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Film
Het terminal-scherm DOBIS/LIBIS
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Year: 1980 Publisher: Leuven KU Leuven. Audiovisuele dienst [prod., real., dist.]

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Book
International transfers of national MARC records: guidelines for agreements relating to the transfer of national MARC records between national bibliographic agencies
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ISBN: 0903043459 9780903043458 Year: 1987 Publisher: London

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Periodical
Jaarverslag
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ISSN: 01688812 Year: 1977 Publisher: 's-Gravenhage Pica-bureau

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Keywords

Library automation --- PICA


Book
Einsatz neuer Technologien im Bibliothekswesen: eine Expertenbefragung
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ISBN: 3598109709 9783598109706 Year: 1990 Volume: 29 Publisher: München Saur

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Book
Natural language in information science : perspectives and directions for research
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ISBN: 9172821310 Year: 1977 Publisher: Stockholm Skriptor

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Periodical
IMP newsletter
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ISSN: 0175856X Year: 1984 Publisher: Frankfurt

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Online bibliographic databases : a directory and sourcebook
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ISBN: 0851421679 Year: 1977 Publisher: London ASLIB (Association of special libraries and information bureaux)

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Book
International guide to MARC databases and services: national magnetic tape services
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ISBN: 3922051081 Year: 1984 Publisher: Frankfurt am Main

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Information retrieval interaction
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ISBN: 0947568549 Year: 1992 Publisher: London Graham

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Book
Bitstreams : the future of digital literary heritage
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ISBN: 9780812224955 9780812253412 9780812298048 Year: 2021 Publisher: Philadelphia, Pa University of Pennsylvania Press

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What are the future prospects for literary knowledge now that literary texts--and the material remains of authorship, publishing, and reading--are reduced to bitstreams, strings of digital ones and zeros? What are the opportunities and obligations for book history, textual criticism, and bibliography when literary texts are distributed across digital platforms, devices, formats, and networks? Indeed, what is textual scholarship when the "text" of our everyday speech is a verb as often as it is a noun? These are the questions that motivate Matthew G. Kirschenbaum in Bitstreams, a distillation of twenty years of thinking about the intersection of digital media, textual studies, and literary archives. With an intimate narrative style that belies the cold technics of computing, Kirschenbaum takes the reader into the library where all access to Toni Morrison's "papers" is mediated by digital technology; to the bitmapped fonts of Kamau Brathwaite's Macintosh; to the process of recovering and restoring fourteen lost "HyperPoems" by the noted poet William Dickey; and finally, into the offices of Melcher Media, a small boutique design studio reimagining the future of the codex. A persistent theme is that bits--the ubiquitous ones and zeros of computing--are never self-identical, but always inflected by the material realities of particular systems, platforms, and protocols. These materialities are not liabilities: they are the very bulwark on which we stake the enterprise for preserving the future of literary heritage.

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