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Advertising. --- Consumer goods. --- Advertising History. --- Art History. --- Art. --- Cultural History. --- Marketing History. --- Marketing. --- Moral Philosophy. --- Philosophy. --- E-books
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How corporations used mass media to teach Americans that capitalism was natural and patriotic, exposing the porous line between propaganda and public service. Business as Usual reveals how American capitalism has been promoted in the most ephemeral of materials: public service announcements, pamphlets, educational films, and games—what Caroline Jack calls “sponsored economic education media.” These items, which were funded by corporations and trade groups who aimed to “sell America to Americans,” found their way into communities, classrooms, and workplaces, and onto the airwaves, where they promoted ideals of “free enterprise” under the cloaks of public service and civic education. They offered an idealized vision of US industrial development as a source of patriotic optimism, framed business management imperatives as economic principles, and conflated the privileges granted to corporations by the law with foundational political rights held by individuals. This rhetoric remains dominant—a harbinger of the power of disinformation that so besets us today. Jack reveals the funding, production, and distribution that together entrenched a particular vision of corporate responsibility—and, in the process, shut out other hierarchies of value and common care.
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In the early nineteenth century, the American commercial marketplace was a chaotic, unregulated environment in which knock-offs and outright frauds thrived. Appearances could be deceiving, and entrepreneurs often relied on their personal reputations to close deals and make sales. Rapid industrialization and expanding trade routes opened new markets with enormous potential, but how could distant merchants convince potential customers, whom they had never met, that they could be trusted? Through wide-ranging visual and textual evidence, including a robust selection of early advertisements, Branding Trust tells the story of how advertising evolved to meet these challenges, tracing the themes of character and class as they intertwined with and influenced graphic design, trademark law, and ideas about ethical business practice in the United States.As early as the 1830s, printers, advertising agents, and manufacturers collaborated to devise new ways to advertise goods. They used eye-catching designs and fonts to grab viewers' attention and wove together meaningful images and prose to gain the public's trust. At the same time, manufacturers took legal steps to safeguard their intellectual property, formulating new ways to protect their brands by taking legal action against counterfeits and frauds. By the end of the nineteenth century, these advertising and legal strategies came together to form the primary components of modern branding: demonstrating character, protecting goodwill, entertaining viewers to build rapport, and deploying the latest graphic innovations in print. Trademarks became the symbols that embodied these ideas-in print, in the law, and to the public.Branding Trust thus identifies and explains the visual rhetoric of trust and legitimacy that has come to reign over American capitalism. Though the 1920s has often been held up as the birth of modern advertising, Jennifer M. Black argues that advertising professionals had in fact learned how to navigate public relations over the previous century by adapting the language, imagery, and ideas of the American middle class.
Brand name products --- Marketing --- Trademarks --- Law and legislation --- Advertising history. --- American middle-class. --- Franco-American chef. --- Lydia Pinkham. --- National Biscuit. --- Quaker Oats man. --- Trademark law. --- billboards. --- brand. --- branding. --- character. --- consumers. --- corporate capitalism. --- counterfeits. --- display. --- fakes. --- font. --- fraud. --- goodwill. --- graphic design history. --- illustrations. --- infringement. --- knock off. --- labels. --- logos. --- media. --- newspaper. --- packaging. --- pictorial. --- print culture. --- product name. --- trade cards. --- visual culture. --- white space.
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Commercial art --- Advertising --- Posters --- History --- 766:659.12 --- 76 <41> "18/19" --- 76 <41> "18/19" Grafische kunsten. Grafiek. Prentkunst--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--Hedendaagse Tijd --- Grafische kunsten. Grafiek. Prentkunst--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--Hedendaagse Tijd --- 766:659.12 Toegepaste grafische kunsten. Gebruiksgrafiek: Commerciële grafiek-:-Concept and design in advertising --- Toegepaste grafische kunsten. Gebruiksgrafiek: Commerciële grafiek-:-Concept and design in advertising --- Commercial art - History --- Advertising - History --- Posters - History
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