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This volume offers the first comprehensive study of painting in Renaissance Perugia from the late fifteenth to the mid- sixteenth centuries. Showcasing works by Perugino, Raphael, and Pintoricchio, as well as less familiar artists who worked in Perugia from ca. 1480-1540, Sheri Shaneyfelt traces the influence and impact of Perugino's workshop in central Italy over more than a half a century. She demonstrates why Perugia, which has been overlooked in modern scholarship, was such a vital center for the production of early modern Italian art. Shaneyfelt's study also shifts the focus away from the analysis of individual artistic creativity by highlighting the importance and significance of collaboration and workshop production in Renaissance Italy. Interweaving historical and archival evidence with analyses of numerous paintings and drawings, her book, richly illustrated with 115 color illustrations, offers many new insights into the vibrant artistic culture of early modern Perugia.

Painting, Italian. --- Painting, Renaissance. --- Italian painting --- Paintings, Renaissance --- Renaissance painting --- Painting, Italian --- Painting, Renaissance

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Macchiaioli --- Painters --- -Realism in art --- -Painting, Italian --- -Italian painting --- Art --- Idealism in art --- Naturalism in art --- Romanticism in art --- Artists --- Painting, Italian --- Biography --- -Biography --- Realism (Art) --- Realism in art --- Italian painting

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Mannerism (Art) --- Painting, Italian --- 7.034 --- Kunst van de renaissance; barok; rococo; koloniale stijl --- 7.034 Kunst van de renaissance; barok; rococo; koloniale stijl --- Italian painting --- Art

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Painting, Italian --- Peinture italienne --- Art and society --- -Painting, Italian --- -Italian painting --- Art --- Art and sociology --- Society and art --- Sociology and art --- Social aspects --- -Art and society --- Italian painting --- Painting [Baroque ] --- Italy --- Bologna (Italy) --- Painting [Modern ] --- 17th-18th centuries --- Painting [Italian ] --- History --- Painting, Italian - Italy - Bologna - 17th century. --- Painting, Italian - Italy - Bologna - 18th century. --- Art and society - Italy - Bologna.

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Giovanni Andrea Gilio's Dialogue on the Errors and Abuses of Painters (1564) is one of the first treatises on art published in the post-Tridentine period. It remains a key primary source for the discussion of the reform of art as it unfolded at the time of the Council of Trent and the Catholic Reformation. Through a spirited conversation among six protagonists, Gilio grapples with a host of issues, from the relationship between poetry and painting, to the function of religious images, to the effects such images have on viewers. The primary focus is the proper representation of history, especially sacred history, and Michelangelo's Last Judgment fresco in the Sistine Chapel is the exemplary case. Michelangelo's painting is both praised and condemned as an example of the possibilities and limits of art. Although Gilio's dialogue is often used to point out the Roman Catholic Church's more controlling view of art and artists, the unabridged text--here translated into English in full for the first time--reveals the nuanced and provisional debates about how subject matter should be represented in this crucial period--Cover page 4.

art theory --- Aesthetics of art --- anno 1500-1599 --- Italy --- Painting --- Painting, Italian --- Painting, Renaissance --- Kritik --- Ästhetik --- Malerei --- Gilio, Giovanni Andrea --- Geschichte 1564 --- Italien --- Painting, Italian. --- Kritik. --- Ästhetik. --- Malerei. --- Italien. --- Ästhetik. --- Italian painting --- Gilio, Giovanni Andrea,