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Hans Memling’s God the Father with Singing and Music-making Angels formed the upper register of an enormous polyptych painted for the Benedictine monastery of Santa Maria la Real in Nájera, Spain. The three large panel paintings are undoubtedly among the most monumental works of early Netherlandish painting. Since 1895 they have belonged to the collection of the Royal Museum of Fine Arts Antwerp (KMSKA), where a team of conservators and scholars have devoted themselves in recent years to their complex conservation. To mark the completion of this project, the KMSKA organized a symposium in March 2017 in cooperation with the University of Antwerp. This latest volume in the Me Fecit series publishes the contributions presented on that occasion. Their wide-ranging themes include the commissioning and iconography of the panels, their acquisition by the museum, the depicted vestments and what the work has to tell us about fifteenth-century musical practice. Close attention is paid to technical aspects such as the materials and the painting technique used for the panels, Memling’s underdrawing, the frames, and the conservation treatment – not least the oxalate-containing layer that posed the greatest challenge. There is a musical aspect to the project too: precise replicas have been made of the depicted instruments, which were then used to perform fifteenth-century compositions with playing techniques inferred from the paintings.
Conservation. Restoration --- Painting --- restoration [process] --- polyptychs --- technical art history --- Memling, Hans --- anno 2000-2099 --- iconology --- musicology --- Iconography --- Music --- restorative processes and techniques --- artists-in-residence --- panel painting [image-making] --- musical instrument makers --- Royal Museum of Fine Arts [Antwerp] --- Memling, Hans, --- Painting, Netherlandish --- Art, Renaissance --- Hemelinck, Hans, --- Hemling, Hans, --- Hemmeling, Hans, --- Mamline, Hans, --- Memlinc, Hans, --- Memmelinck, Hans, --- Memmelynghe, Jan van, --- Memling, Khans, --- Memling, --- Netherlandish painting --- Art, Renaissance. --- Hemelinck, Hans --- Hemling, Hans --- Hemmeling, Hans --- Mamline, Hans --- Memlinc, Hans --- Memmelinck, Hans --- Memmelynghe, Jan van --- Memling, Khans --- Memling --- Renaissance art --- interdisciplinair onderzoek --- restauratie --- altaarstukken --- muziek --- muziekinstrumenten --- restauratie. --- altaarstukken. --- muziek. --- muziekinstrumenten. --- Memling, Hans.
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The Ghent Altarpiece by Hubert and Jan van Eyck has always attracted both admiration and curiosity. Following the treatment of the closed polyptych, we turned to the paintings of the lower register of the open altarpiece, which includes the famous Adoration of the Lamb. A major research and restoration campaign by the KIK was carried out between 2016 and 2020. The findings reflect those from the treatment of the closed altarpiece: large areas of the panels were covered with overpaints, the vast majority dating from the 16th century. Their removal allows the Van Eycks brothers’ paintings to be truly appreciated again. The three years that the conservators spent working on the panels enabled them to examine the paintings down to the smallest detail. Interdisciplinary collaboration with laboratory scientists, art historians and experts in scientific imagery led to a series of discoveries – some anticipated in light of earlier research, others completely unexpected. The authenticity of the quatrain stating that Hubert had begun the work, that his brother Jan completed it and that it was presented in 1432, has been firmly established by the KIK in the previous volume on the Ghent Altarpiece (2020). In this second volume, new hypotheses are proposed here regarding the division of labour between the two Van Eyck brothers. The contribution of Hubert, who died in 1426, can finally be seen more clearly and turns out to be far from negligible. But the removal of overpaints has revealed non-Eyckian interventions too...
Conservation. Restoration --- altarpieces --- historical models --- conservation science [cultural heritage discipline] --- Gent, Sint-Baafskathedraal --- Het Lam Gods --- Eyck, van, Hubert --- Eyck, van, Jan --- Art --- Conservation and restoration --- Eyck, Jan van, --- Eyck, Hubert van, --- Van Eyck, Hubert, --- Eyck, Hubrecht van, --- Van Eyck, Hubrecht, --- Eyck, Lubrecht van, --- Van Eyck, Lubrecht, --- Van Eyck, Jan --- van Eyck, Jan --- Ėĭk, I︠A︡n van, --- Eyck, Jean van, --- Conservation and restoration. --- Criticism and interpretation. --- Lam Gods (Gebr. Van Eyck) --- restauratie --- conservatie --- techniek --- Eyck, van (gebr.) --- Eyck, Jan van --- Eyck, Hubert van --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Van Eyck, Jan (1390?-1440). --- Van Eyck, Hubert --- Conservation et restauration. --- Art, Primitive --- Van Eyck, Jan, --- 625.1 Schilderkunst --- Lam Gods (Gebr Van Eyck). --- restauratie. --- conservatie. --- techniek. --- van Eyck (gebr.). --- van Eyck, Jan. --- van Eyck (gebr.) --- kunsttheorie. --- satire. --- kunstgeschiedenis. --- Frankrijk.
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