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Music theory --- Musical intervals and scales --- Intervals (Music) --- Modes, Musical --- Music --- Musical modes --- Musical scales and intervals --- Scales (Music) --- Musical temperament --- Musical theory --- Theory of music --- Modes --- Theory
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Many people intuitively sense that there is a connection between mathematics and music. If nothing else, both involve counting. There is, of course, much more to the association. David Wright's book is an investigation of the interrelationships between mathematics and music, reviewing the needed background concepts in each subject as they are encountered. Along the way, readers will augment their understanding of both mathematics and music. The text explores the common foundations of the two subjects, which are developed side by side. Musical and mathematical notions are brought together, such as scales and modular arithmetic, intervals and logarithms, tone and trigonometry, and timbre and harmonic analysis. When possible, discussions of musical and mathematical notions are directly interwoven. Occasionally the discourse dwells for a while on one subject and not the other, but eventually the connection is established, making this an integrative treatment of the two subjects. The book is a text for a freshman level college course suitable for musically inclined or mathematically inclined students, with the intent of breaking down any apprehension that either group might have for the other subject. Exercises are given at the end of each chapter. The mathematical prerequisites are a high-school level familiarity with algebra, trigonometry, functions, and graphs. Musically, the student should have had some exposure to musical staffs, standard clefs, and key signatures, though all of these are explained in the text [Publisher description].
Musical intervals and scales. --- Music theory --- Intervals (Music) --- Modes, Musical --- Music --- Musical modes --- Musical scales and intervals --- Scales (Music) --- Musical temperament --- Mathematics. --- Modes --- Musical intervals and scales --- Mathematics
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Counterpoint --- Music theory --- Musical intervals and scales --- Intervals (Music) --- Modes, Musical --- Music --- Musical modes --- Musical scales and intervals --- Scales (Music) --- Musical temperament --- Musical theory --- Theory of music --- Polyphony --- Modes --- Theory --- Early works to 1800 --- 15th century
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Musical intervals and scales --- Music theory --- Music --- Musical theory --- Theory of music --- Intervals (Music) --- Modes, Musical --- Musical modes --- Musical scales and intervals --- Scales (Music) --- Musical temperament --- Theory --- Modes --- Music theory. --- Musical intervals and scales.
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Musical intervals and scales --- Tonality --- Key (Music theory) --- Keys (Music theory) --- Musical key --- Intervals (Music) --- Modes, Musical --- Music --- Musical modes --- Musical scales and intervals --- Scales (Music) --- Music theory --- Musical temperament --- Modes --- harmonie --- muziektheorie
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Das Buch verfolgt die Entwicklung des Tonsystems seit dem griechischen Altertum in mathematischer Sicht. Themen sind u.a. das Verhältnis der gleichschwebenden Temperatur zur reinen Stimmung und das Tonartencharakteristiken-Problem. Und warum gibt es eigentlich keine 13-Ton-Musik? Die Obertonreihe der Saite, der verschiedenen Pfeifen, und der Pauke wird aus der Wellengleichung und den jeweiligen Randbedingungen hergeleitet. Den Klang bestimmen die Anfangswerte, und damit der Künstler. Für die Pauke sind die Besselfunktionen verantwortlich. Vom Autor berechnete Klangfiguren und Amplituden-Diagramme veranschaulichen den Sachverhalt. Bei aller Mathematik schlägt das Buch eine Brücke zur Musik in kulturgeschichtlichem Zusammenhang.
Musical intervals and scales. --- Music --- Timpani --- Kettledrum --- Timpanum --- Tympani --- Drum --- Musical acoustics --- Physics --- Sound --- Monochord --- Intervals (Music) --- Modes, Musical --- Musical modes --- Musical scales and intervals --- Scales (Music) --- Music theory --- Musical temperament --- Mathematics. --- Acoustics and physics. --- Acoustics. --- Modes
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The concept of affinities, or pitch relationships, was fundamental to modal theory in the Middle Ages and the early Renaissance. For the first time, Delores Pesce brings together theoretical perspectives on this subject from the end of the ninth century to the middle of the sixteenth, spanning the ideas of Hucbald through Guido of Arezzo, Jacques de Liège, Marchetto of Padua, Tinctoris, and Aaron to those of Glareanus. Pesce provides a comprehensive survey of problematic chants and of medieval solutions for them. She also traces the arguments that led to the rejection of the affinities and the acceptance of transposition in the modern sense. Scholars will find this volume invaluable for addressing issues related to modal classification and notational practices, in both chant and polyphony.
