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Beam Drop : Chris Burden : tentoonstelling : Antwerpen, Middelheimmuseum, 30 mei - 27 september 2009
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ISBN: 9789076222004 Year: 2009

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Numeri
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ISBN: 3923479484 Year: 1991 Publisher: Berlin Künstlerhaus Bethanien

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Wasting time on the Internet
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ISBN: 0062416472 9780062416476 Year: 2016 Publisher: New York Harper Perennial

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Using clear, readable prose, conceptual artist and poet Kenneth Goldsmith's manifesto shows how our time on the internet is not really wasted but is quite productive and creative as he puts the experience in its proper theoretical and philosophical context. Kenneth Goldsmith wants you to rethink the internet. Many people feel guilty after spending hours watching cat videos or clicking link after link after link. But Goldsmith sees that "wasted" time differently. Unlike old media, the internet demands active engagement--and it's actually making us more social, more creative, even more productive. When Goldsmith, a renowned conceptual artist and poet, introduced a class at the University of Pennsylvania called "Wasting Time on the Internet," he nearly broke the internet. The New Yorker, the Atlantic, the Washington Post, Slate, Vice, Time, CNN, the Telegraph, and many more, ran articles expressing their shock, dismay, and, ultimately, their curiosity. Goldsmith's ideas struck a nerve, because they are brilliantly subversive--and endlessly shareable. In Wasting Time on the Internet, Goldsmith expands upon his provocative insights, contending that our digital lives are remaking human experience. When we're "wasting time," we're actually creating a culture of collaboration. We''re reading and writing more--and quite differently. And we're turning concepts of authority and authenticity upside--down. The internet puts us in a state between deep focus and subconscious flow, a state that Goldsmith argues is ideal for creativity. Where that creativity takes us will be one of the stories of the twenty-first century. Wide-ranging, counterintuitive, engrossing, unpredictable--like the internet itself--Wasting Time on the Internet is the manifesto you didn't know you needed -- Provided by publisher.


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Papier spricht - Der Körper zeichnet - Die Hand denkt : Zur Polysemantik, Funktion und Schlüsselrolle der Werkzeichnungen (1963-1974) Franz Erhard Walthers
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ISBN: 3839454905 Year: 2022 Publisher: Bielefeld : Transcript Verlag,

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Die Körperhaftigkeit der Werkzeichnungen (1963-1975) von Franz Erhard Walther und ihre Bedeutung für Walthers Gesamtwerk wurde vielfach unterschätzt. Lucia Schreyer nimmt sich dieser Blätter an, in denen Sprache und Bild ineinandergreifen und die auf Erlebnissen und Vorstellungen im Kontext der Werkstücke des 1. Werksatzes (1963-1969) beruhen. Dabei zeichnet sie ihre spannungsreiche Entwicklungsgeschichte zwischen Zensur und Emanzipation im ideologischen Zeitgeist der Konzeptkunst nach und stellt fest: Ihre Ambivalenz und Resistenz gegenüber tradierten Kunstformen steht für eine autonome künstlerische Sprache, in der die dialektische Verbindung von Gegensätzen gedacht wird.


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Im toten Winkel der Literatur : Grenzfälle literarischer Werkwerdung seit den 1950er Jahren
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ISBN: 3846762938 Year: 2018 Publisher: Paderborn Brill | Fink

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Ausgehend von den Rändern der gegenwärtigen literarischen Praxis wirft Annette Gilberts komparatistische Studie neues Licht auf eine zentrale Kategorie der Literatur(wissenschaft): das Werk als pragmatische Instanz literarischer Kommunikation. Unter Anwendung eines erweiterten Literaturbegriffs werden avantgardistische und experimentelle Positionen im Grenzbereich von Literatur und Kunst seit den 1950er Jahren gesichtet, die eine starke Reflexion ihres eigenen Werkseins erkennen lassen. Entsprechende Versuchsanordnungen - etwa von Elfriede Jelinek, Timm Ulrichs, Sherrie Levine, Elaine Sturtevant, Marcel Broodthaers - werden als substantieller Beitrag zur literaturtheoretischen Grundlagenforschung gelesen. Zugleich werden Traditionslinien zu historischen Vorgängern wie Stéphane Mallarmé und Jorge Luis Borges sowie Parallelen zu ähnlichen Tendenzen und Problemstellungen in der bildenden Kunst aufgezeigt.


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Systems we have loved : conceptual art, affect, and the antihumanist turn
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ISBN: 9780226007885 022600788X Year: 2013 Publisher: Chicago ; London : University of Chicago Press,

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"By the early 1960s, theorists like Lévi-Strauss, Lacan, Foucault, and Barthes had created a world ruled by signifying structures and pictured through the grids of language, information, and systems. Artists soon followed, turning to language and its related forms to devise a new, conceptual approach to art making. Examining the ways in which artists shared the structuralist devotion to systems of many sorts, Systems We Have Loved shows that even as structuralism encouraged the advent of conceptual art, it also raised intractable problems that artists were forced to confront.


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One fucking move
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ISBN: 9072191099 9789072191090 Year: 1989 Publisher: Gent Imschoot

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Die Bremer Befragung = The Bremen Questionnaire: Sine Somno Nihil 1990-1995
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ISBN: 3893227881 Year: 1995 Publisher: Ostfildern Cantz

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Dada en Surrealisme.
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ISBN: 906210021X 9789062100217 Year: 1976 Publisher: Amsterdam Landshoff

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Beknopte studie over twee richtingen in de schilderkunst ontstaan in de eerste helft van de twintigste eeuw, gevolgd door een groot aantal kleurenreprodukties.


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Art into ideas : essays on conceptual art
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ISBN: 0521479223 0521473675 9780521473675 9780521479226 Year: 1996 Volume: *20 Publisher: Cambridge Cambridge University press

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Art into Ideas: Essays on Conceptual Art provides an overview of one of the most important and influential developments in American and European art over the past thirty years. Robert Morgan defines and elucidates the premises of Conceptual Art, focusing on works by a range of international artists, including Joseph Kosuth, Hans Haacke, Sherrie Levine, and Joseph Beuys. He examines its evolution, from its inception in the 1960s through the 1980s, relating the movement to historical and cultural contexts, as well as to important theoretical and critical issues that emerged during these decades. Defining three primary modes of representation that characterize Conceptual Art - the philosophical, the structuralist, and the systemic - Morgan then applies these concepts in analyses of a variety of media, including painting, photography, books, and performance

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