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Chapels royal --- Architecture, Gothic --- Christian art and symbolism --- Reliquaries, Gothic --- Chapelles palatines --- Architecture gothique --- Art et symbolisme chrétiens --- Reliquaires gothiques --- 726.52 --- Kapellen --- 726.52 Kapellen --- Art et symbolisme chrétiens --- Gothic reliquaries --- Relics and reliquaries, Gothic --- Chapels, Court --- Court chapels --- Chapels --- Chapels royal - France --- Architecture, Gothic - France --- Christian art and symbolism - France - Medieval, 500-1500 --- Reliquaries, Gothic - France

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History of civilization --- Music --- anno 1200-1799 --- Europe --- Chapels (Music) --- Chapelles (Musique) --- Musique --- History --- Congresses. --- History and criticism --- Histoire --- Congrès --- Histoire et critique --- Real Capilla de Madrid --- Congrès --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Chapels royal (Music) --- Music chapels --- Musical groups --- Real Capilla (Madrid, Spain) --- Capilla Real (Madrid, Spain) --- Chapels (Music) - Spain - Madrid - History - Congresses --- Music - Europe - History and criticism - Congresses --- Music - Spain - History and criticism - Congresses

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'Music at German Courts' serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these 'Kapellen' had in common. What emerges from the wealth of primary source material examined in this volume is an in-depth picture of music-making within the daily life of individual courts, featuring a cast of music directors, instrumentalists, and vocalists, together with numerous support staff drawn from across Europe. 'Music at German Courts' serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these 'Kapellen' had in common. What was musical life at German courts really like during the first six decades of the eighteenth century? Were musical ensembles as diverse as the Holy Roman Empire's kaleidoscopic political landscape? Through a series of individual case studies contributed by leading scholars from Germany, Poland, the United States, Canada, and Australia, this book investigates the realities of musical life at fifteen German courts of varied size (ranging from kingdoms to principalities), religious denomination, and geographical location. Significant shifts that occurred in the artistic priorities of each court are presented through a series of 'snapshots' - in effect 'core sample' years - which highlight both individual and shared patterns of development and decline. What emerges from the wealth of primary source material examined in this volume is an in-depth picture of music-making within the daily life of individual courts, featuring a cast of music directors, instrumentalists, and vocalists, together with numerous support staff drawn from across Europe. SAMANTHA OWENS is Senior Lecturer in Musicology at the University of Queensland, Brisbane, Australia. BARBARA M. REUL is Associate Professor of Musicology at Luther College, University of Regina, Canada. JANICE B. STOCKIGT is a Principal Fellow of the University of Melbourne, Australia.'

muziekgeschiedenis --- Music --- anno 1700-1799 --- Germany --- Musique --- History and criticism. --- Histoire et critique --- Allemagne --- Court and courtiers --- History --- Social life and customs --- Cour et courtisans --- Histoire --- Moeurs et coutumes --- 18th century --- History and criticism --- 78.25 --- Musicians --- Chapels (Music) --- Social conditions --- Economic conditions --- 530 --- Muziekwetenschappelijke essays --- Alemania --- Ashkenaz --- BRD --- Bu̇gd Naĭramdakh German Uls --- Bundesrepublik Deutschland --- Deutsches Reich --- Deutschland --- Doitsu --- Doitsu Renpō Kyōwakoku --- Federal Republic of Germany --- Federalʹna Respublika Nimechchyny --- FRN --- German Uls --- Germania --- Germanii︠a︡ --- Germanyah --- Gjermani --- Grossdeutsches Reich --- Jirmānīya --- KhBNGU --- Kholboony Bu̇gd Naĭramdakh German Uls --- Nimechchyna --- Repoblika Federalin'i Alemana --- República de Alemania --- República Federal de Alemania --- Republika Federal Alemmana --- Vācijā --- Veĭmarskai︠a︡ Respublika --- Weimar Republic --- Weimarer Republik --- ХБНГУ --- Германия --- جرمانيا --- ドイツ --- ドイツ連邦共和国 --- ドイツ レンポウ キョウワコク --- Germany (East) --- Germany (Territory under Allied occupation, 1945-1955) --- Germany (Territory under Allied occupation, 1945-1955 : British Zone) --- Germany (Territory under Allied occupation, 1945-1955 : French Zone) --- Germany (Territory under Allied occupation, 1945-1955 : Russian Zone) --- Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone) --- Germany (West) --- Holy Roman Empire --- Deguo --- 德国 --- Gėrman --- Герман Улс --- Music - Germany - 18th century - History and criticism --- Musicians - Germany - Social conditions - 18th century --- Musicians - Germany - Economic conditions - 18th century --- Chapels (Music) - Germany - 18th century --- Chapels royal (Music) --- Music chapels --- Musical groups --- Artists --- 522 --- Muziekgeschiedenis (Barok) --- 1715-1760. --- Artistic Priorities. --- Book Design Styles. --- Core Sample Years. --- Cultural Change. --- Eighteenth Century. --- European Courts. --- German Courts. --- Instrumentalists. --- Music Directors. --- Music History. --- Music Making. --- Music. --- Musical Ensembles. --- Vocalists.