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Painting, Chinese --- Catalogs --- Bibliography. --- Chinese painting --- Paintings, Chinese

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Painting --- Chinese painting styles --- China --- Painting, Chinese --- S17/0600 --- Chinese painting --- Paintings, Chinese --- China: Art and archaeology--Calligraphy and painting: general (incl. technic. and esthetic aspects)

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Two Twelfth-Century Texts on Chinese Painting presents two texts in translation that provide dual insight into the Painting Academy of Emperor Hui-tsung and the literati school of painting.The Shan-shui ch'un-ch'uan chi is a treatise for beginning landscape painters dated to the Hsüan-ho era. The treatise was written by Han Cho, a reputed member of the Academy, but the text was not specifically directed at Academicians. The treatise collects and orders previous writings on landscape painting; one of Han Cho's main goals is to list all landscape definitions and their practical application in painting. Yet his view is more detached and analytical than a stereotypical Academy painter, revealing an approach reminiscent of Confucian scholarship and literati painting as well.The Hua-chi by Teng Ch'un is a history of painting that was written as a sequel to two earlier painting histories. In ten chapters, Teng Ch'un compiles facts and critical evaluations of painters from 1075 to 1167, as well as listings of selected masterpieces. Teng Ch'un provides more specific information about the Academy than Han Cho, discussing its organization and examination system, and noting that "form-likeness" and adherence to rules were leading standards for painting in the Academy. On the other hand, he thinks that painting should transmit "soul," not just "form." Thus, Teng Ch'un writes the history of both the establishment values of the Academy and the intellectual tendencies of the literati.

Painting, Chinese. --- Painting --- Peinture chinoise --- Chinese painting --- Paintings, Chinese --- Social Science / Cultural & Ethnic Studies / General --- Social Science --- Social sciences

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This bibliography includes publications issued between 1956 and August 1968 that reproduce Chinese paintings now in Chinese public or private collections. The great majority of these publications were produced in Mainland China, Taiwan, Hong Kong, or Japan. Each publication included in the bibliography has been provided with a detailed physical description of the publication itself: the amounts of text , the number of plates in color and in monochrome, and a general evaluation of the quality of the reproductions. The title by which each work is referred to in the index is included at the end of each entry.

Chinese imprints. --- Painting, Chinese --- Bibliography. --- Chinese painting --- Paintings, Chinese --- Social Science / Cultural & Ethnic Studies / General --- Reference --- Social Science --- Social sciences

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S17/0621 --- S17/0622 --- S17/0100 --- S05/0200 --- Painting, Chinese --- -Painting, Chinese --- -Chinese painting --- Paintings, Chinese --- China: Art and archaeology--Painting: ancient times until Tang --- China: Art and archaeology--Painting: Song - Yuan --- China: Art and archaeology--Bibliographies, dictionaries, yearbooks and collections --- China: Biographies and memoirs--General and collective --- Indexes --- Indexes. --- -China: Art and archaeology--Painting: ancient times until Tang --- Chinese painting