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Bibliogr. : p. 281-300

Music - Psychological aspects --- Musical perception --- Music --- Music psychology --- Auditory perception --- Psychological aspects --- Psychology

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Winner of the Wallace Berry Award, Society for Music Theory Winner of the Deems Taylor/Virgil Thomson Award, ASCAP What is it about the music you love that makes you want to hear it again? Why do we crave a'hook'that returns, again and again, within the same piece? And how does a song end up getting stuck in your head? Whether it's a motif repeated throughout a composition, a sample looped under an electronic dance beat, a passage replayed incessantly by a musician in a practice room-or an'earworm'burrowing through your mind like a broken record-repetition is nearly as integral to music as the notes themselves. Its centrality has been acknowledged by everyone from evolutionary biologist W. Tecumseh Fitch, who has called it a'design feature'of music, to the composer Arnold Schoenberg who admitted that'intelligibility in music seems to be impossible without repetition.'And yet, stunningly little is actually understood about repetition and its role in music. On Repeat offers the first in-depth inquiry into music's repetitive nature, focusing not on a particular style, or body of work, but on repertoire from across time periods and cultures. Author Elizabeth Hellmuth Margulis draws on a diverse array of fields including music theory, psycholinguistics, neuroscience, and cognitive psychology, to look head-on at the underlying perceptual mechanisms associated with repetition. Her work sheds light on a range of issues from repetition's use as a compositional tool to its role in characterizing our behavior as listeners, and then moves beyond music to consider related implications for repetition in language, learning, and communication. Written in engaging prose, and enlivening otherwise complex concepts for the specialist and non-specialist alike, On Repeat will captivate scholars and students across numerous disciplines from music theory and history, to psychology and neuroscience-and anyone fascinated by the puzzle of repetition in music.

Cognition. --- Music -- Psychological aspects. --- Musical perception. --- Repetition in music. --- Repetition in music --- Music --- Musical perception --- Cognition --- Music, Dance, Drama & Film --- Music Philosophy --- Psychology --- Auditory perception --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Composition (Music) --- Psychological aspects --- E-books --- Répétition (Musique) --- Musique --- Perception musicale --- Psychological aspects. --- Aspect psychologique --- Répétition (Musique) --- Music -- Psychological aspects --- Music psychology

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The aim of the psychology of music is to understand musical phoneomena in terms of mental functions--to characterize the ways in which one perceives, remembers, creates, and performs music. Since the First Edition of "The Psychology of Music" was published the field has emerged from an interdisciplinary curiosity into a fully ramified subdiscipline of psychology due to several factors. The opportunity to generate, analyze, and transform sounds by computer is no longer limited to a few researchers with access to large multi-user facilities, but rather is available to individual investigators on a widespread basis. Second, dramatic advances in the field of neuroscience have profoundly influenced thinking about the way that music is processed in the brain. Third, collaborations between psychologists and musicians, which were evolving at the time the first edition was written, are now quite common to a large extent now speaking a common language and agreeing on basic philosophical issues. "The Psychology of Music," Second Edition has been completely revised to bring the reader the most up-to-date information, additional subject matter, and new contributors to incorporate all of these important variables. The book is intended as a comprehensive reference source for both musicians and psychologists.

Music --- Musique --- Psychology --- Psychologie --- Psychological aspects --- 159.9:7 --- -#PBIB:2002.1 --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Psychologie van de kunst --- Psychological aspects. --- 159.9:7 Psychologie van de kunst --- #PBIB:2002.1 --- Music psychology --- Music Philosophy --- Music, Dance, Drama & Film --- Music - Psychological aspects

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Music --- Philosophy and aesthetics. --- Social aspects. --- Psychological aspects. --- Music psychology --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Music and society --- Philosophy and aesthetics --- Psychological aspects --- Social aspects --- Psychology --- Philosophy --- Music - Philosophy and aesthetics. --- Music - Social aspects. --- Music - Psychological aspects. --- Acqui 2006

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Music --- Musical perception. --- Musique --- Perception musicale --- Philosophy and aesthetics. --- Psychological aspects. --- Philosophie et esthétique --- Aspect psychologique --- Philosophie et esthétique --- Musical perception --- Music psychology --- Hermeneutics (Music) --- Musical aesthetics --- Philosophy and aesthetics --- Psychological aspects --- Psychology --- Aesthetics --- Philosophy --- Music theory --- Auditory perception --- Music - Philosophy and aesthetics. --- Music - Psychological aspects.