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Book
Ezumeezu : essays on Nigerian art & architecture : a festschrift in honour of Demas Nwoko.
Authors: --- ---
ISBN: 9781938598012 1938598016 Year: 2012 Publisher: Glassboro, NJ Goldline & Jacobs

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Book
Trésors de l'ancien Nigéria. L'art de l'ancien Nigéria dans les collections publiques françaises.
Authors: --- ---
ISBN: 2865450260 9782865450268 Year: 1984 Publisher: Paris Association française d'action artistique


Book
Modern history of visual art in Southern Nigeria
Authors: --- --- --- --- --- et al.
ISBN: 9791092312577 9788025064 Year: 2021 Publisher: Ibadan : IFRA-Nigeria,

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This books takes into consideration the changes that have occurred within the visual art landscape in Nigeria during the 20th century. This historical change is the result of new cultural exchanges between Africa, Europe and America, exchanges that developed different artistic practices and promoted new patrons. In this framework, cities have played a fundamental role in the development of modern art, especially because of the presence of a local or international art market. All the chapters of this book are related to specific Southern Nigerian cities: some are places of ancient royal art patronage (bronze casting in Benin City), some are city market where various popular expression of art could have developed (calendar in Onitsha), a few are strictly university based (Nsukka) but most of them have welcome elements of artistic lineages scattered all over Nigeria (the Fákéye family for instance).


Book
Postcolonial modernism: art and decolonization in twentieth-century Nigeria
Author:
ISBN: 9780822357322 0822357321 9780822357469 0822357461 082237630X Year: 2015 Publisher: Durham (N.C.) Duke University Press

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Written by one of the foremost scholars of African art and featuring 129 color images, Postcolonial Modernism chronicles the emergence of artistic modernism in Nigeria in the heady years surrounding political independence in 1960, before the outbreak of civil war in 1967. Chika Okeke-Agulu traces the artistic, intellectual, and critical networks in several Nigerian cities. Zaria is particularly important, because it was there, at the Nigerian College of Arts, Science and Technology, that a group of students formed the Art Society and inaugurated postcolonial modernism in Nigeria. As Okeke-Agulu explains, their works show both a deep connection with local artistic traditions and the stylistic sophistication that we have come to associate with twentieth-century modernist practices. He explores how these young Nigerian artists were inspired by the rhetoric and ideologies of decolonization and nationalism in the early- and mid-twentieth century and, later, by advocates of negritude and pan-Africanism. They translated the experiences of decolonization into a distinctive "postcolonial modernism" that has continued to inform the work of major Nigerian artists.

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