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Burden, Chris --- kunst --- Burden Chris --- Verenigde Staten --- concept art --- conceptuele kunst --- eenentwintigste eeuw --- beeldhouwkunst --- 7.071 BURDEN --- Exhibitions --- Burden, Chris,
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Bien, Waldo --- kunst --- twintigste eeuw --- Nederland --- concept art --- conceptuele kunst --- Bien Waldo --- schilderkunst --- fotografie --- 7.071 BIEN
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Using clear, readable prose, conceptual artist and poet Kenneth Goldsmith's manifesto shows how our time on the internet is not really wasted but is quite productive and creative as he puts the experience in its proper theoretical and philosophical context. Kenneth Goldsmith wants you to rethink the internet. Many people feel guilty after spending hours watching cat videos or clicking link after link after link. But Goldsmith sees that "wasted" time differently. Unlike old media, the internet demands active engagement--and it's actually making us more social, more creative, even more productive. When Goldsmith, a renowned conceptual artist and poet, introduced a class at the University of Pennsylvania called "Wasting Time on the Internet," he nearly broke the internet. The New Yorker, the Atlantic, the Washington Post, Slate, Vice, Time, CNN, the Telegraph, and many more, ran articles expressing their shock, dismay, and, ultimately, their curiosity. Goldsmith's ideas struck a nerve, because they are brilliantly subversive--and endlessly shareable. In Wasting Time on the Internet, Goldsmith expands upon his provocative insights, contending that our digital lives are remaking human experience. When we're "wasting time," we're actually creating a culture of collaboration. We''re reading and writing more--and quite differently. And we're turning concepts of authority and authenticity upside--down. The internet puts us in a state between deep focus and subconscious flow, a state that Goldsmith argues is ideal for creativity. Where that creativity takes us will be one of the stories of the twenty-first century. Wide-ranging, counterintuitive, engrossing, unpredictable--like the internet itself--Wasting Time on the Internet is the manifesto you didn't know you needed -- Provided by publisher.
Internet --- Social aspects. --- internet --- cultuurfilosofie --- conceptuele kunst --- kunst en technologie --- 791.5 --- 130.2 --- 7.01 --- 7.071 GOLDSMITH --- Goldsmith Kenneth --- kunst --- concept art --- Internet.
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Die Körperhaftigkeit der Werkzeichnungen (1963-1975) von Franz Erhard Walther und ihre Bedeutung für Walthers Gesamtwerk wurde vielfach unterschätzt. Lucia Schreyer nimmt sich dieser Blätter an, in denen Sprache und Bild ineinandergreifen und die auf Erlebnissen und Vorstellungen im Kontext der Werkstücke des 1. Werksatzes (1963-1969) beruhen. Dabei zeichnet sie ihre spannungsreiche Entwicklungsgeschichte zwischen Zensur und Emanzipation im ideologischen Zeitgeist der Konzeptkunst nach und stellt fest: Ihre Ambivalenz und Resistenz gegenüber tradierten Kunstformen steht für eine autonome künstlerische Sprache, in der die dialektische Verbindung von Gegensätzen gedacht wird.
Art --- History. --- Agency. --- Art History of the 20th Century. --- Art History. --- Art. --- Concept Art. --- Drawing. --- European Art. --- Fine Arts. --- Image. --- Imagination. --- Participation. --- Sculpture.
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Ausgehend von den Rändern der gegenwärtigen literarischen Praxis wirft Annette Gilberts komparatistische Studie neues Licht auf eine zentrale Kategorie der Literatur(wissenschaft): das Werk als pragmatische Instanz literarischer Kommunikation. Unter Anwendung eines erweiterten Literaturbegriffs werden avantgardistische und experimentelle Positionen im Grenzbereich von Literatur und Kunst seit den 1950er Jahren gesichtet, die eine starke Reflexion ihres eigenen Werkseins erkennen lassen. Entsprechende Versuchsanordnungen - etwa von Elfriede Jelinek, Timm Ulrichs, Sherrie Levine, Elaine Sturtevant, Marcel Broodthaers - werden als substantieller Beitrag zur literaturtheoretischen Grundlagenforschung gelesen. Zugleich werden Traditionslinien zu historischen Vorgängern wie Stéphane Mallarmé und Jorge Luis Borges sowie Parallelen zu ähnlichen Tendenzen und Problemstellungen in der bildenden Kunst aufgezeigt.
