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Horror films --- Horror television programs --- Aesthetics, Baroque in motion pictures. --- History and criticism. --- Horror television programs. --- Television programs --- Haunted house television programs --- Monster television programs

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"Rethinking Horror in the New Economies of Television brilliantly skewers horror's changing televisual roles, analysing the genre's recent explosion in popularity. Exploring how a horror cycle has become ubiquitous and valuable across the US TV industry of the twenty-first century, Stella Marie Gaynor smartly complicates our understandings of both television and horror. This razor-sharp study will appeal to a wide range of fans and academics-in short, immediate reader attention is advised." -Professor Matt Hills, author of Fan Cultures and The Pleasures of Horror. This book explores the cycle of horror on US television in the decade following the launch of The Walking Dead, considering the horror genre from an industrial perspective. Examining TV horror through rich industrial and textual analysis, this book reveals the strategies and ambitions of cable and network channels, as well as Netflix and Shudder, with regards to horror serialization. Selected case studies; including American Horror Story, The Haunting of Hill House, Creepshow, Ash vs Evil Dead, and Hannibal; explore horror drama and the utilization of genre, cult and classic horror texts, as well as the exploitation of fan practice, in the changing economic landscape of contemporary US television. In the first detailed exploration of graphic horror special effects as a marker of technical excellence, and how these skills are used for the promotion of TV horror drama, Gaynor makes the case that horror has become a cornerstone of US television. Dr Stella Marie Gaynor is Associate Lecturer at the University of Salford, UK, where she teaches horror media, television, radio, and media studies. Recent publications explore her favorite horror content, covering zombies, vampires, serial killers, true crime, and grim history. She is a founding member of BAFTSS Horror Studies SIG. .

Film --- TV (televisie) --- film --- America --- Horror television programs --- Television broadcasting --- History and criticism.

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Since the 1970s, the name Stephen King has been synonymous with horror. His vast number of books has spawned a similar number of feature films and TV shows, and together they offer a rich opportunity to consider how one writer?s work has been adapted over a long period within a single genre and across a variety of media?and what that can tell us about King, about adaptation, and about film and TV horror. Starting from the premise that King has transcended ideas of authorship to become his own literary, cinematic, and televisual brand, Screening Stephen King explores the impact and legacy of over forty years of King film and television adaptations.

Simon Brown first examines the reasons for King?s literary success and then, starting with Brian De Palma?s Carrie, explores how King?s themes and style have been adapted for the big and small screens. He looks at mainstream multiplex horror adaptations from Cujo to Cell, low-budget DVD horror films such as The Mangler and Children of the Corn franchises, non-horror films, including Stand by Me and The Shawshank Redemption, and TV works from Salem?s Lot to Under the Dome. Through this discussion, Brown identifies what a Stephen King film or series is or has been, how these works have influenced film and TV horror, and what these influences reveal about the shifting preoccupations and industrial contexts of the post-1960s horror genre in film and TV.

American fiction --- Horror films --- Horror television programs --- Motion pictures --- History and criticism. --- King, Stephen, --- Criticism and interpretation. --- 1900-1999 --- United States

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Penny Dreadful and Adaptation is a brilliantly curated collection of essays responding to a brilliantly curated collection of media monsters. Julie Grossman and Will Scheibel have summoned an array of expert contributors as our guides to the liminal Demimonde: chapters range across Victorian, cosmopolitan and Sadean gothics, ‘quality’ TV as a kind of dialogue with fandom, and Penny Dreadful’s own spin-off progeny. Posing new questions about adaptation and its uncanny/medial qualities, this volume will inspire its very own aca-fans and dedicated Dreadfuls alike. Professor Matt Hills, author of Fan Cultures and The Pleasures of Horror Drawing on a wide range of contexts, methods and traditions of representation, Penny Dreadful and Adaptation is endlessly insightful and nuanced. Through the breadth of approaches adopted, this volume’s contributors investigate the unbounded textuality of Showtime’s landmark television series but also, through this, shed vital new light on the long traditions of retelling that are at the heart of Gothic and horrific cultural forms and their contemporary cultural manifestations. Kate Egan, Senior Lecturer in Film and Media, Northumbria University, UK. This edited collection is the first book-length critical study of the Showtime-Sky Atlantic television series Penny Dreadful (2014-2016), which also includes an analysis of Showtime’s 2020 spin-off City of Angels. Chapters examine the status of the series as a work of twenty-first-century cable television, contemporary Gothic-horror, and intermedial adaptation, spanning sources as diverse as eighteenth and nineteenth-century British fiction and poetry, American dime novels, theatrical performance, Hollywood movies, and fan practices. Featuring iconic monsters such as Dr. Frankenstein and his Creature, the “bride” of Frankenstein, Dracula, the werewolf, Dorian Gray, and Dr. Jekyll, Penny Dreadful is a mash-up of familiar texts and new Gothic figures such as spiritualist Vanessa Ives, played by the magnetic Eva Green.

Adaptation (Literary, artistic, etc.). --- Television broadcasting. --- Goth culture (Subculture). --- Adaptation Studies. --- Television Studies. --- Gothic Studies. --- Gothic culture (Subculture) --- Subculture --- Telecasting --- Television --- Television industry --- Broadcasting --- Mass media --- Arts --- Inspiration --- Literature --- Horror television programs --- Monsters on television. --- History and criticism. --- Adaptations. --- Penny dreadful (Television program)

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In the twenty-first century horror television has spread across the digital TV landscape, garnering mainstream appeal. Located within a transmedia matrix, Transmedia Terrors in Post-TV Horror triangulates this boom across screen content, industry practices, and online participatory cultures. Understanding the genre within a post-TV paradigm, the book readdresses what is horror television, analysing not only broadcast TV and streaming platforms but also portals such as YouTube, Twitch.TV, and apps. The book also investigates complex digital media ecologies, blurring distinctions between niche and general audience viewing practices, and fostering new circulation pathways for horror television from around the world. Undertaking netnography, the book further offers an innovative model - abject spectrums - to empirically explore myriad audience responses to TV horror, manifesting in various participatory practices including writing, imagery, and crafts. As such, the book greatly expands what is considered horror television, its formatting and circulation, and the transmedia materiality of audience engagement.

Television, Digital, Fandom, Affect, Horror. --- Media studies: TV and society. --- Horror and supernatural fiction. --- Television: styles and genres. --- SOCIAL SCIENCE / Media Studies. --- PERFORMING ARTS / Television / Genres / Science Fiction, Fantasy & Horror. --- ART / Film & Video. --- Media studies. --- Film: styles and genres. --- Horror television programs --- Horror fiction --- History and criticism.