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Malgré des appels explicites à Descartes dans la phénoménologie telle que Husserl l'a conçue, on ne peut pas dire qu'y soient réellement prises en compte la problématique du doute hyperbolique, et encore moins ce qui va de pair avec cette dernière, la problématique du Malin Génie. Tout au plus y rencontre-t-on l'" hypothèse" de la "destruction du monde" et la question de la négation n'y est traitée que de façon assez triviale. Avec la question de l'épochè phénoménologique hyperbolique, cet ouvrage s'efforce de montrer un certain nombre de conséquences cruciales que la mise en jeu de l'hyperbole introduit dans l'architectonique interne de la phénoménologie: questions de l'intentionnalité, du langage, du simulacre originaire, de l'apparence pure, etc. Non par retour au scepticisme classique, mais par ouverture d'un nouveau "scepticisme critique" qui n'exclut pas, nais réimplique autrement l'analyse phénoménologique, par-delà l'intentionnalité, toute doxa positionnelle (perception, intuition) ou quasi-positionnelle (imagination) étant mise en suspens. Le champ ainsi dégagé, fait de mobilités et d'instabilités, qui est désigné ici comme archaïque, est la base phénoménologique, et non pas le fondement du champ fort rigoureusement étudié par Husserl. La phénoménologique ne peut plus dès lors prétendre au titre de science, mais est amenée à s'exercer comme une sorte d'art philosophique, plus proche de la poésie et de la musique, où sont en jeu les profondeurs de notre vie dont le vécu husserlien n'est pour ainsi dire que la surface immédiatement perceptible, le plus souvent illusionnante.

Theory of knowledge --- Phenomenology --- Kennisleer --- Phenomenology. --- Hyperbole. --- Negativity (Philosophy)

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Hyperbole --- Hyperbole in literature --- Exaggeration (Philosophy) --- Figures of speech --- Philosophy --- Hyperboles (mathématiques) --- Dans la littérature

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Hyperbole. --- 227.1*7 --- Hyperbole --- Figures of speech --- Brieven van Paulus aan de Thessalonicenzen --- Paul the Apostle, Saint --- 227.1*7 Brieven van Paulus aan de Thessalonicenzen --- Paul, --- Pavel, --- Pavol, --- Paulus von Tarsus, --- Paulos, --- Pōghos, --- Paweł, --- Paweł z Tarsu, --- Būlus, --- Pablo, --- Paulo de Tarso, --- Paolo di Tarso, --- Pál, --- Apostolos Paulos --- Saul, --- القديس بولس الرسول --- بولس، --- 사도바울 --- Bible. --- Criticism, interpretation, etc. --- Paulus, --- Pawełm --- Paulo, --- Paolo, --- Fransen (don)

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The impact of technology-enhanced mass death in the twentieth century, argues Zachary Braiterman, has profoundly affected the future shape of religious thought. In his provocative book, the author shows how key Jewish theologians faced the memory of Auschwitz by rejecting traditional theodicy, abandoning any attempt to justify and vindicate the relationship between God and catastrophic suffering. The author terms this rejection "Antitheodicy," the refusal to accept that relationship. It finds voice in the writings of three particular theologians: Richard Rubenstein, Eliezer Berkovits, and Emil Fackenheim. This book is the first to bring postmodern philosophical and literary approaches into conversation with post-Holocaust Jewish thought. Drawing on the work of Mieke Bal, Harold Bloom, Jacques Derrida, Umberto Eco, Michel Foucault, and others, Braiterman assesses how Jewish intellectuals reinterpret Bible and Midrash to re-create religious thought for the age after Auschwitz. In this process, he provides a model for reconstructing Jewish life and philosophy in the wake of the Holocaust. His work contributes to the postmodern turn in contemporary Jewish studies and today's creative theology.

