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In Law and the Visual, leading legal theorists, art historians, and critics come together to present new work examining the intersection between legal and visual discourses.
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The visual arts offer refreshing and novel resources through which to understand the representation, power, ideology and critique of law. This vibrantly interdisciplinary book brings the burgeoning field to a new maturity through extended close readings of major works by artists from Pieter Bruegel and Gustav Klimt to Gordon Bennett and Rafael Cauduro. At each point, the author puts these works of art into a complex dance with legal and social history, and with recent developments in legal and art theory. Manderson uses the idea of time and temporality as a focal point through which to explore how the work of art engages with and constitutes law and human lives. In the symmetries and asymmetries caused by the vibrating harmonic resonances of these triple forces - time, law, art - lies a way of not only understanding the world, but also transforming it.
Law in art. --- Law and art. --- Time in art. --- Time and art. --- Time (Law) --- Civil procedure --- Notice (Law) --- Limitation of actions --- Art and time --- Art --- Art and law --- Social aspects. --- Collectors and collecting --- Law and legislation
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What do Margaret Atwood or Gulliver’s Travels have to do with Facebook, Tik Tok or COVID-19 and issues of surveillance?Covers a range of topical issues ranging from the security state and the power of tech industries, to COVID-19 and the role of surveillance in the experience of indigenous peoples in post-colonial societiesCompares legal frameworks and offers an overview of surveillance in France, the UK, US, Canada and AustraliaDraws on a range of resources including literary texts, such as Jonathan Raban’s Surveillance, Margaret Atwood's Bodily Harm and The Testaments and Jonathan Swift’s Gulliver’s TravelsExamines the key concepts involved in surveillance studies, including surveillance itself, privacy, identity, trust, consent, agency and securityThe growing sophistication of surveillance practices has given rise to concerns and discussions in the public sphere, but has also provided a popular theme in literature, film and the arts. Bringing together contributors across literary studies, law, philosophy, sociology, and politics, this book examines the use, evolution, legitimacy, and implications of surveillance.Drawing on a range of resources including literary texts, chapters explore key issues such as the use and legitimacy of surveillance to address a global health crisis, the role of surveillance in the experience of indigenous peoples in post-colonial societies, how surveillance interacts with gender race, ethnicity, and social class, and the interaction between technology, surveillance, and changing attitudes to expression. It shows how literature contributes innovative ways of thinking about the challenges posed by surveillance, how philosophy and sociology can help to correct biases and law and politics can offer new approaches to the legitimacy, use and implications of surveillance.
Law and the humanities. --- Police patrol --- Surveillance operations --- Law and legislation. --- Police --- Humanities and law --- Humanities --- Electronic surveillance
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