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Confronting the work of widely celebrated photographers Annie Leibovitz, Gregory Crewdson and Andreas Gurksy, 'Photography's Neoliberal Realism' examines how these artists produce capitalism's equivalent of the Soviet Union's socialist realism by giving photographic form to widely held and rarely questioned beliefs and ideas.The ideological framework that Colberg terms 'neoliberal realism' serves to cement an economic system whose many fault lines are becoming increasingly clear, such as staggering inequality and racial disparities. This extended essay provides an alternative reading of photographic works laden with artifice, and argues how focusing on this artifice misses the more far-reaching ways such images operate in our visual economy.

fotografie --- fotografietheorie --- twintigste eeuw --- eenentwintigste eeuw --- 77.01 --- Documentary photography --- Photography --- Social aspects --- Leibovitz, Annie, --- Crewdson, Gregory --- Gurksy, Andreas --- Réalisme socialiste --- Photographie documentaire --- Gursky, Andreas --- Photography - Social aspects --- Leibovitz, Annie, - 1949 --- -Crewdson, Gregory --- Leibovitz, Annie, 1949

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The 'Düsseldorf School' has become a household name in the art world for one of the most successful and influential strains of modern photography. Coined in the late 1980s, the name refers mainly to the pioneer group of students of the late Bernd Becher, who in 1976 became the first professor for creative photography at a German arts academy. His students included Andreas Gursky, Candida Höfer, Axel Hütte, Thomas Ruff, and Thomas Struth, all of them today internationally acclaimed artists in their own right. Whereas 'Düsseldorf School' initially was used as a handy term for a group of artists with the same university's background, it quickly turned into a powerful brand name both in critical and commercial contexts. Despite its welcomed impact on the art scene, the members of the 'School' felt rather ambiguous about their perception as a group which turned them into stars but simultaneously risked levelling individual profiles and differences. What exactly connects and distinguishes them aesthetically is for the first time thoroughly explored in Maren Polte's pioneering study--Back cover.

Photography --- Artistic photography --- Artistieke fotografie --- Fotografie [Kunst] --- Kunstfotografie --- Photographie artistique --- Photography [Artistic ] --- Academic collection --- Photographers --- Photography, Artistic. --- History --- Germany --- Fotografie --- fotografie --- Becher, Bernd und Hilla --- Duitsland --- documentaire fotografie --- Höfer Candida --- twintigste eeuw --- Dusseldorf --- Becher Bernd & Hilla --- Struth Thomas --- Hütte Axel --- Ruff Thomas --- Gursky Andreas --- 77.038 --- photography [process] --- Becher, Bernd, --- Becher, Hilla --- Influence. --- Staatliche Kunstakademie Düsseldorf --- Photography - Germany - Düsseldorf

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Francis Alÿs, Kevin Appel ; Glenn Brown ; Pavel Büchler ; Daniel Buren ; Ingrid calame ; Vija Celmins ; John Currin ; Atul Dodiya ; Marlene Dumas ; Olafur Eliasson ; Bernard Frize ; Katharina Grosse ; Andreas Gursky ; Wade Guyton ; Peter Halley ; Mary Heilmann ; Gary Hume ; Vanessa Jackson ; Martin Kippenberger ; Jutta Koether ; Michael Krebber ; Jonathan Lasker ; Paul Mc Carthy ; Suzanne McCelland ; Beatriz Milhazes ; Marilyn Minter ; Takashi Murakami ; Surendran Nair ; Tam Ochiai ; Albert Oehlen ; Lari Pittman ; Sigmar Polke ; Monique Prieto ; Gerhard Richter ; Robert Ryman ; David Salle ; Cgéri Samba ; Juliao Sarmento ; Jim Shaw ; Jessica Stockholder ; Hiroshi Sugito ; Philip Taaffe ; Luc Tuymans ; Jef Wall ; Sue Williams

