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Very few doctoral dissertations make for great books, books that readers cherish: architect Elias Torresís Zenithal Light is one of them. This album of thousands of photographs collected over years of research and travel, carefully classified, sometimes more than ten to a page, catalogues the tremendous variety of spaces that generate zenithal light, sunlight captured filtering downward from domes, skylights, towers and the tops of alleyways. Torres begins with intimate interior spaces and concludes in open city streets; in every case the effect is beautiful. The book's final chapter continues his playful codification, offering schematic drawings to accompany photographs of 11 cardboard boxes Torres filled with a wide variety of familiar, funny and strange objects and pierced to allow viewers to observe the effects of the zenithal light filtering through their interiors. A die-cut foldout cover allows readers to demonstrate the property themselves. (Copié du site http://www.amazon.fr)
Light in architecture. --- Lumière en architecture --- Eclairage zénithal --- Histoire de l'architecture --- Lumière --- Lumière-architecture --- 72.017 --- Licht (architectuur) --- Lumière en architecture --- Eclairage zenithal --- Lumiere en architecture
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In this book, the author embodies her many years of experience as a practitioner and teacher of lighting design. She articulates basic planning rules for the outdoor lighting of buildings, traffic routes, and squares, and presents and elucidates new artificial lighting systems and outdoor lamps with the help of examples. The face of the nocturnal metropolis is marked decisively by light, and the number and variety of the light sources is increasing to the point of "light terror." A well-lit urban space can be very inviting, giving residents and visitors a sense of well-being and security. A successful lighting design can also give the city at night an identity of its own and accentuate architectural qualities. In this book, the author embodies her many years of experience as a practitioner and teacher of lighting design. In preparation, she visited ten European cities - including Paris, Brussels, Berlin, London, Budapest, Vienna, and Amsterdam - with different urban situations. This has enabled her to present different planning and design tasks systematically and to illustrate specific solutions. In addition to articulating basic planning rules for the outdoor lighting of buildings, traffic routes, and squares, she presents and elucidates new artificial lighting systems and outdoor lamps with the help of examples.
Light in architecture. --- Lighting, Architectural and decorative. --- Architectural design. --- Design --- Structural design --- Architectural lighting --- Decorative lighting --- Lighting, Decorative --- Architecture --- Electric lighting --- Exterior lighting --- Interior decoration --- Interior lighting --- Light in architecture --- Lighting --- Municipal lighting --- Lighting, Architectural and decorative --- Architectural design --- 628.9 --- 711.68 --- 72.017 --- Verlichting --- Straatmeubilair --- Kunstlicht (architectuur) --- Licht (architectuur) --- Historic buildings --- Exterior lighting. --- Lumière en architecture --- Eclairage architectural --- Design architectural --- Lighting.
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Lighting is a key feature of almost all interiors but it is often treated in a rather superficial manner in most books. It is, however, a complex, fast-moving field where the technology is always changing. For large schemes, a professional lighting designer is usually employed, but for smaller projects it will often fall to the architect or interior designer to specify the lighting. In either case, it is crucial that the architect or interior designer understands what lighting is available, how it can be used and controlled and how it can be fitted. This book features 40 recent international projects. Each project features detailed plans, diagrams, sketches and CAD visuals to demonstrate the lighting techniques involved. This is accompanied by an explanatory text (how the lighting fulfilled the brief, how the lighting concept was arrived at, why particular light fittings/lamps were specified and so on). A bonus CD includes technical drawings from the book.
