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This book also serves as the catalogue for 'Science and Spirituality in a changing Economy', an initiative comprised of the following events: - The opening ceremony (8 September 1990) at the University of Amsterdam presided over by H.H. the 14th Dalai Lama of Tibet, who was awarded the 1989 Nobel Prize for Peace. - The five-day panel program (10 through 14 September 1990) at the Stedelijk Museum Amsterdam of artists meeting with scientists, representatives of spiritual traditions and economists. - The exhibition at the Museum Fodor in Amsterdam (8 September through 14 October 1990). Eight artists from Amsterdam invited eight foreign artists to collaborate on works addressing the theme 'Art meets Science and Spirituality in a changing Economy'.
Rauschenberg, Robert --- Cage, John --- van der Heyden, J.J. --- Weiner, Lawrence --- Abramovic, Marina --- General Idea --- van Summeren, Ton --- Chamberlain, John --- Scholte, Rob --- Schuyff, Peter --- Fortuyn/O'Brien --- Spalletti, Ettore --- Puckey, Thom --- Orr, Eric --- Heynen, Pieter --- Heynen, Abby --- Rollins, Tim + K.O.S. --- Bastiaans, Christiaan --- Ida, Shoichi --- Mantje, Aldert --- Bauntuch, Troy --- art criticism --- hedendaagse kunst --- biografieën (genre) --- science --- kunstbeschouwing --- economics --- Contemporary [style of art] --- spiritualiteit --- wetenschap --- economie --- Artists --- science [modern discipline]
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Discussions of the object as a key to understanding central aspects of modern and contemporary art. Artists increasingly refer to “post-object-based” work while theorists engage with material artifacts in culture. A focus on “object-based” learning treats objects as vectors for dialogue across disciplines. Virtual imaging enables the object to be abstracted or circumvented, while immaterial forms of labor challenge materialist theories. This anthology surveys such reappraisals of what constitutes the “objectness” of production, with art as its focus. Among the topics it examines are the relation of the object to subjectivity; distinctions between objects and things; the significance of the object's transition from inert mass to tool or artifact; and the meanings of the everyday in the found object, repetition in the replicated or multiple object, loss in the absent object, and abjection in the formless or degraded object. It also explores artistic positions that are anti-object; theories of the experimental, liminal or mental object; and the role of objects in performance. The object becomes a prism through which to reread contemporary art and better understand its recent past.
art criticism --- performance art --- assemblages [sculpture] --- found objects --- theme --- philosophy of art --- kunstbeschouwing --- sculpture [visual work] --- thema's in de kunst --- Art --- Object (Aesthetics) --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- Wurm Erwin --- Watier Eric --- Tuerlinckx Joëlle --- Szapocznikow Alina --- Strau Josef --- Song Dong --- Snelson Kenneth --- Schneider Gregor --- Samb Issa --- Pisano Falke --- Piper Adrian --- Palmer Katrina --- Orozco Gabriel --- Oiticica Hélio --- Metzger Gustav --- McCollum Allan --- Levine Sherrie --- Latham John --- Kelley Mike --- Hesse Eva --- Gruppe Geflecht --- Genzken Isa --- General idea --- Weiss David --- Fischli Peter --- Durham Jimmie --- Collier Brian D. --- 7.038/039 --- 7.01 --- Closky Claude --- Clark Lygia --- Broodthaers Marcel --- Bourgeois Louise --- Baxter Iain --- Art in ruins --- Absalon --- objecten --- objet trouvé --- kunsttheorie --- Aesthetics, European --- Art, theory --- Kunst ; theorie, filosofie, esthetica --- sculpture [visual works] --- Kunsttheorie ; kunst en object --- Objectkunst --- Objet trouvé --- Appropriaton Art --- Object (Aesthetics). --- Collier Brian D --- Aesthetic object --- Aesthetics --- Iconographie --- Art contemporain --- Processus de création --- Création artistique --- Objet usuel --- Objet d'art --- Objet symbolique --- Performance --- Kunst --- beeldhouwwerken [beeldmateriaal] --- assemblages [beeldhouwwerken] --- performances [live] --- kunstkritiek --- thema --- kunstfilosofie --- Art conceptuel --- Rythme --- Simulation --- Processus de conception --- Modélisation
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"Today, architectural plans and drawings are always signposted with colors: pink for poché, or exterior walls, yellow for certain interior elements, and blue for details and ornament. How and why did this practice begin? The craft of architectural drawing-plans, sections, and details-was originally developed during the Italian Renaissance under the influence of engravers. The results were correspondingly monochromatic, relying on representation through line and perspective. But in the 1800s, an influx of painters-turned-architects in Holland and Germany brought color into their designs. This innovation eventually spread throughout Europe, inspiring French architectural engineers to adopt a common color system in order to more clearly communicate their designs across the kingdom, and giving architects another tool with which to impress academic juries and the public. In this book, author Basile Baudez argues that color was not an essential feature of architectural drawing until European architects adopted a precise system of representation in response to political and artistic rivalry between countries, as well as the needs of public exhibitions. He shows that French engineers learned to use color from the Dutch colleagues they worked with and then fought against during the Dutch War (1672-78), demonstrating that a color-based system was published in French manuals for military engineers and used by royal architects, and that architects who wanted to compete with paintings for the public's attention needed to use the familiar language of color. This history reveals that color came to have three functions: to imitate architectural materials, to establish concise representational conventions that could span large geographic distances, and to seduce the public, including tourists. The book will feature a large number of fascinating, previously unpublished archival drawings, and will contribute to growing interest in the origins and professionalization of architecture, as well as the history of drawing as a medium"--
Color in art. --- Architectural drawing --- History. --- Architecture --- Drawing --- Graphic arts --- architectural drawings [visual works] --- prints [visual works] --- color [perceived attribute] --- anno 1500-1799 --- Europe --- Couleur dans l'art --- Dessin d'architecture --- Histoire --- ARCHITECTURE / History / Renaissance. --- Colors in art --- Art --- Monochrome art --- Drawing, Architectural --- Plans --- Architectural design --- Communication in architectural design --- Mechanical drawing --- History --- 72.017 --- 72.02 --- Europa --- Kleur (architectuur) --- Architectuurtekeningen --- Architectuurtekenen --- Couleur (art). --- Dessins et plans. --- Couleur (art) --- Accademia di San Luca. --- Agostino Veneziano. --- Amiens. --- Andrea Palladio. --- Arbitrariness. --- Architectural Design. --- Architectural drawing. --- Architectural historian. --- Architectural painting. --- Architectural style. --- Architectural theory. --- Archive. --- Avery Architectural and Fine Arts Library. --- Boarding school. --- Canaletto. --- Carlo Maderno. --- Cartography. --- Checker shadow illusion. --- Civil engineer. --- Color engraving. --- Color of water. --- Color wash. --- Country of origin. --- Croome Court. --- Ditchley. --- Drafter. --- Drawing. --- Ealing. --- Earned income tax credit. --- Engraving. --- Explanation. --- Facsimile. --- Francesco Algarotti. --- Francesco Borromini. --- Francesco da Volterra. --- Funding. --- General Idea. --- Geographer. --- Gerard de Lairesse. --- Giorgio Vasari. --- Giotto. --- Gouache. --- Guideline. --- Henry IV of France. --- Hybrid image. --- Immigration policy. --- Infrastructure. --- Inigo Jones. --- Jacques-Germain Soufflot. --- Jagodina. --- James Wyatt. --- Jean-Baptiste Le Prince. --- La Chaise-Dieu. --- Le Mans Cathedral. --- Lighting. --- Masonry. --- National Gallery of Art. --- National Policy. --- Nicholas Hawksmoor. --- North Africa. --- Of Education. --- Officer and Laughing Girl. --- Orthographic projection. --- Palace. --- Parchment. --- Paul Sandby. --- Pierre Crozat. --- Pilaster. --- Pink and Blue (Renoir). --- Populuxe. --- Print culture. --- Proportion (architecture). --- Racialization. --- Refugee. --- Renaissance architecture. --- Result. --- Rood screen. --- Rosin. --- Royal Institute of British Architects. --- Santa Maria Antiqua. --- Social capital. --- Sociology. --- Spanish Army. --- Stippling. --- Strasbourg Cathedral. --- Suburb. --- Tempio Malatestiano. --- Trajectory. --- Trapping. --- Treatise. --- Triumphal arch. --- Ugo da Carpi. --- Vellum. --- Welfare state. --- William L. Clements Library. --- Woodcut. --- Woodworking. --- Workplace. --- Writing. --- Yale Center for British Art. --- Color in art
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Art --- Paolini, Giulio --- Dokoupil, Jirí Georg --- Höckelmann, Antonius --- Prangenberg, Norbert --- Buthe, Michael --- Theill, Signe --- Lindow, Christian --- Kounellis, Jannis --- Spalletti, Ettore --- McKenna, Stephen --- Kirkeby, Per --- de Palma, Brett --- Holzer, Jenny --- Asher, Michael --- Sherman, Cindy --- Kruger, Barbara --- Calaway, Loren --- Long, Richard --- Baldessari, John --- Jonas, Joan --- Armando --- Paladino, Mimmo --- Maria, de, Nicola --- Gilbert and George --- Tillers, Imants --- Dominicis, de, Gino --- Dwurnik, Edward --- Polke, Sigmar --- Hien, Albert --- Va, le, Barry --- Verhoef, Toon --- Droese, Felix --- Sarmento, Julião --- Schmidt-Heins, Gabriele --- Burri, Alberto --- Salle, David --- Birnbaum, Dara --- Oppenheim, Meret --- Ryman, Robert --- Zaugg, Remy --- Lohse, Richard Paul --- Becher, Bernd und Hilla --- Artschwager, Richard --- Kosuth, Joseph --- Andre, Carl --- Sarkis --- Serra, Richard --- McLean, Bruce --- Tuttle, Richard --- Armajani, Siah --- Gross, Erwin --- Flanagan, Barry --- Reiss, Roland --- Fabro, Luciano --- Judd, Donald --- Graham, Dan --- Buren, Daniel --- Bakel, van, Gerrit --- Rutault, Claude --- Brus, Günther --- Cahn, Miriam --- Rainer, Arnulf --- Daniels, René --- Beuys, Joseph --- Vedova, Emilio --- Elk, van, Ger --- Schifferle, Klaudia --- Anselmo, Giovanni --- Struycken, Peter --- Merz, Mario --- Tannert, Volker --- Disler, Martin --- Ruthenbeck, Reiner --- Goldstein, Jack --- Barceló, Miquel --- Rifka, Judy --- Staeck, Klaus --- Abramovic, Marina --- Rosler, Martha --- Horn, Rebecca --- Haacke, Hans --- Cucchi, Enzo --- Wall, Jeff --- Clemente, Francesco --- Richter, Gerhard --- Bach, Elvira --- Hoek, van, Hans --- Sieverding, Katharina --- Burton, Scott --- Wawrin, Isolde --- Leitner, Bernhard --- Baumgarten, Lothar --- Mettig, Klaus --- Mainolfi, Luigi --- Chamberlain, John --- Weiner, Lawrence --- Gerdes, Ludger --- Brouwn, Stanley --- Byars, James L. --- Anzinger, Siegfried --- Nixon, John --- Schmidt-Heins, Barbara --- Nordman, Maria --- Dahn, Walter --- Kiefer, Anselm --- Immendorff, Jörg --- Dumas, Marlene --- Filko, Stanislaw --- Cragg, Tony --- Pistoletto, Michelangelo --- Copley, William --- Nitsch, Hermann --- Merz, Marisa --- Twombly, Cy --- Broodthaers, Marcel --- Baselitz, Georg --- Rückriem, Ulrich --- Mangold, Robert Peter --- Rabinowitch, David --- Chia, Sandro --- Mapplethorpe, Robert --- Orr, Eric --- Merz, Gerhard --- Lassnig, Maria --- Christian, Abraham David --- Dibbets, Jan --- Barry, Robert --- Charlton, Alan --- Laib, Wolfgang --- Klossowski, Pierre --- Ulay --- Nauman, Bruce --- Lippens, Guido --- Toroni, Niele --- Salomé --- Mariani, Carlo Maria --- Fulton, Hamish --- Shapiro, Joel --- Penone, Giuseppe --- Gosewitz, Ludwig --- Warhol, Andy --- Ruscha, Ed --- Boetti, Alighiero --- van Hemert, Frank --- Darboven, Hanne --- Kawara, On --- Oldenburg, Claes --- Vilmouth, Jean-Luc --- Basquiat, Jean-Michel --- Levine, Sherrie --- Penck, A.R. --- Longo, Robert --- Schuler, Horst --- Borofsky, Jonathan --- Quinones, Lee --- LeWitt, Sol --- Herzfeld, Anatol --- Lüpertz, Markus --- Mullican, Matt --- Violetta, Antonio --- Zaza, Michele --- Webb, Boyd --- Knight, John --- Biederman, James --- Raetz, Markus --- Brauntuch, Troy --- Knoebel, Imi --- Acconci, Vito --- Genzken, Isa --- Schnyder, Jean Frédéric --- Lavier, Bertrand --- Oberhuber, Oswald --- Wilson, Ian --- Salvadori, Remo --- Haring, Keith --- Bagnoli, Marco --- Art & Language --- General Idea --- anno 1900-1999 --- Art, Modern --- Conceptual art --- Art conceptuel --- Exhibitions. --- Expositions --- Documenta IX (1992) --- hedendaagse kunst --- 20ste eeuw --- Art contemporain --- Manifestation artistique --- Exhibitions --- Kassel --- -Conceptual art --- -Documenta --- twintigste eeuw --- kunst --- beeldhouwkunst --- schilderkunst --- installaties --- Acconci Vito --- Andre Carl --- Anselmo Giovanni --- Artschwager Richard --- Baldessari John --- Baselitz Georg --- Basquiat Jean-Michel --- Beuys Joseph --- Boetti Alighiero --- Broodthaers Marcel --- Brus Günter --- Buren Daniel --- Byars James Lee --- Chia Sandro --- Clemente Francesco --- Cragg Tony --- Cucchi Enzo --- Daniels René --- Darboven Hanne --- Dibbets Jan --- Dokoupil Jiri Georg --- Fabro Luciano --- Flanagan Barry --- Gilbert & George --- Graham Dan --- Haring Keith --- Holzer Jenny --- Horn Rebecca --- Immendorf Jörg --- Judd Donald --- Kawara On --- Kiefer Anselm --- Kirkeby Per --- Klossowski Pierre --- Kosuth Joseph --- Kounellis Jannis --- Lavier Bertrand --- Levine Sherrie --- LeWitt Sol --- Long Richard --- Longo Robert --- Lüpertz Markus --- Mapplethorpe Robert --- de Maria Nicola --- Merz Gerhard --- Merz Mario --- Merz Marisa --- Nauman Bruce --- Nitsch Hermann --- Oldenburg Claes --- Paladino Mimmo --- Paolini Giulio --- Penck A.R. --- Penone Giuseppe --- Pistoletto Michelangelo --- Polke Sigmar --- Rainer Arnulf --- Richter Gerhard --- Rückriem Ulrich --- Serra Richard --- Shapiro Joel --- Sherman Cindy --- Spalletti Ettore --- Struycken Peter --- Toroni Niele --- Tuttle Richard --- Twombly Cy --- Violetta Antonio --- Wall Jeff --- Warhol Andy --- Wawrin Isolde --- Weiner Lawrence --- Webb Boyd --- Wilson Ian --- Zaugg Rémy --- Zaza Michele --- Fuchs Rudy --- 7.038 --- 73.036 --- 75.036 --- Documenta --- Abramovic Ulay --- Abramovic Marina --- Anzinger Siegfried --- Armajani Siah --- Asher Michael --- Bach Elvira --- Bagnoli Marco --- van Bakel Gerrit --- Barcelo Miguel --- Barry Robert --- Baumgarten Lothar --- Becher Bernd & Hilla --- Becher Bernd --- Becher Hilla --- Biederman James --- Birnbaum Dara --- Borofsky Jonathan --- Brauntuch Troy --- Brouwn Stanley --- Burri Alberto --- Burton Scott --- Buthe Michael --- Cahn Miriam --- Calaway Loren --- Chamberlain John --- Charlton Alan --- Christian Abraham David --- Copley William --- Dahn Walter --- de Dominicis Gino --- Droese Felix --- Dumas Marlene --- Dwurnik Edward --- van Elk Ger --- Filko Stanislaw --- Fulton Hamish --- Genzken Isa --- Gerdes Ludger --- Goldstein Jack --- Gosewitz Ludwig --- Gross Erwin --- Haacke Hans --- van Hemert Frank --- van der Heyden J.C.J. --- Hien Albert --- Höckelmann Antonius --- van Hoek Hans --- Jonas Joan --- Knight John --- Knoebel Imi --- Kruger Barbara --- Laib Wolfgang --- Lassnig Maria --- Leitner Bernhard --- Le Va Barry --- Lindow Christian --- Lohse Richard Paul --- Mainolfi Luigi --- Mangold Robert --- Mariani Carlo Maria --- McLean Bruce --- Mettig Klaus --- Mullican Matt --- Nixon John --- Nordman Maria --- Oberhuber Oswald --- Oppenheim Meret --- Orr Eric --- de Palma Brett --- Prangenberg Norbert --- Quitones Lee --- Rabinowitch David --- Raetz Markus --- Reiss Roland --- Rifka Judy --- Rosler Martha --- Ruscha Edward --- Rutault Claude --- Ruthenbeck Reiner --- Ryman Robert --- Salle David --- Salome --- Salvadori Remo --- Sarmento Juliao --- Schifferle Klaudia --- Schmidt-Heins Barbara --- Schmidt-Heins Gabriele --- Schnyder Jean-Frédéric --- Schuler Horst --- Sieverding Katharina --- Staeck Klaus --- Tannert Volker --- Theill Signe --- Tillers Imants --- Vedova Emilio --- Verhoef Toon --- Vilmouth Jean-Luc --- Walther Franz Erhard --- kunst 20e eeuw --- kunstgeschiedenis --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Performance art --- Earthworks (Art) --- Sky art --- Modern art --- kunstgeschiedenis - kunst na 1945 --- Contemporary [style of art] --- Museology --- Le Va, Barry --- Penck A.R --- van der Heyden J.C.J --- Hemert, van, Frank --- Schmidt Heins, Barbara --- Palma, de, Brett --- Filko, Stano --- outdoor sculpture --- art [fine art] --- Conceptual art - Exhibitions --- Art, Modern - 20th century - Exhibitions --- Documenta 7 (1982) --- 20ste eeuw. --- art [discipline]
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De kunst van de jaren '80 en '90 lijkt een ondoordringbaar netwerk van de meest uiteenlopende -ismen die allemaal met elkaar in tegenspraak zijn. Dit boek biedt een internationaal overzicht van kunstenaars aan het einde van de 20e eeuw. Er worden 137 kunstenaars alfabetisch gepresenteerd - aan elk vanhen worden 4 blzn. besteed. Zo wordt de kunst aan het einde van deze eeuw gedocumenteerd en wordt een blik geworpen op de kunst van het volgende millennium.
