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Since Antiquity, the relationship between philosophy and literature has been highly ambivalent. Thus, in Plato’s Republic the poet is opposed to the philosopher, representing emotion and not reason, inspiration and not knowledge. This traditional opposition between the conceptual philosopher and the inspirational poet appears in a new light with the epistemological revalorization of literature observable in particular since the late 18 th century. The crisis of rational philosophy in the wake of the subjectivist Kantian turn and the insight into the contingency of human knowledge lead to the emergence of a new literary philosophical thought which, through its ambiguity, mirrors the epistemological uncertainty of Modernity and the irreductibility of existence to any kind of episteme . The predominance of philosophy is progressively called into question, the boundaries between philosophy and literature fade away or give way to innovative forms of multi-faceted writing, causing the need for a redefinition of both disciplines, namely with regard to the question of whether philosophy or literature is best able to address epistemological, metaphysical, aesthetic, and ethical questions. The present volume tries to give an account of the implications associated with the necessary redefinition of the relationship between philosophy and literature in an interdisciplinary and transversal perspective, revolving around two axes of reflection: The first part deals with the particular epistemological potentialities specific to philosophy and to literature, whereas the second part focuses on the dialogue between philosophy and literature, primarily through the introduction of philosophical reflection into works of literature.

Literature --- Philosophy --- Metaphysics --- History --- Literature - Philosophy - Congresses --- Philosophy - History - Congresses --- Metaphysics - Congresses

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Die Architekturdebatte in der frühen DDR

Architecture --- Socialist realism and architecture --- Architecture and socialist realism --- Germany (East) --- 1949 --- -Cộng hòa dân chủ Đức --- D.D.R. --- DDR --- Democratic German Republic --- Deutsche Demokratische Republik --- East German Democratic Republic --- East Germany --- Eastern Germany --- G.D.R. --- GDR --- German Democratic Republic --- Germanskai︠a︡ Demokraticheskai︠a︡ Respublika --- Germany --- N.D.K. --- N.D.R. --- N.R.D. --- NDK --- NDR --- Nĕmecká demokratická republika --- Német Demokratikus Köztársaság --- Niemiecka Republika Demokratyczna --- Nimet︠s︡ʹka Demokratychna Respublika --- NRD --- Ostdeutschland --- Östtyskland --- R.D.A. --- RDA --- Repubblica democratica tedesca --- Republica Democrată Germană --- República Democrática Alemana --- Tyska demokratiska republiken --- Tyske demokratiske republik --- -Cộng hòa dân chủ Đức --- Germanskai︠a︡ Demokraticheskai︠a︡ Respublika --- Nĕmecká demokratická republika --- Német Demokratikus Köztársaság --- Nimet︠s︡ʹka Demokratychna Respublika --- Östtyskland --- Republica Democrată Germană --- República Democrática Alemana --- Germany (West) --- -Cộng hòa dân chủ Đức

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Music --- componeren --- zangkunst --- Vocal music --- Composition (Music) --- Composers --- History and criticism --- History --- Composing (Music) --- Music composing --- Music composition --- Musical composition --- Concertante style --- Composition

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Die Hermeneutik des Boten füllt nicht nur zwei Forschungslücken – weder zu Rilke noch zu Klee gibt es eine umfassende Untersuchung zur Figur des Engels, welche in beider Werk eine zentrale Rolle spielt –, sondern sie leistet auch auf der Basis feinsinniger Bild- und Gedichtinterpretationen den Nachweis, dass die Engel Rilkes und Klees trotz ihrer divergierenden inhaltlichen Ausgestaltung aufgrund ihrer Verwendung in derselben Funktion miteinander vergleichbar sind. Beide, Maler und Dichter – so die zentrale These der Arbeit –, verwenden den Engel als Denkfigur, mit deren Hilfe die je eigene Ästhetik bzw. Poetik sowie das künstlerische Selbstverständnis reflektiert werden können. Es wird deutlich, dass die Figur des Engels ein für die ästhetischen/poetischen Probleme der Moderne, welche sich im Werk Rilkes und Klees spiegeln, besonders geeignetes Ausdrucksmedium sind.

Angels in art. --- Angels in literature. --- Klee, Paul, --- Rilke, Rainer Maria, --- Criticism and interpretation.

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Women authors in literature --- French literature --- History and criticism