Optics. Quantum optics --- contemporary [generic time frame] --- Equipment, services, installations in buildings --- architectural lighting --- Architecture --- Light in architecture. --- Lighting, Architectural and decorative. --- Lumière en architecture --- Eclairage architectural --- Lumière --- Lumière-architecture --- Eclairage artificiel --- 72.04 --- 72.017 --- 749.017 --- Verlichting ; design ; lampen ; 2006-2011 --- Lichten ; lampen ; 21ste eeuw --- Lichtconstructies --- Kunstlicht --- Lichtinstallaties --- Belichting --- CD-ROMS --- Architectuurdetails --- Details (architectuur) --- Daglicht (architectuur) --- Kunstlicht (architectuur) --- Licht (architectuur) --- Meubelkunst en design ; kleur, licht, compositie --- Architectuur ; kleur, licht, compositie --- Contains audio-visual material --- Lumière en architecture
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Light in architecture. --- Lighting, Architectural and decorative. --- Interior lighting. --- Dwellings --- Lumière en architecture --- Eclairage architectural --- Eclairage intérieur --- Lighting. --- Interior lighting --- Lighting --- Space (Architecture) --- Meubles --- Éclairage intérieur --- Éclairage --- Espace (Architecture) --- Design --- Histoire --- 644.3 --- verlichting --- architectuur --- Architectural lighting --- Decorative lighting --- Lighting, Decorative --- Architecture --- Electric lighting --- Exterior lighting --- Interior decoration --- Light in architecture --- Municipal lighting --- Habitations --- Eclairage --- Lumière en architecture --- Eclairage intérieur --- Éclairage intérieur. --- Espace (architecture) --- Design. --- Lighting, Architectural and decorative --- verlichting (architectuur) --- Éclairage intérieur. --- Éclairage
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Retour sur l'apport de l'éclairage artificiel depuis ses origines jusqu'à la fin des années 1970 (France, Italie, Turquie, Belgique) : dans l'espace public (exposition universelle de Bruxelles,1958), dans les cinémas ( véritable identité architecturale dans les années 1900-1930), édifices religieux... et ses différents modes d'appropriations par les artistes, photographes, architectes à travers la conception nocturne de projets architecturaux (dernier projet de Le Corbusier, Tabangliolu et Dinnebier...) ou l'éclairage des monuments (Tour Eiffel, Tour Lumière Cybernétique de Nicolas Schoffer, l'architecture lumineuse de Mauro Cozzi...) les rendant support de publicité ou d'une nouvelle esthétique de la ville. Les auteurs reviennent également sur les développements techniques et innovation : de l'histoire du projecteur Mazda, en passant par l'éclairage muséographique de 1907 à 1977 jusqu'à l'héliothérapie
Electric lighting --- Light in architecture --- Eclairage électrique --- Lumière en architecture --- History --- Histoire --- Histoire de l'architecture --- Perception --- Eclairage artificiel --- Mise en lumière --- 20e siècle --- Éclairage architectural --- Éclairage décoratif --- Architecture --- 72.017 --- 628.9 --- 72.036 --- 72.03 --- Licht (architectuur) --- Kunstlicht (architectuur) --- Verlichting --- Twintigste eeuw (architectuur) --- 20ste eeuw (architectuur) --- Architectuur (geschiedenis) --- Architectuurgeschiedenis --- Conferences - Meetings --- key light [lighting technique] --- lighting techniques --- Eclairage électrique --- Lumière en architecture --- Applied arts. Arts and crafts --- electric lighting --- light art --- Éclairage architectural --- Éclairage décoratif --- architecture [discipline]
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Noire et inquiétante était la ville, la nuit. Dissipé par l'éclairage, les illuminations et les enseignes, les phantasmes nés de l'obscurité. Voilà la ville contemporaine transfigurée et prête à s'animer, se parer et travailler vingt-quatre heures sur vingt-quatre. La lumière s'impose comme une composante nouvelle et inattendue de la fabrique de la ville, grâce à des artistes tels que Laurent Fachard, Yann Kersalé, Mark Major, Roger Narboni et bien d'autres. Jouant sur les perceptions sensorielles et sur la virtualité, il lui revient non seulement d'embellir et de rassurer mais aussi de révéler des sites, marquer des repères, relier des fragments dispersés. L'analyse des cas comme Genève, Annemasse, Coventry, Lausanne, Lyon ou Saint-Nazaire démontre combien la lumière peut apporter de qualité aux cycles de la ville. La capacité de la lumière à transformer lieux et atmosphères comporte aussi des revers, risques d'une théâtralisation de la ville, d'une banalisation. Pourtant, par sa plasticité, sa capacité à encourager ou préfigurer des usages, elle suggère une ville autre qu'elle-même et contribue à créer un espace-temps différent. Deuxième ouvrage d'une trilogie, Penser la ville par la lumière fait suite à celui consacré au paysage et précède celui dédié à l'art contemporain. Ensemble ils témoignent du renouvellement des approches en matière de projet urbain, voire territorial.
