Listing 1 - 6 of 6 |
Sort by
|
Choose an application
Choose an application
In the early 1970s, Lew Thomas set out to disrupt photography in San Francisco. Tired of the mystical thinking and emotionalism that had underscored Bay Area photography since the 1940s, Thomas pursued a photographic practice grounded in ideas gleaned from conceptual art and Structuralist philosophy. A cohort of other photographers, including Donna-Lee Phillips and Hal Fischer, embraced Thomas' mission, joining him in what became known as the ?Photography and Language? movement, named after a book and group exhibition of the same title produced by Thomas in 1976.0Thomas, Phillips and Fischer were all extremely active in the mid to late 1970s. In addition to making their own artwork, they published essays, reviewed shows and organized exhibitions. Under the name NFS Press, Thomas published a number of books designed by Phillips, including 'Structural(ism) and Photography' (1978), which featured Thomas? work; 'Eros and Photography' (1977), which was edited by Phillips, and two books of Fischer?s work: 'Gay Semiotics' (1978) and '18th Near Castro Street x 24' (1979).0Published in conjunction with an exhibition featuring photographs by these three artists that will be on view at the San Francisco Museum of Modern Art January 4 ? August 9, 2020, this volume assesses their work, their relationship to one another and their place in the history of photography in the 1970s.00Exhibition: SFMoMA, San Francisco, USA (04.01.-09.08.2020).
Photography, Artistic --- Literature and photography --- Photography --- Photography and literature --- Artistic photography --- Photography, Pictorial --- Pictorial photography --- Art --- History --- Exhibitions --- Aesthetics --- fotografie --- Verenigde Staten --- conceptuele fotografie --- conceptuele kunst --- twintigste eeuw --- gender studies --- homoseksualiteit --- Lew Thomas --- Phillips Donna-Lee --- Fischer Hal --- portretfotografie --- zelfportret --- woord en beeld --- fotografiegeschiedenis --- 77.038 --- Photograph collections --- Années 1970 --- Photographie --- Interview --- Thomas, Lew --- Phillips, Donna-Lee, --- Fischer, Hal, --- Phillips, Donna-Lee --- Photography, Artistic - 20th century - Exhibitions --- Literature and photography - Exhibitions --- Photography - California - San Francisco - Exhibitions --- Photograph collections - California - San Francisco - Exhibitions --- Phillips, Donna-Lee, 1941 --- -Fischer, Hal, 1950 --- -Thomas, Lew - Exhibitions --- Thomas, Lew - Interviews --- Phillips, Donna-Lee - Exhibitions --- Fischer, Hal, - 1950- - Exhibitions --- Fischer, Hal, - 1950- - Interviews --- -Thomas, Lew --- Fischer, Hal, - 1950 --- -Fischer, Hal, - 1950 --- -Photography --- kunstgeschiedenis --- anno 1970-1979 --- San Francisco [California]
Choose an application
Artschwager, Richard --- Artschwager, Richard, --- Exhibitions. --- Exhibitions
Choose an application
Choose an application
"Luc Tuymans is one of today's most widely admired painters, a continuation of the great tradition of Northern European painting and an enduring influence on younger and emerging artists. As a European child of the 1950s, his relationship to painting is inevitably structured by television, cinema and by the lingering effects of World War II; more recent historical preoccupations have included the dramatic turn of world events post-9/11. Tuymans combines a muted palette with deteriorated surface effect and a singular use of cropping, close-up and sequencing--perfect devices with which to undertake his investigation of the pathological, the banal and the conspiratorial. Published in conjunction with the artist's first full-scale American survey, this is without question the authoritative publication on Tuymans. It features approximately 75 key works from 1978 to the present, and is accompanied by essays analyzing the painter's main concerns, with particular attention paid to his working process and his adaptation of source materials. Helen Molesworth examines themes of sinister banality, Joseph Leo Koerner writes on iconophobia and iconophilia, Ralph Rugoff considers the nature of visual experience in light of Tuymans' recent work, and Bill Horrigan examines cinematic sources. This book is not only the most comprehensive survey of Tuymans' career to date, but also the most thorough chronology of his artistic development." --
Tuymans, Luc --- Tuymans, Luc, --- 75.071 TUYMANS --- België --- Tuymans Luc --- eenentwintigste eeuw --- kunst --- schilderkunst --- twintigste eeuw --- 75.071(493) --- Belgische schilders --- Luc Tuymans --- 736.8 --- schilder- en tekenkunst, 20e eeuw, België, kunstenaars afzonderlijk --- Exhibitions --- Boekgeschiedenis (kennisdomein) --- Socioculturele geschiedenis na 1830 (kennisdomein) --- Painting, Belgian --- Figurative art.
Choose an application
Joan Mitchell (1925-1992) n'a jamais craint d'expérimenter, créant de ce fait des œuvres d'une beauté, d'une force et d'une intensité émotionnelle inégalées. Retraçant le parcours d'une artiste majeure, cet ouvrage témoigne de la façon dont Mitchell a su élargir le champ de la peinture abstraite et éclaire les contextes qui, de part et d'autre de l'Atlantique, l'ont façonnée et ont sous-tendu son parcours. Les somptueuses illustrations qui accompagnent ce livre couvrent l'ensemble de sa carrière - des exceptionnelles peintures new-yorkaises du début des années 1950 aux majestueux polyptyques qu'elle exécutera plus tard en France. Sont reproduits ici des œuvres iconiques de Mitchell, mais aussi des tableaux rarement vus, des œuvres sur papier, des carnets de dessins et des photographies documentant sa vie, ses cercles d'amis et de relations, son environnement quotidien. Réunissant des textes inédits d'historiens de l'art et de spécialistes, des analyses d'œuvres, des témoignages d'artistes et d'écrivains sur l'itinéraire de l'artiste, ce livre s'organise chronologiquement en dix chapitres, chacun centré sur une suite d'œuvres étroitement reliées et révélatrices d'un paysage intérieur en constante évolution, coloré par l'expérience, les sensations, les souvenirs et un sens profond des lieux. Par les multiples perspectives qu'il ouvre sur l'art de Mitchell, sa biographie, son rapport à la poésie et à la musique, cet ouvrage sans précédent est appelé à devenir la référence incontournable pour ceux qui admirent déjà Joan Mitchell ainsi que pour ceux qui la découvriront. Cet ouvrage est publié en français à l'occasion de la rétrospective « Joan Mitchell » présentée à la Fondation Louis Vuitton.
Expressionnisme abstrait --- Peinture --- Mitchell, Joan --- Critique et interprétation. --- Painting, Modern --- Abstract expressionism --- Painting, American --- Abstract expressionism. --- Painting, American. --- Painting, Modern. --- Mitchell, Joan, --- Exhibitions. --- Criticism and interpretation. --- Critique et interprétation. --- 1900-1999 --- United States. --- Catalogues d'exposition --- Art abstrait
Listing 1 - 6 of 6 |
Sort by
|