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"In Visualizing Coregency, Lisa Saladino Haney explores the practice of co-rule during Egypt's 12th Dynasty and the role of royal statuary in expressing the dynamics of shared power. Though many have discussed coregencies, few have examined how such a concept was expressed visually. Haney presents both a comprehensive accounting of the evidence for coregency during the 12th Dynasty and a detailed analysis of the full corpus of royal statuary attributed to Senwosret III and Amenemhet III. This study demonstrates that by the reign of Senwosret III the central government had developed a wide-ranging visual, textual, and religious program that included a number of distinctive portrait types designed to convey the central political and cultural messages of the dynasty"--
Kings and rulers in art. --- Sculpture, Ancient --- Sesostris --- Amenemhet --- Egypt --- History --- Civilization --- Antiquities. --- Kings and rulers in art --- Kings in art --- Ancient sculpture --- Amenemhat --- Senusret --- Senwosret --- Sesostris,
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Allegories --- Art and state --- Kings and rulers in art --- Public art --- Philip --- Art patronage.
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Art, Russian --- Kings and rulers in art --- Russia --- Kings and rulers --- Portraits.
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Art --- Kings and rulers in art --- Clemens August, --- Cologne (Germany) --- Church history
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Buddhist literature, Sogdian. --- Buddhism --- Inscriptions, Pahlavi. --- Kings and rulers in art. --- Manuscripts, Sogdian. --- Sacred books.
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Unter dem Begriff der imitatio heroica lassen sich Formen des Auftretens und der Darstellung historischer Personen zusammenfassen, die sich heroische Figuren zum Vorbild nehmen. Seit der Antike gehört dies zu den häufigsten Formen vor allem, aber nicht nur der Bildnisrepräsentation politisch oder kulturell bedeutender Personen. Der Sammelband Imitatio heroica, Heldenangleichung im Bildnis widmet sich erstmals epochen- und disziplinenübergreifend diesem Phänomen. Dabei wird ein Zeitraum von der Antike bis zum 18. Jahrhundert in den Blick genommen. Ein grundsätzlicher Phänomenaufriss und Fallstudien aus den Bild- und Literaturwissenschaften machen die formalen und semantischen Grundlagen, Bedeutungen und historischen Tiefendimensionen der imitatio heroica anschaulich. In Heldenangleichungen wird das Heroische in seinen je historisch, medial und sozial bedingten Formen erkennbar, vor allem aber im Hinblick auf seine sinnliche Erfahrbarkeit das spezifische Potenzial visueller und habitueller Ausdrucksformen.
Portrait sculpture, Roman. --- Heroes in art. --- Kings and rulers in art.
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Sculpture, Ancient --- Kings and rulers in art. --- Iraq --- Antiquities. --- Sculpture antique --- Rois et souverains dans l'art --- Irak --- Antiquités --- Kings and rulers in art --- Ancient sculpture --- Kings in art
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Art, Archaemenid --- Kings and rulers in art --- Iran --- Antiquities --- Art, Archaemenid. --- Kings and rulers in art. --- 709.35 --- Kings in art --- Arts Ancient world Mesopotamia --- Antiquities. --- Iran - Antiquities --- Achéménides (dynastie) --- Art achéménide --- Rois et souverains --- Antiquités --- Dans l'art
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Que peut nous dire le corps du souverain ? Comment permet-il d’identifier la forme et la nature du pouvoir politique ? Comment manifeste-t-il la prééminence et l’autorité du monarque ? Ce volume étudie et compare pour la première fois, dans une perspective d’histoire culturelle et politique, les corps des rois hellénistiques et des empereurs romains en confrontant des sources diverses : textes, inscriptions, sculptures, peintures et monnaies. Il réunit des spécialistes européens de différentes disciplines – histoire, anthropologie, histoire de l’art, philologie – qui analysent la construction du corps des souverains antiques à travers sa codification et ses mises en scène, par rapport aux traditions et aux normes grecques, hellénistiques et romaines.
Power (Social sciences) --- Symbolism in politics --- Kings and rulers in art --- History --- corps --- histoire ancienne --- histoire culturelle --- histoire politique
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It has for decades been part of the canon of maxims of basic research that most images of rulers in early medieval book illustrations have been transmitted in liturgical manuscripts, id est manuscripts originally intended for divine worship. There have however to date been few investigations which draw serious consequences from this and which also view miniatures of rulers in the light of their functional aspects, for example as ‘memorial depictions’ (O.G. Oexle), or on the basis of the social reality of the pious motives behind their presentation. This study gives a more precise explanation of the function and purpose of ruler-images by examining a few selected early medieval miniatures. It analyzes the historical and social contexts of their genesis and the liturgical and commemorative aims of their use against the setting of the social form of remembrance of confraternity.
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