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Architecture --- Turkey --- Greece --- Architecture, Ottoman --- Architecture - Turkey --- Architecture, Ottoman - Turkey
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Architecture, Turkish. --- Architecture, Ottoman. --- Architecture turque --- Architecture ottomane --- Architecture, Turkish --- Architecture, Ottoman --- Ottoman architecture --- Turkish architecture
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Architecture, Ottoman --- Arts, Turkish --- Dervishes --- Islamic arts --- Sufism --- Civilization
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In this book, Patricia Blessing explores the emergence of Ottoman architecture in the fifteenth century and its connection with broader geographical contexts. Analyzing how transregional exchange shaped building practices, she examines how workers from Anatolia, the Mediterranean, the Balkans, and Iran and Central Asia participated in key construction projects. She also demonstrates how drawn, scalable models on paper served as templates for architectural decorations and supplemented collaborations that involved the mobility of workers. Blessing reveals how the creation of centralized workshops led to the emergence of a clearly defined imperial Ottoman style by 1500, when the flexibility and experimentation of the preceding century was levelled. Her book radically transforms our understanding of Ottoman architecture by exposing the diverse and fluid nature of its formative period. It also provides the reader with an understanding of design, planning, and construction processes of a major empire of the Islamic world.
Architecture, Ottoman --- Architecture and society --- History --- Architecture --- Architecture and sociology --- Society and architecture --- Sociology and architecture --- Ottoman architecture --- Social aspects --- Human factors --- Architecture, Ottoman. --- Architecture and society.
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A new approach to late Ottoman visual culture and its place in the worldWith its idiosyncratic yet unmistakable adaptation of European Baroque models, the eighteenth-century architecture of Istanbul has frequently been dismissed by modern observers as inauthentic and derivative, a view reflecting broader unease with notions of Western influence on Islamic cultures. In Ottoman Baroque-the first English-language book on the topic-Ünver Rüstem provides a compelling reassessment of this building style and shows how between 1740 and 1800 the Ottomans consciously co-opted European forms to craft a new, politically charged, and globally resonant image for their empire's capital.Rüstem reclaims the label "Ottoman Baroque" as a productive framework for exploring the connectedness of Istanbul's eighteenth-century buildings to other traditions of the period. Using a wealth of primary sources, he demonstrates that this architecture was in its own day lauded by Ottomans and foreigners alike for its fresh, cosmopolitan effect. Purposefully and creatively assimilated, the style's cross-cultural borrowings were combined with Byzantine references that asserted the Ottomans' entitlement to the Classical artistic heritage of Europe. Such aesthetic rebranding was part of a larger endeavor to reaffirm the empire's power at a time of intensified East-West contact, taking its boldest shape in a series of imperial mosques built across the city as landmarks of a state-sponsored idiom.Copiously illustrated and drawing on previously unpublished documents, Ottoman Baroque breaks new ground in our understanding of Islamic visual culture in the modern era and offers a persuasive counterpoint to Eurocentric accounts of global art history.
Architecture, Baroque --- Architecture, Ottoman --- Influence. --- History --- Istanbul (Turkey) --- Buildings, structures, etc.
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Architecture, Medieval. --- Historic buildings. --- Architecture, Ottoman. --- Ottoman architecture --- Historic houses, etc. --- Historical buildings --- Architecture --- Buildings --- Monuments --- Historic sites --- Middle Ages
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Architecture, Ottoman --- Islamic architecture --- Sources --- Sources --- Nuruosmaniye Camii (Istanbul, Turkey) --- Sources. --- Istanbul (Turkey) --- Buildings, structures, etc. --- Sources.
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