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A bridge built halfway : a history of Memorial university college 1925-1950
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ISBN: 0773507612 Year: 1990 Publisher: Kingston McGill-Queen's university press

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Observing the Outports : Describing Newfoundland Culture, 1950-1980
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ISBN: 1442625325 1442625317 Year: 2018 Publisher: Toronto : University of Toronto Press,

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The years after Newfoundland's confederation with Canada were ones of rapid social and economic change, as provincial resettlement and industrialization initiatives attempted to transform the lives of rural Newfoundlanders. At Memorial University in St. John's, a new generation of faculty saw the province's transformation as a critical moment. Some hoped to solve the challenges of modernization through their rural research. Others hoped to document the island's "traditional" culture before it disappeared. Between them they created the field of "Newfoundland studies."In Observing the Outports, Jeff A. Webb illustrates how interdisciplinary collaborations among scholars of lexicography, history, folklore, anthropology, sociology, and geography laid the foundation of our understanding of Newfoundland society in an era of modernization. His extensive archival research and oral history interviews illuminate how scholars at Memorial University created an intellectual movement that paralleled the province's cultural revival.


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Venanzio Rauzzini in Britain : castrato, composer, and cultural leader
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ISBN: 9781580465328 1580465323 9781782046097 1782046097 Year: 2015 Volume: 125 Publisher: Rochester, NY : University of Rochester Press,

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Venanzio Rauzzini (1746-1810), the celebrated Italian castrato, is best known for his performance in Mozart's Lucio Silla in 1772, with which Mozart was so pleased that he composed for the singer the famous motet Exsultate Jubilate. In 1774, Rauzzini moved to London where he performed three seasons of serious operas at the King's Theatre. From 1777 until his death in 1810, he was the director of the concert series in Bath, a series that matched the prestige of any that were given in London. In addition, he composed prolifically, writing music for eleven operas. This book is a study of Rauzzini's remarkable yet often overlooked career in Britain. Paul Rice chronicles Rauzzini's performances at the King's Theatre and examines his leadership of the Bath subscription concerts from 1780-1810, recovering much of the repertory. Rice shows in detail how Rauzzini responded musically to the social and political conditions of his adopted country, and analyzes the castrato's reception, as well as compositional choices, shedding new light on changing musical tastes in late eighteenth-century Britain. Paul F. Rice is professor of musicology at the School of Music, Memorial University of Newfoundland.

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