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912 <45> --- 912 "15" --- Cartografie. Kaarten. Plattegronden. Atlassen--Italië --- Cartography. Maps. Atlasses--16e eeuw. Periode 1500-1599 --- Cartography --- Italy --- History --- 1400-1599 (Renaissance) --- Pictorial works --- Exhibitions
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Cartography --- Early maps --- World maps --- Maps --- Globes --- Maps, Early --- Geography --- Cartography, Primitive --- Chartography --- Map-making --- Mapmaking --- Mapping (Cartography) --- Mathematical geography --- Surveying --- Map projection --- History --- 912 <45> --- 912 "15" --- 912 "15" Cartografie. Kaarten. Plattegronden. Atlassen--16e eeuw. Periode 1500-1599 --- 912 "15" Cartography. Maps. Atlasses--16e eeuw. Periode 1500-1599 --- Cartografie. Kaarten. Plattegronden. Atlassen--16e eeuw. Periode 1500-1599 --- Cartography. Maps. Atlasses--16e eeuw. Periode 1500-1599 --- 912 <45> Cartografie. Kaarten. Plattegronden. Atlassen--Italië --- 912 <45> Cartography. Maps. Atlasses--Italië --- Cartografie. Kaarten. Plattegronden. Atlassen--Italië --- Cartography. Maps. Atlasses--Italië
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Se è vero che la Forma Vrbis Marmorea di età severiana (inizio III sec.) continua ad essere la « forma » per eccellenza, ciò è dovuto, soprattutto, alla sua consistenza fisica (centinaia di frammenti che definiscono buona parte della topografia urbana) ; ma non è meno vero che frammenti minori di altre mappe, dall’origine e scopi diversi (sostanzialmente amministrativi), siano arrivati fino a noi, apportando nuovi dati tecnici ed interrogativi non sempre facilmente risolvibili. Negli ultimi vent’anni, alcuni di essi sono venuti alla luce nei più svariati contesti archeologici urbani, evidenziando quanto questa prassi cartografica fosse diffusa per ragioni soprattutto catastali e amministrative. Una osservazione fondamentale che scaturisce da questi documenti « minori » consiste nel fatto che attraverso di essi si intuisce un sistema cartografico riconducibile ad Augusto e alla sua opera di rinnovamento amministrativo della città. Una analisi comparativa di una certa ampiezza di tutti questi documenti viene ora tentata in modo esplorativo, ivi compresi i documenti grafici relativi a certi servizi come gli acquedotti extraurbani nella loro funzione di irrigazione dei fondi rustici. Come e fino a che punto questi documenti cartografici di grande impegno e, a volte, raffinatezza, dipendano da uno studio su base trigonometrica e, forse, astronomico-proiettiva, è uno degli aspetti più affascinanti e meno esplorati che attendono dagli studiosi nuove osservazioni ed approfondimenti.
Cartography --- Rome (Italy) --- Antiquities --- -912.45 --- 937.6 --- Cartography, Primitive --- Chartography --- Map-making --- Mapmaking --- Mapping (Cartography) --- Mathematical geography --- Surveying --- Map projection --- Maps --- History General geography Atlases Maps Charts Plans Italy --- History Ancient world Italy Rome --- -Rome (Italy) --- -Antiquities --- 912.45 --- Rome (Italy : Commune) --- Rome (Italy : Governatorato) --- Rūmah (Italy) --- Roma (Italy) --- Rom (Italy) --- Rím (Italy) --- Rzym (Italy) --- Comune di Roma (Italy) --- Rome --- Antiquities. --- Geography --- Earth & Environmental Sciences --- Cartographie --- Rome (Italie) --- Cartes --- Antiquités --- To 1800 --- Rome (Italy : Comune) --- Cartography - Rome. --- Rome (Italy) - Maps - To 1800 --- Rome (Italy) - Antiquities --- repubblica --- forma urbis
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In 1482, the Florentine humanist and statesman Francesco Berlinghieri produced the Geographia, a book of over one hundred folio leaves describing the world in Italian verse, inspired by the ancient Greek geography of Ptolemy. The poem, divided into seven books (one for each day of the week the author "travels" the known world), is interleaved with lavishly engraved maps to accompany readers on this journey. Sean Roberts demonstrates that the Geographia represents the moment of transition between printing and manuscript culture, while forming a critical base for the rise of modern cartography. Simultaneously, the use of the Geographia as a diplomatic gift from Florence to the Ottoman Empire tells another story. This exchange expands our understanding of Mediterranean politics, European perceptions of the Ottomans, and Ottoman interest in mapping and print. The envoy to the Sultan represented the aspirations of the Florentine state, which chose not to bestow some other highly valued good, such as the city's renowned textiles, but instead the best example of what Florentine visual, material, and intellectual culture had to offer.