Eclairage --- Eclairage public --- Lumière --- Paysage urbain --- Ville --- Municipal lighting --- Esthétique urbaine --- Social aspects --- Fachard, Laurent --- Kersalé, Yann --- Major, Mark --- Narboni, Roger --- 711.4 <44> --- -Cities and towns --- City lighting --- Metropolitan lighting --- Public lighting --- Lighting --- Municipal engineering --- Gemeentelijke planologie. Stadsplanning. Stedenbouw--Frankrijk --- -Gemeentelijke planologie. Stadsplanning. Stedenbouw--Frankrijk --- 711.4 <44> Gemeentelijke planologie. Stadsplanning. Stedenbouw--Frankrijk --- Municipal lighting. --- Cities and towns --- Environmental planning --- Social aspects. --- Aspect social --- Municipal lighting - Social aspects --- Lumière en architecture --- Éclairage architectural et décoratif --- Eclairage publique --- Villes --- Aspect symbolique --- Recherches --- Lumière en architecture --- Lumière --- Éclairage architectural et décoratif
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Cet ouvrage accompagne l'exposition Light Construction qui s'est tenue au Musée d'Art Moderne de New York et présente un panorama de l'architecture contemporaine de ses dernières décennies : -ABN-AMRO Head Office Building, Amsterdam par Harry C.Wolf -ACOM Office Building, Amersfoort par Ben van Berkel -Bus Shelter IV,Domplatz-Münster par l'artiste Dennis Adams -Business Promotion Center, Duisburg par Sir Norman Foster and Partners -Fondation Cartier en Art Contemporain, Paris par Jean Nouvel, Didier Brault -CineMania Theatre, City Walk par Ellerbe Becket -Congress Center, Salzburg par Fumihiko Maki -Definitions Fitness Center 2, New York City par Charles Thanhuser, Jack Esterson -Floor Plan, Linz par l'artiste Melissa Gould -Ghost House, New Canaan par Philp Johnson -Glass Video gallery, Groningen par Bernard Tshumi -Goetz Collection, Munich par Herzog et de Meuron -Helsinki Museum of Contemporary Art, Helsinki par Steven Holl -ITM Building, Japon par Toyo Ito -Kansai International Airport, Japon par Renzo Piano, Noriaki Okabe -Kirchner Museum Davos, Suisse par Annette Gigon & Mike Guyer -Kunsthaus Bregenz, Autriche par Peter Zumthor -Kyle Residence, Houston par Joel Sanders -Leisure Studio, Puolarmaari-Finlande par Juha Kaakko, Ilkka Laine, Kimmo Liimatainen, Jari Tirkkonen -Municipal Gymnasium, Simancas-Espagne par Inaki Abalos, Juan Herreros -Museum of modern Art, Vienne par Laurids & Manfred Ortner -Phoenix Art museum, Arizona par Tod Williams & Billie Tsien -Radcliffe Ice Walls, Hardvard University par Michael Van Valkenburgh -Saishunkan Seiyaku Women's Dormitory, Japon par Kazuyo Sejima -D.E.Shaw and Company Offices, New York par Steven Holl -Shimosuwa Municipal Museum, Japon par Toyo ito -Signal Box auf dem Wolf, Basel par Herzog et de Meuron -Tower of the Winds, Japon par Toyo Ito -Two Patio Villas, Rotterdam par RemKoolhaas -Two-Way Mirror Cylinder inside Cube, New York par l'artiste Dan Graham -Waterloo International terminal, London par Nicholas Grimshaw -Frederick R.Weisman Art Museum, Minneapolis par Frank O.Gehry -The World Upside Down, Amsterdam & New York par Tod Williams & Billie Tsien
