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What do you understand by the term 'home movie'? Do you imagine images of babies-on-the lawn, sandcastles on the beach, or travels with the family? Did you know that amateur filmmakers have also explored fictional genres as diverse and fascinating as their professional counterparts, that specific amateur film studios have risen and fallen, or that household-name directors owe their origins and inspirations to the amateur film movement? Across a range of settings from the Canadian north-west to the Russian far-east, this book offers an introduction to the amateur maker of film comedies, thrille
Amateur films. --- Motion pictures. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Amateur moving-pictures --- Home movies --- Personal films --- Motion pictures --- History and criticism
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Film --- Sociology of cultural policy --- anno 1900-1999 --- #SBIB:309H1313 --- #SBIB:AANKOOP --- #SBIB:309H1339 --- Geschiedenis en/of organisatie van het filmwezen: algemeen en per land (met inbegrip van de rol van het filmwezen in de ontwikkelingsproblematiek) --- Films met andere functies --- Amateur films --- Amateur moving-pictures --- Home movies --- Personal films --- Motion pictures --- History and criticism
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Amateur films --- Amateur films. --- Cinematography. --- History and criticism. --- Amateur motion pictures --- Cinéma d'amateurs --- Chronophotography --- Amateur moving-pictures --- Home movies --- Personal films --- Animated pictures --- Cinéma d'amateurs --- Film --- Cinematography --- 791.43 --- loisirs --- Photography --- Motion pictures --- History and criticism --- vrijetijdsbesteding --- Cinéma --- Cinématographie --- Cinematografie. --- Amateur films - History and criticism
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Cet ouvrage collectif est le fruit de rencontres organisées en novembre aux Facultés universitaires Saint Louis.Apres tout ce temps , il arrive dans un contexte différent de celui qui portait ces journées de discussion.Chaque participant a poursuivi son chemin , certains se rapprochant de la retraite de la vie professionnelle active.
Film --- Amateur films --- Motion pictures --- Video recording --- Cinéma d'amateurs --- Cinéma --- Vidéo --- Social aspects --- Semiotics --- Aspect social --- Sémiotique --- film --- homemovie --- familie --- Families in motion pictures --- Cinéma et société --- Films d'amateurs --- Famille --- Au cinéma --- Cinéma d'amateurs --- Cinéma --- Vidéo --- Sémiotique --- Aspect social. --- Au cinéma. --- Family in motion pictures --- Amateur moving-pictures --- Home movies --- Personal films --- Amateur films - Congresses --- Families in motion pictures - Congresses --- individu --- collectif --- mémoire --- famille
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Although overlooked by most narratives of American cinema history, films made for purposes outside of theatrical entertainment dominated twentieth-century motion picture production. This volume adds to the growing study of nontheatrical films by focusing on the way filmmakers developed and audiences encountered ideas about race, identity, politics, and community outside the borders of theatrical cinema. The contributors to Screening Race in American Nontheatrical Film examine the place and role of race in educational films, home movies, industry and government films, anthropological films, and church films, as well as other forms of nontheatrical filmmaking.
Race in motion pictures. --- Race awareness in motion pictures. --- African Americans in motion pictures. --- Minorities in motion pictures. --- Motion pictures in education --- Ethnographic films --- Amateur films --- Motion pictures --- Amateur moving-pictures --- Home movies --- Personal films --- Anthropological films --- Ethnographic videos --- Ethnological films --- Documentary films --- Moving-pictures in education --- Audio-visual education --- Minorities in films --- Afro-Americans in motion pictures --- Negroes in moving-pictures --- Race films --- Performing Arts --- Film --- History & Criticism
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The first book to address the topic of British women amateur filmmakers The study of amateur filmmaking and media history is a rapidly-growing specialist field, and this ground-breaking book is the first to address the subject in the context of British women's amateur practice. Using an interdisciplinary framework that draws upon social and visual anthropology, imperial and postcolonial studies, and British and Commonwealth history, the book explores how women used the evolving technologies of the moving image to write visual narratives about their lives and times. Locating women's recreational visual practice within a century of profound societal, technological and ideological change, British Women Amateur Filmmakers discloses how women negotiated aspects of their changing lifestyles, attitudes and opportunities through first-person visual narratives about themselves and the world around them.
Sociology of the family. Sociology of sexuality --- Film --- Great Britain --- Amateur films --- Women motion picture producers and directors --- Feminism and motion pictures --- Women in the motion picture industry --- Motion pictures and feminism --- Motion pictures --- Motion picture industry --- Amateur moving-pictures --- Home movies --- Personal films --- Women moving-picture producers and directors --- Motion picture producers and directors --- Production and direction --- History and criticism. --- Great Britain. --- Anglia --- Angliyah --- Briṭanyah --- England and Wales --- Förenade kungariket --- Grã-Bretanha --- Grande-Bretagne --- Grossbritannien --- Igirisu --- Iso-Britannia --- Marea Britanie --- Nagy-Britannia --- Prydain Fawr --- Royaume-Uni --- Saharātchaʻānāčhak --- Storbritannien --- United Kingdom --- United Kingdom of Great Britain and Ireland --- United Kingdom of Great Britain and Northern Ireland --- Velikobritanii͡ --- Wielka Brytania --- Yhdistynyt kuningaskunta --- Northern Ireland --- Scotland --- Wales
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