenseurs, la bicyclette et l’automobile, etc. Ce public peut même assister aux démonstrations, lors des grandes Expositions universelles qui éclairent le siècle. Des collections spécialisées voient le jour, Manuels Roret, Bibliothèque des Merveilles. Les premières revues périodiques de vulgarisation se multiplient. Cosmos et La Nature préfigurent les revues modernes. De grandes revues généralistes, la Revue des Deux Mondes, Le Magasin pittoresque, l’Illustration n’hésitent pas à publier des articles de vulgarisation.
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Guide pratique répondant aux questions des scientifiques souhaitant vulgariser leurs savoirs avec le plus grand nombre.
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Imagine a stage full of black cats emitting electrical sparks, a man catching bullets with his teeth, or an evangelist jumping on a transformer to shoot bolts of lightning through his fingertips. These and other wild schemes were part of the repertoire of showmen who traveled from city to city, making presentations that blended science with myth and magic. In Wonder Shows, Fred Nadis offers a colorful history of these traveling magicians, inventors, popular science lecturers, and other presenters of “miracle science” who revealed science and technology to the public in awe-inspiring fashion. The book provides an innovative synthesis of the history of performance with a wider study of culture, science, and religion from the antebellum period to the present. It features a lively cast of characters, including electrical “wizards” Nikola Tesla and Thomas Alva Edison, vaudeville performers such as Harry Houdini, mind readers, UFO cultists, and practitioners of New Age science. All of these performers developed strategies for invoking cultural authority to back their visions of science and progress. The pseudo-science in their wonder shows helped promote a romantic worldview that called into question the absolute authority of scientific materialism while reaffirming the importance of human spirituality. Nadis argues that the sensation that these entertainers provided became an antidote to the alienation and dehumanization that accompanied the rise of modern America. Although most recent defenders of science are prone to reject wonder, considering it an ally of ignorance and superstition, Wonder Shows demonstrates that the public’s passion for magic and meaning is still very much alive. Today, sales continue to be made and allegiances won based on illusions that products are unique, singular, and at best, miraculous. Nadis establishes that contemporary showmen, corporate publicists, advertisers, and popular science lecturers are not that unlike the magicians and mesmerists of years ago.
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In Presented Discourse in Popular Science , Olga A. Pilkington explores the forms and functions of the voices of scientists in books written for non-professionals. This study confirms the importance of considering presentation of discourse outside of literary fiction: popular science uses presented discourse in ways uncommon for fiction yet not conventional for non-fiction either. This analysis is an acknowledgement of the social consequences of popularization. Discourse presentation of scientists reconstructs the world of the scientific community as a human space but also projects back into it an image of the scientist the public wants to see. At the same time, Pilkington’s findings strengthen the view of popularization that rejects the notion of a strict divide between professional and popular science.
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News [Science ] --- Nouvelles scientifiques --- Popularization of science --- Science dans les moyens de communication de masse --- Science in mass media --- Science news --- Science--Popularization --- Wetenschap in de massamedia --- Wetenschap--Popularisatie --- Wetenschappelijk nieuws --- Wetenschappelijke popularisatie --- Science --- News, Science --- Communication in science --- Journalism --- Technical writing --- Popular works --- Popularization
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