Cartography --- Cartography, Primitive --- Chartography --- Map-making --- Mapmaking --- Mapping (Cartography) --- Mathematical geography --- Surveying --- Map projection --- Maps --- History --- Berlinghieri, Francesco, --- Ptolemy, --- Europe --- Turkey --- Ottoman Empire --- Council of Europe countries --- Eastern Hemisphere --- Eurasia --- 912 "14" --- 912 <45> --- Cartografie. Kaarten. Plattegronden. Atlassen--15e eeuw. Periode 1400-1499 --- Cartografie. Kaarten. Plattegronden. Atlassen--Italië --- Geodesy. Cartography --- Graphic arts --- Berlinghieri, Francesco --- Florence --- Istanbul [city] --- Ottoman Empire, 1288-1918
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Geodesy. Cartography
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Environmental planning
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anno 1500-1799
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anno 1800-1899
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Genoa
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Marseilles
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Barcelona
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Cartography
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Cartographie
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History
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History.
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Histoire
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Barcelona (Spain)
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Genoa (Italy)
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Marseille (France)
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Barcelone (Espagne)
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Gênes (Italie)
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Maps
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Catalogs
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Cartes
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Catalogues
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Pictorial maps
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911.375 <09> <45>
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912 <45>
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094.2 <45 BARCELLONA>
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094.2 <45 GÊNES>
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094.2 <44 MARSEILLE>
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Steden. Studie van stedelijke vestiging. Geografie van steden. Stadsgeografie--Geschiedenis van ...--Italië
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Cartografie. Kaarten. Plattegronden. Atlassen--Italië
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Oude drukken: bibliotheekcatalogi--
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Though the practical value of maps during the sixteenth century is well documented, their personal and cultural importance has been relatively underexamined. In Worldly Consumers, Genevieve Carlton explores the growing availability of maps to private consumers during the Italian Renaissance and shows how map acquisition and display became central tools for constructing personal identity and impressing one's peers. Drawing on a variety of sixteenth-century sources, including household inventories, epigrams, dedications, catalogs, travel books, and advice manuals, Worldly Consumers studies how individuals displayed different maps in their homes as deliberate acts of self-fashioning. One citizen decorated with maps of Bruges, Holland, Flanders, and Amsterdam to remind visitors of his military prowess, for example, while another hung maps of cities where his ancestors fought or governed, in homage to his auspicious family history. Renaissance Italians turned domestic spaces into a microcosm of larger geographical places to craft cosmopolitan, erudite identities for themselves, creating a new class of consumers who drew cultural capital from maps of the time.
Book history --- History of civilization --- History of Italy --- Geodesy. Cartography --- anno 1500-1599 --- 912 <45> --- 912 "15" --- 094 "15" --- Cartografie. Kaarten. Plattegronden. Atlassen--Italië --- Cartografie. Kaarten. Plattegronden. Atlassen--16e eeuw. Periode 1500-1599 --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--16e eeuw. Periode 1500-1599 --- Map industry and trade --- Maps --- Maps in art. --- Map industry and trade. --- Kartografie. --- History --- Marketing --- Marketing. --- 1500-1599. --- Italy. --- Italien. --- 094 "15" Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--16e eeuw. Periode 1500-1599 --- Plans --- Cartographic materials --- Geography --- Cartography --- Map trade --- Manufacturing industries --- italian history, venice, rome, italy, cartography, geography, mapmaking, cartographers, cultural importance, private consumers, renaissance, map display, personal identity, status symbols, 16th century world, household inventories, epigrams, dedications, catalogs, travel books, advice manuals, acts of self-fashioning, military prowess, city maps, auspicious family background, domestic spaces, geographical places, erudite identities, high society, wealthy patrons, culture change. --- Maps in art
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