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A study of the work of Caryl Churchill who wrote ''Fen'', ''Top Girls'' and ''Serious Money''. Geraldine Cousin examines the development of Churchill''s powerful style from her earliest work to the major plays
Churchill, Caryl --- Dramatists. --- Churchill, Caryl. --- Playwrights --- Authors
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Churchill, Caryl --- Criticism and interpretation. --- 820 "19" CHURCHILL, CARYL --- Engelse literatuur--20e eeuw. Periode 1900-1999--CHURCHILL, CARYL --- 820 "19" CHURCHILL, CARYL Engelse literatuur--20e eeuw. Periode 1900-1999--CHURCHILL, CARYL --- Churchill, Caryl (1938-....) --- Critique et interprétation
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Theatre has come back to text, but with perspectives shifted by the experimental practices of the twentieth century across performance forms. Contemporary playwriting brings its scenographic engagement to the foreground of the text, reflecting the spatial turn in theory and practice. In production, this spatiality has renewed and enlivened the status and impact of text-based theatre. Theatre studies needs to better describe the artfulness of contemporary text-based theatre, bringing to it the same sophisticated lenses scholars and critics have used for performance-based theatre and other experimental theatre practices. This Element does that by presenting the work of Caryl Churchill, Naomi Iizuka, and Sarah Ruhl as exemplary of the way text-based theatre, both its scripts and productions, now creates and expects a spatialized imaginary and demonstrates the potentials of text-based theatre in an increasingly visual and spatial field of cultural production.
Playwriting. --- Theater. --- Churchill, Caryl --- Iizuka, Naomi --- Ruhl, Sarah, --- Criticism and interpretation.
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Theatre has come back to text, but with perspectives shifted by the experimental practices of the twentieth century across performance forms. Contemporary playwriting brings its scenographic engagement to the foreground of the text, reflecting the spatial turn in theory and practice. In production, this spatiality has renewed and enlivened the status and impact of text-based theatre. Theatre studies needs to better describe the artfulness of contemporary text-based theatre, bringing to it the same sophisticated lenses scholars and critics have used for performance-based theatre and other experimental theatre practices. This Element does that by presenting the work of Caryl Churchill, Naomi Iizuka, and Sarah Ruhl as exemplary of the way text-based theatre, both its scripts and productions, now creates and expects a spatialized imaginary and demonstrates the potentials of text-based theatre in an increasingly visual and spatial field of cultural production.
Playwriting. --- Theater. --- Churchill, Caryl --- Iizuka, Naomi --- Ruhl, Sarah, --- Criticism and interpretation.
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English drama --- Théâtre anglais --- History and criticism --- Histoire et critique --- -#KVHA:Theatergeschiedenis; Groot-Brittannie --- English literature --- History and criticism. --- Théâtre anglais --- #KVHA:Theatergeschiedenis; Groot-Brittannie --- THEATRE (GENRE LITTERAIRE) ANGLAIS --- AYCBOURN (ALAN) --- HARE (DAVID) --- BOND (EDWARD), 1934 --- -CHURCHILL (CARYL), 1938 --- -PINTER (HAROLD), 1930-2008 --- 20E SIECLE --- GUIDES, MANUELS, ETC.
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