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ISBN: 9010011631 9789010011633 Year: 1980 Publisher: Sint-Stevens-Woluwe Elsevier
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ISBN: 9781137370853 Year: 2013 Publisher: London Palgrave MacMillan
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ISBN: 3846757837 Year: 2015 Publisher: Paderborn : Wilhelm Fink Verlag,
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ISBN: 3846750980 Year: 2011 Publisher: Paderborn : Wilhelm Fink Verlag,
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Sind Lynchs Filme wirklich so schwer verständlich? Lassen sich die logischen Unstimmigkeiten erklären? Welche Rolle spielt dabei die Lynch-typische audiovisuelle Darstellung? Kaul und Palmier untersuchen die frühen Filme (Eraserhead, The Elephant Man, Dune), Kurzfilme und Serien Lynchs, fragen nach der Bedeutung der bildenden Kunst für Lynchs Filmästhetik und liefern eingehende Interpretationen seiner wichtigsten Filme: Blue Velvet, Wild at Heart, Twin Peaks: Fire Walk with Me, Lost Highway, The Straight Story, Mulholland Dr., Inland Empire. Die Interpretationen bestehen aus einer Übersicht über die Produktions- und Rezeptionshintergründe, einer ausführlichen Analyse der Handlung und der audiovisuellen Präsentation sowie einer detaillierten Szenenanalyse. Das Buch führt filmästhetische und -narratologische Analyseverfahren zusammen, um den Mythos der Uninterpretierbarkeit der Lynch-Filme aufzulösen. Eine klar argumentierende und übersichtlich gegliederte Einführung in David Lynchs Werk. Aus dem Inhalt: EINLEITUNG LYNCHS FILMÄSTHETIK FRÜHE FILME (1968-1984) UND KURZFILME NICHT-FILMISCHE PROJEKTE BLUE VELVET (1986) WILD AT HEART (1990) TWIN PEAKS: FIRE WALK WITH ME (1992) LOST HIGHWAY (1997) THE STRAIGHT STORY (1999) MULHOLLAND DR. (2001) INLAND EMPIRE (2006) ANHANG ANMERKUNGEN BIBLIOGRAFIE FILMOGRAFIE.
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Year: 2022 Publisher: Milton : Taylor & Francis,
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This handbook brings together an international team of scholars from different disciplines to reflect on African popular cultural imaginaries. These imaginaries - in the sense of cultural productions, contexts, consumers, producers, platforms, and the material, affective and discursive resources they circulate - are influential in shaping African realities. Collectively, the chapters assembled in this handbook index the genres, methods, mediums, questions and encounters that preoccupy producers, consumers and scholars of African popular cultural forms across a range of geohistorical and temporal contexts. Drawing on forms such as newspaper columns, televised English Premier League football, speculative arts, romance fiction, comedy, cinema, music and digital genres, the contributors explore the possibilities and ambiguities unleashed by the production, circulation, consumption, remediation and critique of these forms. Among the questions explored across these essays are the freedoms and constraints of popular genres; the forms of self-making, pleasure and harm that these imaginaries enable; the negotiations of multiple moral regimes in everyday life; and, inevitably, the fecund terrain of contradictions definitive of many popular forms, which variously enable and undermine world-making. An authoritative scholarly resource on popular culture in Africa, this handbook is an essential read for students and scholars of African culture, society and media.
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ISBN: 0099737515 Year: 1996 Publisher: London Vintage
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Film --- film --- scenario's
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ISBN: 0899503144 Year: 1989 Publisher: Jefferson MacFarland
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ISBN: 0586083405 Year: 1977 Publisher: London Granada
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ISBN: 3453086856 9783453086852 Year: 1996 Publisher: München Heyne
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Film --- Führer --- Film --- Verzeichnis --- Film --- Wörterbuch
ISBN: 9780415774314 0415774314 9780415774307 0415774306 9780203030622 0203030621 9781135975845 9781135975883 9781135975890 Year: 2007 Publisher: London : Routledge,
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Can philosophy be screened? -- Are there limits to film's philosophical capabilities? -- Illustrating a philosophical theory : Modern times -- A skeptical thought experiment : The matrix -- Arguing against utilitarianism : Eternal sunshine of the spotless mind -- Moral intelligence and the limits of loyalty : The third man -- Foregrounding the background : Empire and The flicker -- The nature of cinematic philosophy.
Film --- Aesthetics
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