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Book
ISBN: 8024458810 8024458802 9788024458816 Year: 2021 Publisher: Olomouc : Palacky University Olomouc,
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The second of the DESIGN catalogue series with the subtitle Creative Olomouc, through which it intends to adequately promote the elite actors of the creative industries operating in the Olomouc Region. The catalogue offers texts in both Czech and English. It is an explicit support for talented artists, companies and entrepreneurs and an incentive towards the public to take into account high quality local production with high added value and to take notice of elite creatives operating in Olomouc and its surroundings who deserve more consistent recognition. The content of the edition draws on the online database of creative entities Kreativní Olomouc, which brings together hundreds of creatives, companies and institutions for the needs of the professional public, local government, as well as the general public demanding products and services from local producers.
Periodical
ISSN: 2665914X Year: 2018 Publisher: Heerlen, Netherlands : Open Universiteit,
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Book
Year: 2020 Publisher: Ann Arbor : University of Michigan Press,
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Music is a mobile art. When people move to faraway places, whether by choice or by force, they bring their music along. Music creates a meaningful point of contact for individuals and for groups; it can encourage curiosity and foster understanding; and it can preserve a sense of identity and comfort in an unfamiliar or hostile environment. As music crosses cultural, linguistic, and political boundaries, it continually changes. While human mobility and mediation have always shaped music-making, our current era of digital connectedness introduces new creative opportunities and inspiration even as it extends concerns about issues such as copyright infringement and cultural appropriation. With its innovative multimodal approach, Music on the Move invites readers to listen and engage with many different types of music as they read. The text introduces a variety of concepts related to music's travels—with or without its makers—including colonialism, migration, diaspora, mediation, propaganda, copyright, and hybridity. The case studies represent a variety of musical genres and styles, Western and non-Western, concert music, traditional music, and popular music. Highly accessible, jargon-free, and media-rich, Music on the Move is suitable for students as well as general-interest readers. Citable link: https://doi.org/10.3998/mpub.9853855
Book
Year: 2022 Publisher: São Paulo, Brazil : Editora Oficina Universitária,
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A arte, compreendida como produto do trabalho criativo de indivíduos histórica e socialmente desenvolvidos, constitui-se como uma das fontes de seu processo humanizador. Por um lado, quando a arte é produzida, não resulta apenas em objetos artísticos, mas, dialeticamente, produz seu criador como um ser humano que, diante do mundo, sente, conhece, reflete, percebe e toma posição. Por outro lado, o público fruidor da arte insere-se também em processo humanizador, ao desenvolver sua percepção, ampliar seus conhecimentos, compreender sua realidade e, com isso, desenvolver capacidades tais como imaginação, reflexão, abstração e conceituação. Historicamente, temos visto diferentes visões acerca da arte que acabam por influenciar a atividade de ensino nessa área, das quais destacamos a visão do trabalho artístico como cópia da realidade, como uma fotografia ou ilustração de algo real e a visão que considera a produção artística como fruto de um dom ou aptidão natural, recebido como uma dádiva divina. Essas visões estão presentes nas mais variadas formas de produção artística, dentre elas o desenho, foco do trabalho de pesquisa apresentado neste livro, que considera, em oposição a essas duas visões, o desenho como linguagem, uma forma artística de expressão e de representação da realidade, de caráter interpretativo e simbólico, que pode ser aprendido como objeto da atividade criativa da criança. No processo de aprendizagem do desenho assim concebido, a criança se apropria de um determinado conteúdo cultural e se objetiva em produções as mais diversas, registrando nesse objeto um pouco de suas ideias, conhecimentos e capacidades, desenvolvendo, com isso, sua poética pessoal.
Periodical
Publisher: Kariya-shi : Dō Daigaku
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Book
Year: 2018 Publisher: [Place of publication not identified] New Prairie Press
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Vocal Techniques, the course title used at many institutions, is essentially a voice class for instrumentalists, and is a required course for instrumental music education majors seeking all-level certification. Students take at least one Vocal Techniques course to learn proper singing technique along with basic pedagogy and can include teaching techniques as they apply to adolescent singers. The focus of the course is the development of the individual singing voice. This includes breathing, tone production, articulation, musicality and textual expression and understanding. Students also develop confidence in front of groups, improve their general vocal quality, and learn that a healthy voice serves them well in the general and performance classroom. The purpose of this text is to teach instrumental music education students about vocal production as it applies to solo singing. Beginning with a foundational understanding of breathing, singers will learn about the vocal instrument (anatomy), how to create clear, pleasant, tone (phonation and resonance), pronounce words clearly (articulation and diction) and how singing is similar, and different, from playing an external instrument. This is the first textbook to explore teaching voice as it directly pertains to playing an instrument.
Periodical
Year: 1994 Publisher: Auckland Park, South Africa : Published under the auspices of the South African Association of Arts,
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"A southern African magazine for the arts."
Periodical
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Book
Year: 2018 Publisher: [Place of publication not identified] : Wydawnictwo Uniwersytetu Gdańskiego,
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Book
ISBN: 9781138909939 Year: 2016 Publisher: New York, NY Routledge, Taylor & Francis Group
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"For artists, scholars, researchers, educators and students of arts theory interested in culture and the arts, a proper understanding of the questions surrounding 'interculturality' and the arts requires a full understanding of the creative, methodological and interconnected possibilities of theory, practice and research. The International Handbook of Intercultural Arts Research provides concise and comprehensive reviews and overviews of the convergences and divergences of intercultural arts practice and theory, offering a consolidation of the breadth of scholarship, practices and the contemporary research methodologies, methods and multi-disciplinary analyses that are emerging within this new field."--Jacket.
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