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Max Bill was a Swiss polymath bridging the worlds of design, architecture, art, publishing, advertising, and politics. This first part of an comprehensive monograph retraces Bill's biography from his childhood to his Bauhaus training, his return to Zurich, and on until the late 1930s. The reader discovers a young Bill characterized by commitment, clarity in thinking, a highly critical mind, and a growing network of artists. Part biography, part eulogy, part memoir, this publication proposes insights into the pre-World War II cultural milieu of a European community of artists, designers, and architects.

Art --- art [fine art] --- architecture [object genre] --- designers --- Bill, Max --- anno 1900-1909 --- anno 1910-1919 --- anno 1920-1929 --- anno 1930-1939 --- Artists --- kunst --- architectuur --- grafische vormgeving --- grafisch design --- grafisch ontwerp --- Zwitserland --- twintigste eeuw --- 7.071 BILL --- Bill, Max, --- art [discipline]

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Recueil de textes traitant de l'architecture écrits par Max Bill (1904-1994), artiste, architecte, designer, ancien élève au Bahaus de Walter Gropius, Wassily Kandinsky et Paul Klee.

productontwikkeling --- Aesthetics of art --- esthetica --- industriële vormgeving --- industrial design --- Product strategy --- architectural theory --- architectuurtheorie --- aesthetics --- Artists --- Artistes --- Bill, Max, --- Criticism and interpretation. --- Théorie de l'architecture --- Ecrit d'architecte --- Bill, Max --- 72.01 --- 745 --- 749.07 --- 749.01 --- 7.01 --- Architectuurtheorie ; essays ; 20ste eeuw ; Max Bill --- Bauhaus ; Dessau --- Architectuuronderwijs ; AA School of Architecture ; Londen --- Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- Architectuur (theorie) --- Architectuurtheorie --- Design --- Meubelontwerpers ; designers ; interieurarchitecten --- Meubelkunst en design ; theorie, filosofie, esthetica --- Kunst ; theorie, filosofie, esthetica --- 72.01 Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- Design. --- 72.01 Theory and philosophy of architecture. Principles of design, proportion, optical effect --- Theory and philosophy of architecture. Principles of design, proportion, optical effect --- Architectuur ; theorie, filosofie, esthetica

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Les essais publiés au sein du premier numéro sur la discipline permettent d'esquisser une problématisation du rôle du langage au sein du travail de conception. Les contributions soulignent l'importance du travail de description, d'énonciation et de conceptualisation attaché à la définition même de l'idée de discipline. Elles accordent au travail des mots et à la construction discursive une place et une fonction déterminantes à la fois sur le plan de la conception (décrire, énoncer, argumenter...) et sur celui de l'élaboration d'une pensée (circonscrire, spécifier, articuler, problématiser...).

Architecture --- Architecture, Modern. --- Architecture moderne --- Philosophy. --- Philosophie --- Théorie de l'architecture --- Communication --- Esthétique --- Architecture gonflable --- Carte postale --- Histoire de l'architecture --- Perception de l'architecture --- Perception de l'art --- Reconstruction --- Rénovation urbaine --- Représentation architecturale --- Représentation de l'architecture --- Représentation de l'espace --- Représentation graphique en architecture --- Bill, Max --- Mallet-Stevens, Robert, --- Sulzer, Johann Georg --- Dunkerque --- Tokyo --- Philosophie. --- Structure gonflable --- Architecture, Modern --- Modern architecture --- Philosophy --- Mallet-Stevens, Robert, 1886-1945

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sculpting --- beeldhouwkunst --- museumbezoek --- Open-Air Museum of Sculpture Middelheim [Antwerp] --- Museology --- Iconography --- Sculpture --- outdoor sculpture --- museology --- literature [writings] --- Ajolfi, Elia --- Milles, Carl --- Fabro, Luciano --- Bill, Max --- Breedam, van, Camiel --- Visch, Henk --- Szukalski, Albert --- Marini, Marino --- Siikamäki, Arvo --- Andriessen, Mari --- Kirkeby, Per --- Muñoz, Juan --- Leplae, Charles --- Armitage, Kenneth --- Gargallo, Pablo --- Ulrichs, Timm --- Dodeigne, Eugène --- Calder, Alexander --- Panamarenko --- anno 1900-1999 --- anno 2000-2099 --- Breedam, Van, Camiel --- literature [documents] --- publiekswerking --- art appreciation --- audiences

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Painting --- Abstract painting. --- Mondriaan, Piet --- Umbrio Apollonio --- Burri Alberto --- Capogrossi Giuseppe --- Kupka Frantisek --- Moholy-nagy Laszlo --- Pevsner Antoine --- Rodchenko Alexander --- Tapies Antoni --- Tatlin Vladimir --- Vasarely Victor --- Vedova Emilio --- Schultze Alfred --- VAsarely Victor --- Abstract painting --- Mondriaan, Piet, --- Abstract [fine arts style] --- abstracte kunst --- kunst --- twintigste eeuw --- Mondriaan Piet --- De Stijl --- abstractie --- abstracte schilderkunst --- Albers Josef --- Bill Max --- Dubuffet Jean --- Fautrier Jean --- Fontana Lucio --- Lissitzky El --- Malevich Kazimir --- Pasmore Victor --- van Doesburg Theo --- Vantongerloo Georges --- Mondrian Piet --- 75.071 MONDRIAAN --- 75.036 --- Abstract [modern European style]