Literaturbegriff --- Künstlerbuch --- Materialität --- Medialität --- Werkbegriff --- Literaturtheorie --- Konzeptkunst/Concept Art/Conceptual Art --- Gegenwart --- Appropriation --- Autorschaft --- Avantgarde --- Buch --- Conceptual Writing --- experimentelle Literatur
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"By the early 1960s, theorists like Lévi-Strauss, Lacan, Foucault, and Barthes had created a world ruled by signifying structures and pictured through the grids of language, information, and systems. Artists soon followed, turning to language and its related forms to devise a new, conceptual approach to art making. Examining the ways in which artists shared the structuralist devotion to systems of many sorts, Systems We Have Loved shows that even as structuralism encouraged the advent of conceptual art, it also raised intractable problems that artists were forced to confront.
7.01 "19" --- 7.039 --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--20e eeuw. Periode 1900-1999 --- Hedendaagse kunststromingen.Post-moderne kunst --- Conceptual art. --- Structuralism. --- Concept-art --- 7.01 "19" Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--20e eeuw. Periode 1900-1999 --- 7.039 Hedendaagse kunststromingen.Post-moderne kunst --- Concept-art. --- Conceptual art --- Structuralism --- Structure (Philosophy) --- Philosophy --- Whole and parts (Philosophy) --- Form (Philosophy) --- Poststructuralism --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art --- Art conceptuel. --- Structuralisme.
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Drawing --- sculpting --- Sculpture --- outdoor sculpture --- drawing [image-making] --- Ryslavy, Kurt --- anno 1900-1999 --- Austria --- Belgium --- Art --- Kunst --- Artiste --- 20e siècle --- by Kurt Ryslavy --- kunst --- twintigste eeuw --- Oostenrijk --- literatuur --- concept art --- conceptuele kunst --- Ryslavy Kurt --- 7.071 RYSLAVY --- Ryslavy, Kurt.
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Gerz, Jochen --- Conceptual art --- Public sculpture --- Sculpture, Public --- Public art --- Sculpture --- Monuments --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art --- Public opinion
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Beknopte studie over twee richtingen in de schilderkunst ontstaan in de eerste helft van de twintigste eeuw, gevolgd door een groot aantal kleurenreprodukties.
Art styles --- Painting --- anno 1910-1919 --- #gsdbA --- Surrealisme. --- Schilderkunst. --- kunst --- schilderkunst --- dadaïsme --- surrealisme --- kunst en literatuur --- kunstgeschiedenis --- twintigste eeuw --- conceptuele kunst --- concept art --- 7.036.1/037 --- 7.037 --- 7.036.1
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Art into Ideas: Essays on Conceptual Art provides an overview of one of the most important and influential developments in American and European art over the past thirty years. Robert Morgan defines and elucidates the premises of Conceptual Art, focusing on works by a range of international artists, including Joseph Kosuth, Hans Haacke, Sherrie Levine, and Joseph Beuys. He examines its evolution, from its inception in the 1960s through the 1980s, relating the movement to historical and cultural contexts, as well as to important theoretical and critical issues that emerged during these decades. Defining three primary modes of representation that characterize Conceptual Art - the philosophical, the structuralist, and the systemic - Morgan then applies these concepts in analyses of a variety of media, including painting, photography, books, and performance
Conceptual art --- Kunsttheorie ; conceptuele kunst --- 7.01 --- Kunst ; theorie, filosofie, esthetica --- Conceptual art. --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art
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