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Von einem sensationellen Erlebnis zum anderen getrieben : Kriminalheftromane und die Zeitgestalt 'Serialität' in den 1920er und 1930er Jahren
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Year: 2017 Publisher: Göttingen : Universitätsverlag Göttingen,

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By the 1920s and early 1930s the dime novel had already become well established as a medium for serial fiction and it developed innovative ways of shaping the temporality of literary communication: Recurring heroes made an appearance in more than one dime novel series at the same time, some even across media; publishers and writers found collective forms of text production not aiming to create one timeless work of art, but a continuous series of texts; readers learned to orient themselves with competing publishing schedules of different media and to comprehend the text world of a dime novel series by connecting a series of texts. The book deals with the question of how publishers, writers and readers shaped 'seriality' in the process of creating the fictional worlds of dime novels.


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Zum blauen Affen: drieunddreissig Kriminalgeschichten
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ISBN: 3921499267 Year: 1979 Publisher: Erlangen

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Die Verbrechensthematik im modernen Roman : Untersuchungen und Analysen zur Motivstruktur von Morden in der deutschsprachigen Literatur nach 1970 anhand kriminologischer Theorien
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ISBN: 082041106X Year: 1989 Publisher: Bern Lang

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Von einem sensationellen Erlebnis zum anderen getrieben... : Kriminalheftromane und die Zeitgestalt 'Serialität' in den 1920er und 1930er Jahren
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Year: 2017 Publisher: Göttingen, Germany : Universitätsverlag Göttingen,

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Abstract

By the 1920s and early 1930s the dime novel had already become well established as a medium for serial fiction and it developed innovative ways of shaping the temporality of literary communication: Recurring heroes made an appearance in more than one dime novel series at the same time, some even across media; publishers and writers found collective forms of text production not aiming to create one timeless work of art, but a continuous series of texts; readers learned to orient themselves with competing publishing schedules of different media and to comprehend the text world of a dime novel series by connecting a series of texts. The book deals with the question of how publishers, writers and readers shaped ‚seriality‘ in the process of creating the fictional worlds of dime novels. In den 1920er und frühen 1930er Jahren waren Heftromanserien keine neuartige Erscheinung, zeigten aber eine bemerkenswerte Vielfalt und Innovation im Umgang mit der Zeitlichkeit literarischer Kommunikation: Wiederkehrende Serienfiguren verbanden mehrere gleichzeitig erscheinende Serien zu komplexen, teilweise transmedialen Serienverbünden; Autorinnen und Autoren entwickelten kollektive Schreibweisen, die nicht auf die Erschaffung eines überzeitlichen Werkes abzielten, sondern eine Textproduktion „in Serie“ ermöglichten; das Lesepublikum lernte, sich in der Fülle gleichzeitiger medialer Angebote zu orientieren und die Texte der Serien verstehend aufeinander zu beziehen. Die vorliegende Arbeit geht der Frage nach, wie die Beteiligten die Zeitlichkeit der literarischen Kommunikation als ‚Serialität‘ gestalteten und dabei die fiktiven Welten von „Frank Allan. Der Rächer der Enterbten“ oder „Tom Shark. Der König der Detektive“ erschufen.

Tales from the German underworld : crime and punishment in the nineteenth century
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ISBN: 0300072244 Year: 1998 Publisher: New Haven (Conn.): Yale university

Die deutsche Kriminalnovelle von Schiller bis Hauptmann: Einzelanalysen unter sozialgeschichtlichen und didaktischen Aspekten
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ISBN: 3506728164 Year: 1980 Publisher: Paderborn

Untersuchungsrichter, Diebsfänger, Detektive: Theorie und Geschichte der deutschen Detektiverzählung im 19. Jahrhundert
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ISBN: 3476003833 Year: 1978 Publisher: Stuttgart


Book
Detectives, dystopias, and poplit : studies in modern German genre fiction
Authors: --- ---
ISBN: 1782043292 1322094624 1571135936 Year: 2014 Publisher: Rochester, New York : Camden House,

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The first broad treatment of German genre fiction, containing innovative new essays on a variety of genres and foregrounding concerns of gender, environmentalism, and memory. Some of the most exciting research and teaching in the field of German Studies is being done on "genre fiction," including detective fiction, science fiction, and what is often called "poplit," to name but a few. Such non-canonical literature has long been marginalized by the German tradition of Bildung and the disciplinary practice of German literary studies (Germanistik). Even today, when the examination of non-canonical texts is well established and uncontroversial in other academic contexts, such texts remain understudied in German. And yet, the trend toward "German Studies" and "cultural studies" approaches within the field has raised considerable interest in theanalysis of genre fiction, resulting in both a great deal of new scholarship and a range of new courses. This first broad treatment of German genre fiction brings together innovative new scholarship, foregrounding themes of gender, environmentalism, and memory. It is an ideal companion to research and teaching. Written in accessible English, it speaks to a wide variety of disciplines beyond German Studies. Contributors: Bruce B. Campbell, Ray Canoy, Kerry Dunne, Sonja Fritzsche, Maureen O. Gallagher, Adam R. King, Molly Knight, Vibeke Ru̘tzou Petersen, Evan Torner, and Ailsa Wallace. Bruce B. Campbell is Associate Professor of German Studies at the College ofWilliam and Mary. Alison Guenther-Pal is Assistant Professor of German and Film Studies at Lawrence University. Vibeke Ru̘tzou Petersen is Professor Emerita of Women's Studies at Drake University.


Book
Tatort Germany : the curious case of German-language crime fiction
Authors: ---
ISBN: 1782043586 1322241945 1571135715 Year: 2014 Publisher: Rochester, New York : Camden House,

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Although George Bernard Shaw quipped that "the Germans lack talent for two things: revolution and crime novels," there is a long tradition of German crime fiction; it simply hasn't aligned itself with international trends. Duringthe 1920s, German-language writers dispensed with the detective and focused instead on criminals, a trend that did not take hold in other countries until after 1945, by which time Germany had gone on to produce antidetective novels that were similarly ahead of their time. German crime fiction has thus always been a curious case; rather than follow the established rules of the genre, it has always been interested in examining, breaking, and ultimately rewriting those rules. This book assembles leading international scholars to examine today's German crime fiction. It features innovative scholarly work that matches the innovativeness of the genre, taking up the Regionalkrimi;crime fiction's reimagining and transforming of traditional identities; historical crime fiction that examines Germany's and Austria's conflicted twentieth-century past; and how the newly vibrant Austrian crime fiction ties in with and differentiates itself from its German counterpart. Contributors: Angelika Baier, Carol Anne Costabile-Heming, Kyle Frackman, Sascha Gerhards, Heike Henderson, Susanne C. Knittel, Anita McChesney, Traci S. O'Brien,Jon Sherman, Faye Stewart, Magdalena Waligórska. Lynn M. Kutch is Professor of German at Kutztown University of Pennsylvania. Todd Herzog is Professor and Head of the Department of German Studies at the University of Cincinnati.

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