Holocaust (Jewish theology). --- Judaism --- Theodicy. --- Holocaust (Jewish theology) --- -Theodicy --- Evil, Problem of (Theology) --- God --- Permissive will of God --- Problem of evil (Theology) --- Good and evil --- Theodicy --- Jews --- Religions --- Semites --- Permissive will --- Will, Permissive --- Religious aspects --- Religion --- Holocauste, 1939-1945 --- Théodicée --- Judaïsme --- Aspect religieux --- Histoire --- Judaism - 20th century. --- Judaism -- 20th century. --- Abraham Joshua Heschel. --- Absolute (philosophy). --- Aggadah. --- Agnon. --- Anguish. --- Antinomianism. --- Apocalyptic and post-apocalyptic fiction. --- Arnold Eisen. --- Atheism. --- Avi Weiss. --- Bible. --- Book of Deuteronomy. --- Book of Job. --- Book of Leviticus. --- Bruno Bettelheim. --- Buber. --- Censure. --- Christianity and antisemitism. --- Deity. --- Deuteronomist. --- Divine judgment. --- Elie Wiesel. --- Eliezer Berkovits. --- Elisha. --- Emil Fackenheim. --- Emil Nolde. --- Ephraim Urbach. --- Exegesis. --- Extermination camp. --- Finkelstein. --- Franz Rosenzweig. --- Gershom Scholem. --- God is dead. --- God. --- Good and evil. --- Hans-Georg Gadamer. --- Haredi Judaism. --- Hebrew Bible. --- Hermann Cohen. --- Hermeneutics. --- Hyperbole. --- Image of God. --- Isaac Luria. --- Israelites. --- Jewish history. --- Jewish philosophy. --- Jews. --- Job (biblical figure). --- Judaism. --- Judith Plaskow. --- Justification (theology). --- Kabbalah. --- Korah. --- Land of Israel. --- Leon Uris. --- Literature. --- Martin Buber. --- Martin Heidegger. --- Midrash. --- Mila 18. --- Mitzvah. --- Modernity. --- Mysticism. --- Narrative. --- Nazism. --- Omnibenevolence. --- Omnipotence. --- Philosopher. --- Philosophy. --- Postmodern philosophy. --- Postmodernism. --- Primo Levi. --- Princeton University Press. --- Problem of evil. --- Rabbi. --- Rabbinic Judaism. --- Rabbinic literature. --- Radical evil. --- Rebuke. --- Reform Judaism. --- Religion. --- Religious text. --- Rhetoric. --- Rhetorical device. --- Righteousness. --- Rosenzweig. --- Scholem. --- Soloveitchik. --- Sources of the Self. --- Steven Zipperstein. --- Supervisor. --- The Exodus. --- The History of Sexuality. --- Theism. --- Theology. --- Thought. --- Torah. --- Wissenschaft des Judentums. --- Writing.

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Through a study of the actress' films, records and writings, Gerda Taranow reconstructs the rigorously developed artistry that lay behind the superb performances. Analyzing each histrionic element and discussing repertoire she shows how Bernhardt adapted the techniques learned at the Conservatoire and in the theatre to her own particular strengths and limitations.Originally published in 1972.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

LITERARY CRITICISM / Drama. --- Bernhardt, Sarah, --- Acting. --- Adrienne Lecouvreur. --- Amoureuse. --- Andromaque. --- Arthur Symons. --- Athalie. --- Bajazet (play). --- Blanche Marchesi. --- Camille Saint-Saëns. --- Cavatina. --- Charles Gounod. --- Classicism. --- Clement Scott. --- Contralto. --- Cyrano (musical). --- Declamation. --- Dinorah. --- Dion Boucicault. --- Dramaturgy. --- Edmond Rostand. --- Eleonora Duse. --- Eric Bentley. --- Ernani. --- Fairy tale. --- Five Plays. --- Francesca da Rimini. --- Giacomo Meyerbeer. --- Gianni Bettini. --- Gismonda. --- Giuseppe Verdi. --- Goethe's Faust. --- Grand opera. --- Harper's Bazaar. --- Harry Baur. --- Hernani (drama). --- Hesketh Pearson. --- His Wife's Lover. --- Hyperbole. --- Ingenue (stock character). --- Jean Giraudoux. --- Jean Richepin. --- Jean-Louis Barrault. --- Jules Barbier. --- Jules Massenet. --- King Lear. --- Le Cid (opera). --- Le Figaro. --- Les Femmes Savantes. --- Libretto. --- Liebestod. --- Lillie Langtry. --- Lorenzaccio. --- Louis Jouvet. --- Lyric soprano. --- Mad scene. --- Marcel Schwob. --- Marcella Sembrich. --- Marguerite (musical). --- Mathilde Marchesi. --- Maude Adams. --- Max Beerbohm. --- Melodrama. --- Mephistopheles. --- Mise-en-scène. --- Mithridate. --- Molière. --- Mrs. Patrick Campbell. --- Opera and Drama. --- Oreste. --- Pantomime. --- Parody. --- Passepied. --- Passion and Purity. --- Quibble (plot device). --- Rachel's. --- Revue. --- Reynaldo Hahn. --- Rodgers and Hammerstein. --- Romanticism. --- Sacha Guitry. --- Sarah Bernhardt. --- Sardou. --- Shylock. --- Six Acts. --- Soubrette. --- Sound effect. --- Superiority (short story). --- Tartuffe. --- The Actress. --- The Duenna. --- The Human Voice. --- The Lady from the Sea. --- The Marriage of Figaro. --- Title role. --- Tragedy. --- Travesti (theatre). --- Two Women. --- Victor Hugo. --- Victorien Sardou. --- William Shakespeare.