painting [image-making] --- Painting --- art theory --- Salle, David --- Shaw, Tim --- Prieto, Monique --- Celmins, Vija --- Halley, Peter --- Frize, Bernard --- Wall, Jeff --- Alÿs, Francis --- Milhazes, Beatriz --- Guyton, Wade --- Calame, Ingrid --- Minter, Marilyn --- Appel, Kevin --- Sugito, Hiroshi --- Buren, Daniel --- McCarthy, Paul --- Nair, Surendran --- Williams, Sue --- Taaffe, Philip --- Gursky, Andreas --- Ochiai, Tam --- Lasker, Jonathan --- McClelland, Suzanne --- Dumas, Marlene --- Ryman, Robert --- Grosse, Katharina --- Tuymans, Luc --- Dodiya, Atul --- Heilmann, Mary --- Oehlen, Albert --- Currin, John --- Polke, Sigmar --- Jackson, Vanessa --- Stockholder, Jessica --- Eliasson, Olafur --- Brown, Glenn --- Büchler, Pavel --- Pittman, Lari --- Sarmento, Julião --- Hume, Gary --- Murakami, Takashi --- Richter, Gerhard --- Kippenberger, Martin --- Krebber, Michael --- Koether, Jutta --- Samba, Cheri --- Painting, Modern --- Themes, motives --- kunst --- schilderkunst --- kunsttheorie --- esthetica --- twintigste eeuw --- eenentwintigste eeuw --- Alÿs Francis --- Appel Kevin --- Brown Glenn --- Büchler Pavel --- Buren Daniel --- Calame Ingrid --- Celmins Vija --- Currin John --- Dodiya Atul --- Dumas Marlene --- Eliasson Olafur --- Frize Bernard --- Grosse Katharina --- Gursky Andreas --- Guyton Wade --- Halley Peter --- Heilmann Mary --- Hume Gary --- Jackson Vanessa --- Kippenberger Martin --- Koether Jutta --- Krebber Michael --- Lasker Jonathan --- McCarthy Paul --- McClelland Suzanne --- Milhazes Beatriz --- Minter Marilyn --- Murakami Takashi --- Nair Surendran --- Ochiai Tam --- Oehlen Albert --- Pittman Lari --- Polke Sigmar --- Prieto Monique --- Richter Gerhard --- Ryman Robert --- Salle David --- Samba Chéri --- Stockholder Jessica --- Sugito Hiroshi --- Taaffe Philip --- Tuymans Luc --- Wall Jeff --- Williams Sue --- 75.01 --- 75.038/039 --- Themes, motives. --- Schilderkunst ; theorie ; herdefinitie van de term schilderen --- Schilderkunst ; 20ste en 21ste eeuw --- Schilderkunst ; theorie, filosofie, esthetica --- Modern painting --- Paintings, Modern --- Painting, Modern - 21st century - Themes, motives

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Förg, Günther --- Guo-Qiang, Cai --- Turrell, James --- Albers, Josef --- Bulloch, Angela --- Oiticica, Hélio --- Gillick, Liam --- Itten, Johannes --- Eames, Charles --- Eames, Ray --- Lissitzky, Eliezer --- Körmeling, John --- Mastroianni, Umberto --- Pardo, Jorge --- Struycken, Peter --- Kelly, Ellsworth --- Rist, Pipilotti --- Boetti, Alighiero --- Burton, Tim --- Eliasson, Olafur --- Reinhardt, Ad --- Jong, de, Folkert --- Kandinsky, Vasili Vassileevich --- Hirst, Damien --- Balla, Giacomo --- Maria, de, Nicola --- Color in fashion --- Couleur dans la mode --- Couleurs --- Kleur in de mode --- Art --- art [fine art] --- color [perceived attribute] --- Nauman, Bruce --- Flavin, Dan --- Balthus --- Kapoor, Anish --- Warhol, Andy --- Kawara, On --- Hadid, Zaha --- Brassaï --- Judd, Donald --- Rauschenberg, Robert --- Buren, Daniel --- Fontana, Lucio --- Newman, Barnett --- Gursky, Andreas --- Mondriaan, Piet --- Monet, Claude --- Klein, Yves --- Koolhaas, Rem --- Klee, Paul --- Janssens, Ann Veronica --- Duchamp, Marcel --- Corbusier, le --- Grimonprez, Johan --- West, Franz --- Richter, Gerhard --- Dibbets, Jan --- Pollock, Jackson --- Dalí, Salvador --- Delvaux, Paul --- Color in art --- Color --- Social aspects --- Lissitzky, El --- art [discipline] --- Kandinsky, Wassily

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Goldin, Nan ; Frank, Robert ; Man Ray ; Warhol, Andy ; Duchamp, Marcel ; Kelley, Mike ; Wall, Jeff ; Trockel, Rosemarie ; Sherman, Cindy ; Gober, Robert ; Clark, Larry ; Levine, Sherrie ; Orozco, Gabriel ; Boltanski, Christian ; Burgin, Victor ; Prince, Richard ; Leonard, Zoe ; Tillmans, Wolfgang ; Kruger, Barbara ; Clark, Larry ; Calle, Sophie ; Antoni, Janine ; Hatoum, Mona ; Sugimoto Hiroshi ; Matta-Clark, Gordon ; Beuys, Joseph ; Baldessari, John ; Samore, Sam ; Ruff, Thomas ; Becher, Bernd & Hilla ; Fischli & Weiss ; Polke, Sigmar ; Gursky, Andreas ; Richter, Gerhard ; Wearing, Gillian ; Smith, Kiki ; McCarthy, Paul ; Messager, Annette ; Antoni, Janine ; Schütte, Thomas ; Barney, Matthew ; Gilbert & George ; Lucas, Sarah ; Serrano, Andres ; Lawler, Louise ; McCollum, Allan ; Broodthaers, Marcel ; Ray, Charles ; Araki, Nobuyoshi ; Taylor-Wood, Sam ; Horsfield, Craigie ; Dunning, Jeanne ; Fulton, Hamish ; Beecroft, Vanessa ; Lucas, Sarah ; Struth, Thomas ; Gursky, Andreas ; Opie, Catherine ; Armstrong, David ; Clark, Larry ; Wall, Jeff ; Simmons, Laurie ; Förg, Gunther ; Mylaine, Jean-Luc ; Wool, Christopher

