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Como --- Lake (Italy) --- Description and travel
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Reservoir sedimentation --- Sedimentation and deposition --- Como, Lake (Mont.)
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Church architecture --- Italy --- Como --- Lake --- Region --- Region (Italy) --- Buildings --- structures --- etc.
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Tecnologías del yo. Mujer, sujeto y subjetividad es un volumen compuesto por doce ensayos que analizan las subjetividades a partir de textos de diversos registros discursivos, autorías y épocas. Aun cuando la mayoría de las investigaciones se centran en las obras literarias, sean estas poesía, novela, cuento, crónica y teatro, igualmente se da cabida a otros trabajos cuyo foco de atención se fija en las "escrituras del yo", los diarios y la escritura creativa, o el arte. El objetivo común es hacer visibles a las mujeres como sujetos y desvelar la pluralidad de sus experiencias, lo que nos permite conocer cómo se construyen y deconstruyen las subjetividades.
Ángeles --- como --- Felten --- Mateo --- Mujer --- Pino --- subjetividad --- sujeto --- Tecnologías
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Recording and registration --- Good faith (Law) --- Notaries --- History. --- History --- Recording and registration - Italy - Como - History. --- Good faith (Law) - Italy - Como - History. --- Notaries - Italy - Como - History. --- 091:34 --- 091 <45> --- 930.22 <45> --- 930.22 <45> Bronnenstudie. Oorkondenleer. Diplomatiek--Italië --- Bronnenstudie. Oorkondenleer. Diplomatiek--Italië --- 091 <45> Handschriftenkunde. Handschriftencatalogi--Italië --- Handschriftenkunde. Handschriftencatalogi--Italië --- 091:34 Handschriften i.v.m. recht --- Handschriften i.v.m. recht
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Forty years in the making, Giuseppe Terragni: Transformations, Decompositions, Critiques documents and investigates two of Italian rationalist architect Giuseppe Terragni's masterworks: the Casa del Fascio (1933-36) and the Casa Giuliani-Frigerio (1939-40), both in Como. This far-reaching study - illustrated with more than five hundred original architectural diagrams and archival photographs - employs what Eisenman calls critical and textual reading of both buildings. He attempts to broaden the definition of the formal from a narrow aesthetic and compositional view to include first the conceptual and then the textual. It is through this idea of the textual that Eisenman begins to define an idea of the critical in architecture. Eisenman's methodology is wholly removed from traditional approaches - social, historical, aesthetic, functional. Instead, the various articulations and openings on the facades constitute a set of marks, notations that provide the basis for his analysis. In the Casa del Fascio, for example, each of the four sequential design schemes records the previous state, encoding the process of transformation in the final building. In the Casa Giuliani-Frigerio it is instead the process of decomposition that generates the facades. Also included in the book are an essay by Terragni and a critique by Manfredo Tafuri. In the end, it is the dual protagonists - the architect and the author - who together establish a new theoretical and analytical framework. (from editor)
Terragni, Giuseppe, --- Eisenman, Peter, --- Casa del Fascio --- Casa Giuliani-Frigerio --- Casa del Popolo --- 72 --- Terragni, Giuseppe --- Eisenman, Peter --- Como --- Lombardia --- Terragni, Giuseppe 1904-1943 (°Meda, Italië) --- Eisenman, Peter °1932 (°Newark, New Jersey, VS) --- Como ; Casa Giuliani-Frigerio ; Casa del Fascio --- Architectuur ; Italië ; rationalisme --- Architectuur ; modernisme ; 1890-1940 ; Italië --- Architectuur ; fascisme ; nationalisme ; Italië --- 72.07 --- Architectuur --- Architecten. Stedenbouwkundigen A - Z --- Analyse architecturale --- Architecte --- Architecture contemporaine --- Italie --- Architecture --- History --- Casa del fascio (Abbadia, Italy) --- Casa Giuliani-Frigerio (Como, Italy) --- Terragni, Giuseppe, 1904-1943 --- Terragni, Guiseppe
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