Art --- Art, Modern --- Art contemporain --- Artiste --- Groupe material --- Schneider (gregor) --- Absalon --- Ackermann, Franz --- Ahtila, Eija-Liisa --- Althoff, Kai --- Antoni, Janine --- Araki, Nobuyoshi --- Armleder, John M. --- Art Club 2000 --- Atelier Van Lieshout --- Baechler, Donald --- Balka, Miroslaw --- Balkenhol, Stephan --- Barney, Matthew --- Basquiat, Jean-Michel --- Beecroft, Vanessa --- Bickerton, Ashley --- Blecken, R. B. --- Bulloch, Angela --- Bustamante, Jean-Marc --- Calle, Sophie --- Cattelan, Maurizio --- Chapman, Jake & Dinos --- Clark, Larry --- Clegg, Michael --- Currin, John --- Delvoye, Wim --- Demand, Thomas --- Dijkstra, Rineke --- Dion, Mark --- Douglas, Stan --- Dumas, Marlène --- Edmier, Keith --- Eliasson, Olafur --- Emin, Tracey --- Fischli, Peter --- Fleury, Sylvie --- FÖrg, Günther --- Fritsch, Katharina --- General Idea --- Genzken, Isa --- Gillick, Liam --- Gober, Robert --- Goldin, Nan --- Gonzales-torres, Felix --- Gordon, Douglas --- Green, Renée --- GrÜnfeld, Thomas --- Gursky, Andreas --- Guttmann, Martin --- Halley, Peter --- Hatoum, Mona --- Herold, Georg --- Hill, Gary --- Hirst, Damien --- Hofer, Candida --- Höller, Carsten --- Holzer, Jenny --- Honert, Martin --- Horn, Roni --- Hume, Gary --- Huyghe, Pierre --- Hybert, Fabrice --- Jakobsen, Henrik Plenge --- Kabakov, Ilya --- Kelley, Mike --- Kippenberger, Martin --- Knowbotic Research --- Koester, Joachim --- Koons, Jeff --- Kruger, Barbara --- Land, Peter --- Landers, Sean --- Lawler, Louise --- Leonard, Zoe --- Levine, Sherrie --- Locher, Thomas --- Lockhart, Sharon --- Lucas, Sarah --- Majerus, Michel --- Mccarthy, Paul --- Mccollum, Allan --- Merz, Gerhard --- Moffatt, Tracey --- Mori, Mariko --- Mullican, Matt --- Noland, Cady --- Oehlen, Albert --- Orozco, Gabriel --- Oursler, Tony --- Pardo, Jorge --- Parreno, Philippe --- Pernice, Manfred --- Peterman, Dan --- Pettibon, Raymond --- Pierson, Jack --- Pippin, Steven --- Prina, Stephen --- Prince, Richard --- Ray, Charles --- Rehberger, Tobias --- Rhoades, Jason --- Rist, Pipilotti --- Rockenschaub, Gerwald --- Ruff, Thomas --- Samore, Sam --- Sasse, Jörg --- Scher, Julia --- Schulze, Andreas --- Serrano, Andres --- Shaw, Jeffrey --- Sherman, Cindy --- Slominski, Andreas --- Starr, Georgina --- Steinbach, Haim --- Stockholder, Jessica --- Struth, Thomas --- Taaffe, Philip --- Taylor-wood, Sam --- Thater, Diana --- Tillmans, Wolfgang --- Tiravanija, Rirkrit --- Trockel, Rosemarie --- Tuymans, Luc --- Viola, Bill --- Von Bonin, Cosima --- Wall, Jeff --- Wearing, Gillian --- Weiss, David --- West, Franz --- Whiteread, Rachel --- Williams, Christopher --- Wilson, --- Wilson, Jane --- Winters, Terry --- Wool, Christopher --- Zittel, Andrea --- Zobernig, Heimo --- 20e siècle --- Panorama mondial --- video art --- environmental art --- scripts [writing] --- art [fine art] --- computer art [visual works] --- installations [visual works] --- assemblages [sculpture] --- Conceptual --- Höfer, Candida --- Chapman, Jake --- Förg, Günther --- Peyton, Elisabeth --- Schneider, Gregor --- Material Group --- Wilson, Louise --- Wiliams, Christopher --- Bałka, Mirosław --- Bonin, von, Cosima --- Bleckner, Ross --- Taylor-Wood, Sam --- McCarthy, Paul --- McCollum, Allan --- Dumas, Marlene --- Gonzalez-Torres, Felix --- Kabakov, Ilija Iosefovich --- Grünfeld, Thomas --- Atelier Van Lieshout [Rotterdam] --- anno 1980-1989 --- anno 1990-1999 --- hedendaagse kunst --- Contemporary [style of art] --- Artists --- Catalogs. --- Catalogues --- 7.039 --- 7.038 --- jaren 80 --- jaren 90 --- kunst --- kunst 20e eeuw --- 1980 --- -1990 --- -20e eeuw --- 700.1 --- 705.8 --- encyclopedieën --- post postmodernisme --- 7.039 Hedendaagse kunststromingen.Post-moderne