Conceptual --- photography [process] --- Iconography --- Art --- portraits --- feminism --- Photography --- art [fine art] --- Art styles --- Man Ray --- Sugimoto, Hiroshi --- Trockel, Rosemarie --- Fulton, Hamish --- Boltanski, Christian --- Gober, Robert --- Orozco, Gabriel --- Lucas, Sarah --- Warhol, Andy --- Smith, Kiki --- Kelley, Mike --- Gursky, Andreas --- Burgin, Victor --- Taylor-Wood, Sam --- Kruger, Barbara --- Becher, Bernd und Hilla --- Araki, Nobuyoshi --- Simmons, Laurie --- Lawler, Louise --- Sherman, Cindy --- Horsfield, Craigie --- McCarthy, Paul --- Ruff, Thomas --- Ray, Charles --- Leonard, Zoe --- Hatoum, Mona --- McCollum, Allan --- Baldessari, John --- Levine, Sherrie --- Förg, Günther --- Mylayne, Jean-Luc --- Prince, Richard --- Antoni, Janine --- Goldin, Nan --- Gilbert and George --- Frank, Robert --- Opie, Catherine --- Beecroft, Vanessa --- Serrano, Andres --- Broodthaers, Marcel --- Polke, Sigmar --- Beuys, Joseph --- Barney, Matthew --- Tillmans, Wolfgang --- Samore, Sam --- Wool, Christopher --- Armstrong, David Malet --- Fischli, Peter --- Clark, Larry --- Crewdson, Gregory --- Duchamp, Marcel --- Schütte, Thomas --- Wearing, Gillian --- Wall, Jeff --- Calle, Sophie --- Weiss, David --- Struth, Thomas --- Richter, Gerhard --- Hirst, Damien --- Dunning, Jeanne --- Messager, Annette --- Matta-Clark, Gordon --- anno 1900-1999 --- Photography, Artistic --- Photographie artistique --- 77.01 --- Fotografie ; theorie --- Fotografie--Semiotiek van de fotografie. Theorie --- Fotografie ; theorie, filosofie, esthetica --- Contemporary Perspectives on Photography / ed. Elizabeth Janus ; ed. with Marion Lambert --- fotografie --- kunst --- kunst en fotografie --- feminisme --- gender studies --- concept art --- conceptuele kunst --- documentaire fotografie --- reportagefotografie --- film --- filmstills --- stills --- musea --- fotografiemusea --- fotografische theorie --- Antoni Janine --- Araki Nobuyoshi --- Armstrong David --- Baldessari john --- Barney Matthew --- Becher Bernd & Hilla --- Becher Bernd --- Becher Hilla --- Beecroft Vanessa --- Beuys Joseph --- Boltanski Christian --- Broodthaers Marcel --- Burgin victor --- Calle Sophie --- Clark Larry --- Cohen Lynne --- Crewdson Gregory --- Dunning Jeanne --- Fischli Peter --- Weiss David --- Förg Günther --- Frank Robert --- Fulton Hamish --- Gilbert & George --- Gober Robert --- Goldin Nan --- Gursky Andreas --- Hirst Damien --- Kelley Mike --- Kruger Barbara --- Lawler Louise --- Levine Sherrie --- Leonard Zoe --- Lucas Sarah --- Ray Man --- Matta-Clark Gordon --- McCarthy Paul --- McCollum Allan --- Messager Annette --- Orozco Gabriel --- Polke Sigmar --- Prince Richard --- Ray Charles --- Richter Gerhard --- Ruff Thomas --- Schütte Thomas --- Serrano Andres --- Sherman Cindy --- Simmons Laurie --- Smith Kiki --- Struth Thomas --- Sugimoto Hiroshi --- Taylor-Wood Sam --- Tillmans Wolfgang --- Trockel Rosemarie --- Wall Jeff --- Warhol Andy --- Wegman William --- Wool Christopher --- 77.038 --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- art [discipline]