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Quelle est la place des femmes dans l'industrie du spectacle du XIXe siècle au-delà des métiers de performance très exposés qu'exercent les actrices, chanteuses, et danseuses ? Comment les femmes qui dirigent une salle ou une troupe peuvent-elles se frayer un chemin dans un milieu socio-économique considéré principalement comme une affaire d'hommes ? Comment être autrice, organisatrice de tournées et de programmations, critique littéraire, écuyère ou maîtresse de ballet ? Dans une perspective pluridisciplinaire et internationale, ce volume propose des interprétations et des réponses à ces enjeux qui embrassent le monde du spectacle dans sa diversité et sa complexité. Les contributrices proposent de jouer au féminin l'adaptation à un milieu socio-professionnel masculin, entre défi des préjugés et mimétisme, censure, voire autocensure, et affirmation de soi, utilisation avisée des aléas de la vie familiale et professionnelle et création de nouveaux réseaux.
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Excess (Philosophy) --- Spectacular, The. --- Performing arts.
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Theater --- Theater and society --- American drama --- Spectacular, The, in literature. --- Spectacular, The --- History --- History and criticism.
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Spectacular, The --- Fame --- Intellectual life --- History --- Cultural life --- Culture --- Celebrity --- Renown --- Glory --- Spectacle --- Aesthetics
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Lauren Robertson's original study shows that the theater of Shakespeare and his contemporaries responded to the crises of knowledge that roiled through early modern England by rendering them spectacular. Revealing the radical, exciting instability of the early modern theater's representational practices, Robertson uncovers the uncertainty that went to the heart of playgoing experience in this period. Doubt was not merely the purview of Hamlet and other onstage characters, but was in fact constitutive of spectators' imaginative participation in performance. Within a culture in the midst of extreme epistemological upheaval, the commercial theater licensed spectators' suspension among opposed possibilities, transforming dubiety itself into exuberantly enjoyable, spectacular show. Robertson shows that the playhouse was a site for the entertainment of uncertainty in a double sense: its pleasures made the very trial of unknowing possible.
English drama --- Theater audiences --- Spectacular, The, in literature. --- Theater --- History and criticism. --- History --- History.
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The topic of "grandeur" is found throughout Nietzsche's corpus. Nietzsche problematizes the term with adjectives like "grand reason," "grand health," "grand politics," or "grand afternoon." Moreover, the idea is also contained in metaphors like "the eternal return of the same," the "overman," the "will to power," the "arrow of longing," or "lightening striking." For Nietzsche, there is no grandeur without a sense of the small, and criticism of the most subtle details indicates a comming grandeur. The contributions to this collection are dedicated to the themes of Nietzsche/Power/Grandeur from
Power (Philosophy) --- Spectacular, The --- Nietzsche, Friedrich Wilhelm, --- Art. --- Cultural Criticism. --- Cultural Studies. --- Nietzsche, Friedrich. --- Philosophy.
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Theatrical science --- anno 1800-1899 --- Great Britain --- 792.036(410) --- 820-2 "18" --- Spectacular, The --- Theater --- -Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Spectacle --- Aesthetics --- Modern theater--?<410> --- Engelse literatuur: toneel; drama--19e eeuw. Periode 1800-1899 --- History --- -Spectacular, The. --- -Modern theater--?<410> --- 820-2 "18" Engelse literatuur: toneel; drama--19e eeuw. Periode 1800-1899 --- 792.036(410) Modern theater--?<410> --- Spectacular, The. --- -792.036(410) --- -Spectacle --- Dramatics --- -Spectacular, The
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Bezeichnet man im deutschsprachigen Raum eine kulturelle Veranstaltung als »Spektakel«, geht damit oft eine negative Wertung einher. Im Gegensatz dazu zeigt der Band die vielfältigen Begriffsdimensionen, medialen Charakteristika und Funktionen dieser zentralen ästhetischen Kategorie in künstlerischen, epistemischen und politischen Kontexten auf. Beiträge aus Kunstgeschichte, Philosophie, Film-, Literatur-, Medien-, Tanz- und Theaterwissenschaft setzen sich mit ästhetischen Theorien und Praktiken des Spektakels von der Antike bis zur Gegenwart auseinander. Die behandelten Beispiele reichen von der christlichen Liturgie bis zur Barockoper, von Paulinus von Nola bis Christoph Schlingensief, vom populären Wissenschaftstheater des 19. Jahrhunderts bis zu politischen Funktionen des Spektakulären im südkoreanischen Kino oder dem italienischen Roman, in Alltag und Kunst des Sozialismus sowie der globalen Medienkultur.
Aesthetics --- Spectacular, The --- Arts --- Spectacle --- Philosophy --- Illusion --- Guy Debord --- Emotion --- Bildtheorie --- Begriffsgeschichte --- Jacques Rancière --- Schaulust --- Popularisierung von Wissen --- Louis Aragon --- Kulturgeschichte --- Theatralität
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Toward the end of the fifteenth century, Spanish Christians near the border of Castile and Muslim-ruled Granada held complex views about religious tolerance. People living in frontier cities bore much of the cost of war against Granada and faced the greatest risk of retaliation, but had to reconcile an ideology of holy war with the genuine admiration many felt for individual members of other religious groups. After a century of near-continuous truces, a series of political transformations in Castile—including those brought about by the civil wars of Enrique IV's reign, the final war with Granada, and Fernando and Isabel's efforts to reestablish royal authority—incited a broad reaction against religious minorities. As Thomas Devaney shows, this active hostility was triggered by public spectacles that emphasized the foreignness of Muslims, Jews, and recent converts to Christianity.Enemies in the Plaza traces the changing attitudes toward religious minorities as manifested in public spectacles ranging from knightly tournaments, to religious processions, to popular festivals. Drawing on contemporary chronicles and municipal records as well as literary and architectural evidence, Devaney explores how public pageantry originally served to dissipate the anxieties fostered by the give-and-take of frontier culture and how this tradition of pageantry ultimately contributed to the rejection of these compromises. Through vivid depictions of frontier personalities, cities, and performances, Enemies in the Plaza provides an account of how public spectacle served to negotiate and articulate the boundaries between communities as well as to help Castilian nobles transform the frontier's religious ambivalence into holy war.
Processions --- Pageants --- Entertainment events --- Spectacular, The. --- Christianity and other religions --- Political aspects --- History. --- Castile (Spain) --- Granada (Spain : Reino) --- History --- Ethnic relations. --- Relations --- Medieval and Renaissance Studies.
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"In The Media Swirl, longtime music video scholar Carol Vernallis focuses on brief audiovisual media-heightened film segments, music videos, trailers, commercials, TikTok, Instagram, and political advertising and newscasts-to provide a toolkit for citizens wanting to participate in our moment. The book offers techniques for reading digital media and audiovisual relations, with close readings of movies like The Great Gatsby (2013) and Transformers 4 (2014), music videos by Beyonce, Lady Gaga, and Janelle Monáe, and TikTok and YouTube videos. Throughout the book Vernallis argues for the importance of spectacle and its utopic possibilities, refusing to allow spectacle to be claimed by negative attachments. The Media Swirl also seeks to pause and reconsider ethical commitments, especially in light of changing technological regimes, social formations, and understandings of what it means to be human. The book then pivots to new techniques and areas for reading digital media and audiovisual relations, including politics and science. Acknowledging our media landscape's too-muchness, this book claims that through multiple approaches, we can engage with the commons"--
Mass media and culture. --- Mass media --- Spectacular, The, in motion pictures. --- Music videos --- Digital media --- Social media and society. --- Social aspects. --- Political aspects.
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