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Music --- compositieleer --- muziektheorie --- Schönberg, Arnold --- 78.68

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geschiedenis --- compositieleer --- Lutosławski, Witold --- anno 1900-1999 --- Poland --- 526 --- Monografieën componisten

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Music --- muziekgeschiedenis --- compositieleer --- anno 1900-1999 --- Composition (Music) --- -Muziek ; compositieleer ; 20ste eeuw --- 78.02 --- Muziek ; compositieleer ; 20ste eeuw ; partituurvoorbeelden --- 520 --- Project kunstvakken --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Composing (Music) --- Music composing --- Music composition --- Musical composition --- Concertante style --- History and criticism --- Muziek ; compositietechnieken --- Theorie: compositie --- Composition --- History and criticism. --- Composition (Music). --- Muziek ; compositieleer ; 20ste eeuw --- 541 --- Compositie --- Composition (Musique) --- Musique --- Histoire et critique --- Muziekgeschiedenis --- Muziekanalyses --- Dodecafonie --- Serialisme --- Aleatoriek --- Citaatmuziek --- Minimalisme --- Neoromantiek --- Neomodaliteit --- 20e eeuw --- Elektronische muziek

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compositieleer --- basso continuo --- muziekgeschiedenis --- improvisatie --- anno 1700-1799 --- Naples --- 547 --- Praktische harmonie - basso continuo --- Partimenti --- Continuo --- History --- Partimenti. --- History. --- Italy --- Naples (Italy) --- Improvisation (musique) --- Instruments à clavier --- Muziektheorie --- Muziekpedagogie --- Italië

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"Composer Paul Craenen explores ways in which the musician's body is revealed in musical performances. He leads us from Cage, Lachenmann, Kagel and their contemporaries to a discussion of how today's generation of young composers is writing a body paradigm into composition itself. Micro-temporal physical gestures and instrumental timbre provide the key to unveiling the physical presence of both a musician and a 'composing body.' The author's concept of 'intercorporeality, ' along with the idea of an alternating linear and non-linear relationship of the composing body to time, casts new light on the relationship between musicians, composers and music consumers"--Back cover.

muziektheorie --- componeren --- Music --- compositieleer --- Compositie (Muziek) --- Composition (Music) --- Composition (Musique) --- Composition musicale --- 20th century --- History and criticism --- Philosophy and aesthetics --- Performance practice (Music) --- History --- Composition (Music). --- Performance practice (Music). --- music [performing arts] --- contemporary [generic time frame] --- philosophy of art --- 575 --- Muziekfilosofie --- Muziekpsychologie --- Lichaamsbewustzijn --- Compositie --- music [performing arts genre] --- muziekgeschiedenis