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La technique poétique des trouvères dans la chanson courtoise : contribution à l'étude de la rhétorique médiévale.
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ISBN: 2051000018 Year: 1979 Volume: 2 Publisher: Genève Slatkine reprints

Medieval rhetorics of prose composition : five English artes dictandi and their tradition
Author:
ISBN: 0866981683 Year: 1995 Volume: 115 Publisher: Binghamton ; New York Medieval & Renaissance Texts & Studies

Political allegory in late medieval England
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ISBN: 0801435609 0801474655 Year: 1999 Publisher: Ithaca : Cornell University Press,

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Abstract

Ann W. Astell here affords a radically new understanding of the rhetorical nature of allegorical poetry in the late Middle Ages. She shows that major English writers of that era-among them, William Langland, John Gower, Geoffrey Chaucer, and the Gawain-poet-offered in their works of fiction timely commentary on current events and public issues. Poems previously regarded as only vaguely political in their subject matter are seen by Astell to be highly detailed and specific in their veiled historical references, implied audiences, and admonitions. Astell begins by describing the Augustinian and Boethian rhetorical principles involved in the invention of allegory. She then compares literary and historical treatments of key events in fourteenth- and fifteenth-century England, finding an astonishing match of allusions and code words, especially those deriving from puns, titles, heraldic devices, and personal cognizances, as well as repeated proverbs, prophecies, and exempla. Among the works she discusses are John Ball's Letters and parts of Piers Plowman, which she presents as two examples of allegorical literature associated with the Peasants' Revolution of 1381; Gower's allegorical representation of the Merciless Parliament of 1388 in Confessio Amantis; and Chaucer's brilliant literary handling of key events in the reign of Richard II. In addition Astell argues for a precise dating of Sir Gawain and the Green Knight between 1397 and 1399 and decodes the work as a political allegory.

Beowulf and old Germanic metre
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ISBN: 0511582986 0511002793 9780511002793 0521093090 0521593409 Year: 1998 Volume: 23 Publisher: Cambridge New York Cambridge University Press

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This 1998 book is a clear and accessible account of early Germanic alliterative verse which explains how such verse was treated by the Beowulf poet. There are differences of poetic style between Beowulf and the otherwise similar verse of ancient Scandinavia and continental Europe. Such distinctions have intrigued scholars for over a century, but Russom is the first to provide a systematic explanation of Old English, Old Norse, Old Saxon, and Old High German alliterative metres. The system of alliterative rules described by Russom derives from ordinary language; the rules change with language over historical time, rather than persisting as arbitrary restrictions. Once the relations between language and metre are identified, it is possible to see how language change yielded the divergent metrical practices which gave each tradition its special character. Russom's results should interest scholars of Old English and related Germanic languages, as well as linguists and those concerned with poetic metre.

Plaire et édifier : les récits hagiographiques composés en Angleterre aux XIIe et XIIIe siècles
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ISBN: 2852038226 9782852038226 Year: 1998 Volume: 45 Publisher: Paris : Editions Honoré Champion,

Gender and genre in medieval French literature
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ISBN: 0521464943 0521022606 0511519508 9780521022606 9780511519505 9780521464949 Year: 1995 Volume: 53 Publisher: Cambridge Cambridge University Press

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This wide-ranging study explores the ideological framework of genre in Old French and Occitan literature by charting the relationship between ideology and gender in five key genres: the chansons de geste, courtly romance, the Occitan canso, hagiography, and the fabliaux. Simon Gaunt offers new readings of canonical Old French and medieval Occitan texts such as the Chanson de Roland, Chrétien de Troyes's Chevalier de la charrette, and lyrics by Bernart de Ventadorn, and in addition he considers many less well-known works and less familiar genres such as hagiography and the fabliaux. Drawing on contemporary feminist theory, he examines how masculinity, as well as femininity, is constructed in medieval French and Occitan texts, and shows that gender is a crucial element in the formation of the ideologies that underpin medieval literary genres.

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