Transposition (Music) --- Musical intervals and scales. --- Music theory. --- Music theory --- History --- Intervals (Music) --- Modes, Musical --- Music --- Musical modes --- Musical scales and intervals --- Scales (Music) --- Musical temperament --- Transposing (Music) --- Musical pitch --- Musical theory --- Theory of music --- Modes --- Theory --- History of music
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Musical intervals and scales --- Music --- Intervals (Music) --- Modes, Musical --- Musical modes --- Musical scales and intervals --- Scales (Music) --- Music theory --- Musical temperament --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- History and criticism --- Modes --- modaliteit (muziek) --- muziektheorie --- Arab states --- Iran
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Essays in diatonic set theory, transformation theory, and neo-Riemannian theory -- the newest and most exciting fields in music theory today. The essays in Music Theory and Mathematics: Chords, Collections, and Transformations define the state of mathematically oriented music theory at the beginning of the twenty-first century. The volume includes essays in diatonic set theory, transformation theory, and neo-Riemannian theory -- the newest and most exciting fields in music theory today. The essays constitute a close-knit body of work -- a family in the sense of tracing their descentfrom a few key breakthroughs by John Clough, David Lewin, and Richard Cohn in the 1980s and 1990s. They are integrated by the ongoing dialogue they conduct with one another. The editors are Jack Douthett, a mathematician and music theorist who collaborated extensively with Clough; Martha M. Hyde, a distinguished scholar of twentieth-century music; and Charles J. Smith, a specialist in tonal theory. The contributors are all prominent scholars, teaching at institutions such as Harvard, Yale, Indiana University, and the University at Buffalo. Six of them (Clampitt, Clough, Cohn, Douthett, Hook, and Smith) have received the Society for Music Theory's prestigious PublicationAward, and one (Hyde) has received the ASCAP Deems Taylor Award. The collection includes the last paper written by Clough before his death, as well as the last paper written by David Lewin, an important music theorist also recently deceased. Contributors: David Clampitt, John Clough, Richard Cohn, Jack Douthett, Nora Engebretsen, Julian Hook, Martha Hyde, Timothy Johnson, Jon Kochavi, David Lewin, Charles J. Smith, and Stephen Soderberg.
Music theory --- Musical intervals and scales. --- Mathematics. --- Intervals (Music) --- Modes, Musical --- Music --- Musical modes --- Musical scales and intervals --- Scales (Music) --- Musical temperament --- Modes --- Clough. --- David Lewin. --- Italian scribe. --- John Clough. --- Lewin. --- Music Theory. --- Richard Cohn. --- diatonic set theory. --- music theory. --- mysticism. --- neo-Riemannian theory. --- palaeographers. --- scholars. --- tonal theory. --- transformation theory.
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John of Garland --- Musical intervals and scales --- Music theory --- Gregorian chants --- -Chant (Plain, Gregorian, etc.) --- Chants (Plain, Gregorian, etc.) --- Franco-Roman chants --- Gregorian chant --- Old Roman chants --- Plainchant --- Plainchants --- Plainsong --- Roman chants --- Chants --- Music --- Musical theory --- Theory of music --- Intervals (Music) --- Modes, Musical --- Musical modes --- Musical scales and intervals --- Scales (Music) --- Musical temperament --- Instruction and study --- Theory --- Modes --- Johannes de Garlandia --- -Instruction and study --- -Music --- Chant (Plain, Gregorian, etc.) --- Johannes, --- Garlandia, Johannes de
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