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091 <41 MARGAM> --- 091 <41 MARGAM> Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--MARGAM --- Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--MARGAM --- Margam Abbey --- Manuscripts, Latin (Medieval and modern) --- Nobility --- Paleography, Latin --- Scriptoria --- Copying rooms --- Writing rooms --- Rooms --- Illumination of books and manuscripts --- Manuscripts --- Monasteries --- Monastic libraries --- Noble class --- Noble families --- Nobles (Social class) --- Peerage --- Upper class --- Aristocracy (Social class) --- Titles of honor and nobility --- Medieval and modern Latin manuscripts --- Manuscripts, Medieval --- History&delete& --- Sources --- Reproduction --- History --- Sources. --- Wales --- Cambria --- Cymric --- Gwalia --- Cymru --- England and Wales --- Paleography, Latin - Wales - Glamorgan --- Manuscripts, Latin (Medieval and modern) - Wales - Glamorgan --- Scriptoria - Wales - Glamorgan - History - Sources --- Nobility - Wales - Glamorgan - History - Sources --- Wales - History - 1063-1284 - Sources

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Despite rhythm and blues culture's undeniable role in molding, reflecting, and reshaping black cultural production, consciousness, and politics, it has yet to receive the serious scholarly examination it deserves. Destructive Desires corrects this omission by analyzing how post-Civil Rights era rhythm and blues culture articulates competing and conflicting political, social, familial, and economic desires within and for African American communities. As an important form of black cultural production, rhythm and blues music helps us to understand black political and cultural desires and longings in light of neo-liberalism's increased codification in America's racial politics and policies since the 1970's. Robert J. Patterson provides a thorough analysis of four artists-Kenneth "Babyface" Edmonds, Adina Howard, Whitney Houston, and Toni Braxton-to examine black cultural longings by demonstrating how our reading of specific moments in their lives, careers, and performances serve as metacommentaries for broader issues in black culture and politics.

Rhythm and blues music --- African Americans --- Music, Rhythm and blues --- R & B (Music) --- R&B (Music) --- Rhythm 'n' blues music --- Popular music --- Blues (Music) --- Soul music --- Social aspects --- History. --- Political aspects --- History and criticism. --- Attitudes. --- r&b, rhythm and blues, blues, black culture, african american, inequality, kenneth edmonds, babyface, adina howard, whitney houston, whitney, toni braxton, music, black music, black inequality.

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The Earl, The Kings, And The Chronicler' is the first full length biography of Robert (c.1088-1147), grandson of William the Conqueror and eldest son of King Henry I of England (1100-35), who could not succeed his father because he was a bastard. Instead, as the earl of Gloucester, he helped change the course of English history by keeping alive the prospects for an Angevin succession through his leadership of its supporters against his father's successor, King Stephen (1135-54) in the civil war known as the Anarchy. 0Robert of Gloucester is one of the great figures of Anglo-Norman history (1066-1154). He occupies important niches in the era's literature, from comprehensive political studies of Henry I's and Stephen's reigns and an array of specialized fields to the 'Brother Cadfael' novels of Ellis Peters. Gloucester was one of only three landed super-magnates of his day, a model post-Conquest great baron, Marcher lord, borough developer, and patron of the rising merchant class. His trans-Channel barony0stretched from western Lower Normandy across England to south Wales. Robert was both a product and a significant agent of the contemporary cultural revival known as the Renaissance of the Twelfth Century, being bi-lingual, well educated, and a significant literary patron. In this last role he is especially notable for commissioning the greatest English historian since Bede, William of Malmesbury, to produce a history of their times which justified the empress Matilda's claim to the English throne and Earl Robert's support of it.

Nobility --- History --- Robert, --- Great Britain

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Church work with the sick --- Pastoral medicine --- Catholic Church --- Clergy.

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