kunst --- Hedendaagse kunststromingen.Post-moderne kunst --- kunstgeschiedenis - kunst na 1945 --- beeldende kunst, encyclopedische werken ... --- kunstgeschiedenis, 20e eeuw --- Beeldhouwkunst --- Kunst --- Schilderkunst --- Ruff, Thomas, --- Group Material [New York, N.Y.] --- Knowbotiq [Zurich] --- Actuele kunst --- 20e eeuw --- 21e eeuw --- Tekenkunst --- Design --- Horn, Roni, --- Beeldende kunst : 1980-2000 ; naslagwerken --- 7(03) --- 7.038(03) --- Kunst ; encyclopedieën --- Kunstgeschiedenis ; 1950 - 2000 ; encyclopedieën --- Locher Thomas --- Lockhart Sharon --- Lucas Sarah --- Majerus Michel --- McCarthy Paul --- McCollum Allan --- Merz gerhard --- Moffatt Tracey --- Mori Mariko --- Mullican Matt --- naslagwerk --- Noland Cady --- Oehlen Albert --- Orozco GAbriel --- Oursler Tony --- Pardo Jorge --- Parreno Philippe --- Pernice Manfred --- Peterman Dan --- Pettibon Raymond --- Peyton Elizabeth --- Pierson Jack --- Pippin Steven --- Prina Stephen --- Prince Richard --- Ray Charles --- Rehberger Tobias --- Rhoades Jason --- Rist Pipilotti --- Rockenschaub Gerwadl --- Ruff Thomas --- Samore Sam --- Sasse Jörg --- Scher Julia --- schilderkunst --- Schneider Gregor --- Schulze Andreas --- Serrano Andres --- Shaw Jeffrey --- Sherman Cindy --- Slominski Andreas --- Starr Georgina --- Steinbach Haim --- Stockholder Jessica --- Struth Thomas --- Taaffe Philip --- Taylor-Wood Sam --- Thater Diana --- Tillmans Wolfgang --- Tiravanija Rirkrit --- Trockel Rosemarie --- Tuymans luc --- twintigste eeuw --- van Lieshout Joep --- videokunst --- Viola Bill --- von Bonin Cosima --- Wall Jeff --- Wearing Gillian --- Weiss David --- West Franz --- Whiteread RAchel --- Williams Christopher --- Wilson jane --- Wilson Louise --- Winters Terry --- Wool Christopher --- Zittel Andrea --- Zobernig Heimo --- Ackermann Franz --- Ahtila Eija-Liisa --- Althoff Kai --- Antoni Janine --- Araki Nobuyoshi --- Armleder John M --- Atelier van Lieshout --- Baechler Donald --- balka Miroslaw --- Balkenhol Stephan --- Basquiat Jean-Michel --- Beecroft Vanessa --- beeldhouwkunst --- Bickerton Ashley --- Bleckner Ross --- Bulloch Angela --- Bustamante Jean-Marc --- Calle Sophie --- Cattelan Maurizio --- Chapma Jake --- Chapman Dinos --- Clark Larry --- Clegg & Guttmann --- Currin John --- Delvoye Wim --- Demand Thomas --- Dijkstra Rineke --- Dion Mark --- Douglas Stan --- Dumas Marlene --- Edmier Keith --- Eliasson Olafur --- Emin Tracey --- Fischli Peter --- Fischli & Weiss --- Fleury Sylvie --- Förg Günther --- fotografie --- Fritsch Katharina --- Genzken Isa --- Gerold georg --- Gillick Liam --- Gober Robert --- Goldin Nan --- Gonzalez-Torres Felix --- Gordon Douglas --- Green Renée --- Group Material --- Grünfeld Thomas --- Gursky Andreas --- Halley Peter --- Hatoum Mona --- Hill Gary --- Hirst Damien --- Höfer Candida --- Höller Carsten --- Holzer Jenny --- Honert Martin --- Horn Roni --- Hume Gary --- Huyghe Pierre --- Hybert Fabrice --- installaties --- Jacobsen Henrik Plenge --- Kabakov Ilya --- Kelley Mike --- Kippenberger Martin --- Koester Joachim --- Koons Jeff --- Kruger Barbara --- Landers Sean --- Land Peter --- Lawler Louise --- Leonard Zoe --- Levine Sherrie --- beeldende kunst, encyclopedische werken .. --- Gonzales-Torres, Felix --- beeldende kunst, encyclopedische werken --- Art, Modern - 20th century --- Horn, Roni, 1955 --- -Hume, Gary --- Ruff, Thomas, 1958 --- -Samore, Sam --- Weiss, David 1946-2012 --- art [discipline]
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