Architecture, Modern --- Light in architecture --- 1976-2000 --- 72.017 --- 72.036 --- Transparantie --- Architecture --- Lighting, Architectural and decorative --- Exhibitions --- Licht (architectuur) --- 20ste eeuw (architectuur) --- Twintigste eeuw (architectuur) --- lightweight construction --- general lighting --- Applied arts. Arts and crafts --- Architecture contemporaine --- Lumière-architecture --- Structure --- Transparence --- Exhibitions. --- Lumière en architecture --- Expositions --- Abalos and Herreros --- Adams, Dennis --- Architectuur ; 20ste eeuw ; licht en ruimte --- Architectuur ; 20ste eeuw ; N. Grimshaw --- Gehry, Frank O --- Gigon and Guyer --- Glasarchitectuur --- Gould, Melissa --- Graham, Dan --- Herzog, Jacques & De Meuron, Pierre --- Holl, Steven --- Ito, Toyo --- Johnson, Philip --- Kaakko, Lane, Liimatainen and Tirkkonen --- Koolhaas, Rem ; OMA --- Lichtconstructies --- Maki, Fumihiko --- Norman Foster Associates --- Nouvel, Jean --- Ortner & Ortner --- Piano, Renzo --- Sanders, Joel --- Sejima, Kazuyo --- Thanhauser and Esterson --- Tschumi, Bernard --- Van Berkel, Ben en Caroline Bos --- Van Valkenburgh, Michael --- Williams, Tod and Tsien, Billie --- Wolf, Harry C --- Yazdani, Mehrdad and Ellerbe Becket --- Zumthor, Peter --- Architectuur ; kleur, licht, compositie --- Éclairage architectural --- Architecture, Modern - 20th century - Exhibitions --- Light in architecture - Exhibitions
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The current material customer of translucent building materials Translucent materials give architects far more possibilities to exploit the sensual interplay of light and the fascination of interior-exterior interaction than plain glass, a fact proved by their increasing application. Traditionally, stretched paper, finely-cut stone, or stained glass were used to create mood and atmosphere. These are now giving way to a new generation of innovative materials - composite glass, synthetic panels, membranes and perforated metals.
building materials --- plastic [organic material] --- metal --- Plastics --- Chemistry --- Building materials. Building technology --- glassworking --- transparency [optical property] --- Architecture --- Glass --- Materials processing --- glass [material] --- glas --- plastiek --- metaal --- bouwmaterialen --- Building materials. --- Glass construction. --- Composite materials. --- Light in architecture. --- Architecture, Modern --- Construction --- Construction en verre --- Composites --- Lumière en architecture --- Matériaux --- 691 --- 691.6/8 --- 691.6 --- 691.7 --- 691.8 --- 691.27 --- Bouwmaterialen ; glas ; plastiek ; metaal --- Plastic --- Architectuur ; details ; translucente materialen ; 21ste eeuw --- Membrane architectuur ; tentstructuren --- Ruimtelijke constructies ; overspanningen ; kapconstructies --- ed. Frank Kaltenbach ; authors Andrea Compagno, Joachim Achenbach, Werner Sobek [et al.] --- architectuur --- glasarchitectuur --- transparatie --- plastic --- ETFE --- membranen --- doorschijnende bouwmaterialen --- Bouwmaterialen (architectuur) --- Transparante materialen --- Translucide materialen --- Glas --- Metaal --- Glass. Window glass. Plate glass. Enamel etc. --- Fibrous and foliate silicates --- Metallic building materials --- Bouwmaterialen ; glas, vensterglas, spiegelglas --- bouwmaterialen : glas, vensterglas, spiegelglas --- 691.7 Metallic building materials --- 691.27 Fibrous and foliate silicates --- 691.6 Glass. Window glass. Plate glass. Enamel etc. --- Matières plastiques --- Revêtement métallique --- Verre --- Building materials --- Architectural materials --- Building --- Building supplies --- Buildings --- Construction materials --- Structural materials --- Materials --- Glass. Window glass. Plate glass. Enamel etc --- Construction métallique --- Détail de construction --- Métal --- Plastique --- Structure plastique --- Lumière en architecture --- Matériaux --- Matières plastiques. --- Revêtement métallique. --- Verre. --- Matériaux. --- bouwmaterialen - glas(soorten), email --- Matière plastique --- Matières plastiques. --- Revêtement métallique. --- plastic [material]
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